CPAR_LESSON-4

Page 1: Introduction to Contemporary Philippine Arts

• Overview of Philippine arts highlighting regional influences.

Page 2: Learning Objectives

At the end of the discussion, Grade 12 learners shall be able to:

1. Determine the Gawad sa Manlilikhang Bayan and its significance to traditional folk arts.

2. Explain the essentials of traditional folk arts in our lives through oral sharing.

3. Distinguish between the Gawad sa Manlilikhang Bayan and traditional folk arts through various activities.

Page 3: Traditional Folk Arts

• Categories of Traditional Folk Arts:

  • A. Folk Architecture

  • B. Maritime Transports

  • C. Weaving, Textile Making and Fabric Art

  • D. Carving

  • E. Performing Art

  • F. Literature

  • G. Graphic and Plastic Art

  • H. Ornament

  • I. Pottery

• Gawad sa Manlilikha ng Bayan (GAMABA): Acknowledges traditional artists in the Philippines.

Page 4: Folk Architecture - Bahay Kubo

• Bahay Kubo:

  • Icon of Filipino lowland and rural culture.

  • Represents simplicity and adaptability in Filipino architectural design.

Page 5: Folk Architecture - Bale

• Bale (Ifugao House):

  • Description: A one-room house with an attic for storage.

  • Reflects the practical needs and climatic conditions of the Ifugao people.

Page 6: Folk Architecture - Ivatan Houses

• Ivatan Houses:

  • Features: Built with limestone walls and cogon roofs.

  • Purpose: Designed to withstand the harsh climates of typhoons and earthquakes.

Page 7: Folk Architecture - Torogan

• Torogan:

  • Meaning: “Place for sleeping.”

  • Significance: Stately house for elite members of the Maranao Tribe in Mindanao.

Page 8: Folk Architecture - Badjao Stilt House

• Badjao:

  • Known as the sea gypsies of the Philippines.

  • Their ecological setting and fishing economy shape their unique stilt houses for mobility on water.

Page 9: Maritime Transport - Edgardo Sarmiento Painting

• Description of a painting depicting traditional boat usage in Southeast Asia, highlighting cultural nuances in daily life.

Page 10: Maritime Transport - Wooden Banca

• Wooden Banca:

  • Description: A small outrigger canoe used for daily transportation and fishing along coastal areas.

Page 11: Maritime Transport - Vinta

• Vinta:

  • Traditional boat made by the Sama-Bajau and Moros, featuring colorful designs symbolic of the Muslim community.

Page 12: Weaving, Textile Making and Fabric Art

• Emphasis on the artistry involved in traditional weaving techniques across cultures in the Philippines.

Page 13: Weaving - Piña Cloth

• Piña Weaving:

  • Oldest industry in Aklan.

  • Characteristics: Soft yet durable fabric; includes variations like Piña silk and Piña jusi, each with unique blends and textures.

Page 14: Weaving - T’nalak

• T’nalak:

  • Woven by T’boli women in South Cotabato, symbolizing their cultural identity and storytelling through textile designs.

Page 15: Weaving - Tingkep Baskets

• Tingkep Baskets:

  • Crafted by Palawan women from bamboo strips; serve both practical and spiritual purposes within the community.

Page 16: Weaving - Hinabol

• Hinabol Weaving:

  • Done by the Higaonon, featuring abaca as a primary material, reflecting local traditions in textiles.

Page 17: Weaving - Yakan Weaving

• Yakan Weaving:

  • Focused on nature-inspired geometric designs, made by the Yakan tribe in Basilan, showcasing cultural narratives.

Page 18: Weaving - Tapis

• Tapis:

  • A traditional Kalinga garment passed down through generations, showcasing sacred weaving techniques and patterns.

Page 19: Carving

• Focus on the significance of carving in cultural expressions across various Filipino communities.

Page 20: Woodcarving - Paete

• Paete:

  • Known as the woodcarving capital of the Philippines, highlighting its rich tradition in creating intricate wooden artworks.

Page 21: Performing Arts

• Encompasses folk dances and music that reflect the specific cultural and traditional narratives of Philippine communities.

Page 22: Literature

• Oral Literature:

  • Represents traditional storytelling and cultural expression among various ethnic groups in the Philippines, preserving history and identity.

