Definition: Art movement originating in the 19th century among Paris-based artists.
Key Event: Gained prominence through independent exhibitions in the 1870s and 1880s.
Origin of the Name: Derived from Claude Monet's painting "Impression, Sunrise," leading critic Louis Leroy to use the term in a satirical review.
Brushwork: Small, thin, yet visible brush strokes.
Composition: Open and unconventional visual angles.
Light Depiction: Focus on capturing light's changing qualities, accentuating the passage of time.
Subject Matter: Ordinary scenes and contemporary life.
Movement: Inclusion of human perception and movement as an essential element of artworks.
Historical Influence: Influenced other media including music and literature, establishing the concept of 'Impressionist' art outside of the late 19th century.
Radicals: Early Impressionists broke traditional academic painting rules, valuing color over precise line work.
Painting Outdoors: Transitioned to plein air painting, allowing them to capture the momentary effects of sunlight.
Technique: Usage of short 'broken' brush strokes and mixed colors to portray intense color vibration, moving away from smooth blends of the past.
Public Perception: Initially met with hostility but gradually accepted as capturing a fresh vision by the public.
Artistic Legacy: Influenced future movements such as Neo-Impressionism, Post-Impressionism, Fauvism, and Cubism.
Art Scene: Dominated by the Académie des Beaux-Arts, favoring traditional subjects and styles in the mid-19th century.
Salon de Paris: Annual juried art exhibition where traditional works received acclaim while emerging Impressionist works were often rejected.
Édouard Manet’s Rejection: "The Luncheon on the Grass" faced rejection in 1863 due to its controversial depiction of a nude in a contemporary setting, leading to the establishment of the Salon des Refusés.
Artistic Gathering: Core group of young realists formed friendships and laid the groundwork for Impressionism.
Société Anonyme Coopérative: Established in 1873 by Monet, Renoir, Pissarro, and Sisley to exhibit their works independently, avoiding the traditional Salons.
First Exhibition: Held in April 1874, receiving mixed critical responses, solidifying the term "Impressionist" for the new movement.
Individual Paths: Artists like Degas held different views; while Monet and Pissarro sought spontaneity, Degas prioritized drawing.
Exhibitions: The group organized a series of exhibitions between 1874 and 1886 despite financial struggles.
Quick Capture: Use of short thick strokes of paint to capture the essence of the subject.
Colour Mixing: Layering side-by-side colors to create vibrant surfaces; avoiding the traditional use of black paint.
Natural Light: Emphasis on light play and the reflection of colors, especially in outdoor settings.
Pre 19th Century Influences: Techniques drawn from painters like Delacroix and Courbet.
Tools Evolution: Advantage of premixed paints in tubes allowed spontaneity.
Candid Approach: The rise of photography influenced Impressionists to capture fleeting moments rather than historical accuracy.
Artistic Expression: Emphasized subjective perceptions over exact reflections of reality.
Japonism: The influence of Japanese ukiyo-e prints introduced snapshot angles and unconventional compositions.
Key Artists:
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Camille Pissarro
Mary Cassatt
Beyond France: Impressionism influenced artists globally including American, British, Australian, and other international movements.
New Directions: Emerged in the 1880s with artists like Van Gogh and Seurat exploring unique color and form philosophy.
Enduring Influence: Initial Impressionist artists like Pissarro sometimes delved into post-Impressionist styles.
Cultural Impact: Impressionism initiated profound changes in artistic practices, forming the bedrock for subsequent contemporary art movements.