Mannerism developed in the late Renaissance period, primarily in the 16th century.
It is characterized by a reaction against the idealized naturalism of Renaissance artists.
A significant influence on Mannerism was the work of Michelangelo.
Influence of Michelangelo
Michelangelo's style and techniques became models for younger artists in Rome.
His emphasis on the human figure and emotional expression had a lasting impact, leading to an exaggerated form and complex poses in Mannerism.
The use of dramatic lighting and vivid colors can also be traced back to his work.
Characteristics of Mannerism
Mannerist art often features elongated forms, exaggerated poses, and a sense of tension that departs from the balanced harmony of High Renaissance art.
Color use is often bold and unconventional.
Unlike the idealized realism of earlier periods, Mannerism explores artificiality over naturalism.
Mannerism Beyond Italy
While Mannerism originated in Italy, its influence spread to other parts of Europe, although not as widely as the Renaissance.
Example: El Greco (Domenikos Theotokopoulos), a Spanish artist of Greek origin, embodies Mannerist characteristics despite not being Italian.
El Greco's elongated figures and emotional turbulence showcase how Mannerism transcended geographical boundaries.
Mannerism as a Unique Style
Mannerism is distinct in its lesser extent of European spread compared to the Renaissance, marking it as a specific artistic movement.
It presents a challenge to define, as it varies significantly between artists, locales, and their interpretations of Michelangelo's influence.