Page 23: Graphic and Plastic Arts

• Graphic Arts:

  • Includes sketching, painting, and photography.

• Plastic Arts:

  • Encompasses sculpture and ceramics, revealing artistic interpretations of the cultural context.

Page 24: Ornamentation

• Used to embellish architectural elements or objects, enhancing aesthetic appeal through traditional designs.

Page 25: Pottery - Manunggul Jar

• Manunggul Jar:

  • Notable secondary burial jar from Palawan, reflecting ancient burial practices and craftsmanship from the prehistoric era.

Page 26: Pottery - Maitum Anthropomorphic Potteries

• Maitum Pottery:

  • Dating back from 5 BC to 225 AD, these items were discovered at Ayub Cave and showcase significant archeological heritage.

Page 27: Gawad sa Manlilikhang Bayan - Overview

• R.A. No. 7355:

  • Award aimed at preserving traditional arts and supporting folk artists in the Philippines through recognition and financial aid.

Page 28: Criteria for Selection - Gawad sa Manlilikhang Bayan

1. Must be an inhabitant of an indigenous/traditional cultural community.

2. Engaged in a documented folk art tradition for at least 10 years.

3. Produce high-quality works consistently.

4. Mastery of the necessary tools and materials.

Page 29: Honors and Privileges - Gawad sa Manlilikhang Bayan

• Recognizes artists with monetary awards, medical benefits, and funeral assistance, thereby supporting their legacy.

Page 30: Categories of Traditional Folk Arts under Gawad sa Manlilikhang Bayan

• Includes but is not limited to:

  • Maritime transport

  • Weaving

  • Carving

  • Performing arts

  • Literature

  • Graphic and plastic arts

  • Ornament

  • Pottery

Page 31: Awardees of Gawad sa Manlilikhang Bayan

• Ginaw Bilog:

  • Hanunuo Mangyan poet and advocate for Ambahan preservation. (GAMABA Awardee 1993)

  • Ambahan: A poetic form comprising seven-syllable lines.

Page 32: Awardees of Gawad sa Manlilikhang Bayan - Inscribed Bamboo

• Describes bamboo containers inscribed with Ambahan, highlighting the cultural significance of written literature.

Page 33: Masino Intaray - Musician and Storyteller

• Contribution to epic chanting; recognized for mastery of traditional musical instruments. (GAMABA Awardee 1993)

Page 34: Samaon Sulaiman - Musician

• Biography detailing his early musical training and contributions to the musical heritage of the Maguindanao. (GAMABA Awardee 1993)

Page 35: Lang Dulay - Textile Weaver

• Renowned for T’boli textile designs; KV of storytelling through weaving. (GAMABA Awardee 1998)

Page 36: Salinta Monon - Textile Weaver

• Extensive experience in traditional Bagobo weaving techniques and preservation of cultural designs. (GAMABA Awardee 1998)

Page 37: Alonzo Saclag - Musician and Dancer

• Advocate for Kalinga culture through dance and performing arts. (GAMABA Awardee 2000)

Page 38: Federico Caballero - Epic Chanter

• Known for extensive documentation of epic literature, actively roles in community conflict resolution. (GAMABA Awardee 2000)

Page 39: Uwang Ahadas - Musician

• Significant contribution to Yakan music and education; instrumental in preserving cultural music traditions. (GAMABA Awardee 2000)

Page 40: Darhata Sawabi - Textile Weaver

• Known for creating the traditional Pis syabit cloth of the Tausug community. (GAMABA Awardee 2004)

Page 41: Eduardo Mutuc - Metalsmith

• Expertise in religious art, recognized for detailed craftsmanship and public art installations. (GAMABA Awardee 2004)

Page 42: Haja Amina Appi - Mat Weaver

• Renowned for creating intricate mats; her work exemplifies cultural artistry in mat weaving. (GAMABA Awardee 2004)

Page 43: Teofilo Garcia - Casque Maker

• Master artisan of traditional gourd casques, integrating functionality with artistry. (GAMABA Awardee 2012)

Page 44: Magdalena Gamayo - Textile Weaver

• Renowned in the abel-weaving tradition, known for her quality and legacy in textile craftsmanship. (GAMABA Awardee 2012)