Teacher expresses concern about poor class attendance despite having a larger number enrolled.
Emphasizes importance of regular attendance for student success.
Acknowledges students facing issues obtaining necessary texts due to financial aid problems.
Teacher states they are trying to address these problems effectively without answering each email individually.
Promises a solution will be announced on Thursday for those who missed materials.
Current week’s focus is on rhythm, following last week’s focus on form.
Importance of rhythm and form highlighted for analysis and listening exercises in class.
Teacher begins defining rhythm through dictionary references and etymology.
Etymology, the study of word origins, indicates origins from Middle French and Latin, means "to flow."
First Definition: Ordered recurrent alternation of strong and weak elements in flow or silence in speech.
Specific example: Iambic rhythm (short, long alternation).
Teachers suggest a potentially better definition connecting rhythm to both speech and music.
Second Definition: Comprises elements of accent, meter, and tempo.
Rhythm understood through its components that contribute to movement in music.
Teacher poses the question of whether any music exists without rhythm.
Responses indicate that some genres (like ambient or certain types of flute music) may lack traditional rhythmic structures.
Teacher reiterates that all music consists of rhythm, even if only minimally present.
Defines rhythm as "the movement of music through time".
Links rhythm to sectional form previously studied in classical music.
Discusses macro rhythms which can span longer time frames incorporating these sections.
Introduction of basic rhythmic terms: tempo, beat groupings, and meter.
Tempo: Speed of music indicated by beats/pulses.
Different beat groupings: duple (two or four beats) and triple (three beats).
Explanation of how strong and weak beats create meter, with a downbeat marking the first strong beat.
Simple Meter: Repeating rhythmic pattern based on duple or triple organization. Examples discussed in context of songs.
Discussion of exceptions where songs may change meter mid-way, though rare.
Explanation and significance of backbeat, emphasizing the strong beats (on two and four).
Backbeat propels the music forward, foundational in pop and dance music.
Definition of syncopation, emphasizing accents on normally weak beats.
Provides examples of syncopation and its significance in styles such as funk, highlighted by references to James Brown.
An "ostinato" defined as a stubborn rhythm that constantly repeats, providing forward motion in music.
Cites Bolero by Maurice Ravel as an example.
Encourages students to manage issues and seek help, especially regarding class attendance.
Discusses student inquiries about upcoming exam format and expectations:
Exam to be conducted during class time with a strict window for completion.
Emphasizes the importance of preparation, but allows open notes.
Invites students to address any other questions, addressing technical issues regarding logins and materials.