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Peking-Opera (Mapeh)

Peking Opera Overview


  • Peking Opera combines Grand Opera, Ballet, and acrobatic display.

  • Includes dancing, dialogue, monologue, acrobatic combat, and mime.

  • Performers need to be skilled in singing, acting, and acrobatics simultaneously.

  • Takes over ten years of training to master singing and acrobatic skills.

History of Peking Opera


  • Originated in 1790 in Beijing by the Four Great Anhui Troupes.

  • Initially performed for Emperor Qianlong's birthday celebration.

  • Became popular during the Qing dynasty and is considered a national art form.


Characteristics of Peking Opera


  • Emphasizes simplicity, symbolism, and synchronization.

  • Actors wear elaborate and colorful costumes and move symbolically.

  • Plots are derived from folklore, popular novels, and historical events.





Roles in Peking Opera


  • Four major roles: Sheng, Dan, Jing, Chou.

  • Sheng: male roles with subtypes based on age and personality.

  • Dan: female roles with subtypes like Laodan, Huadan, Wudan, Daomadan, Qingyi.

  • Jing: male roles with painted faces representing loyalty, evil, or integrity.

  • Chou: male clown roles believed to drive away evil spirits.


Musical Elements in Peking Opera


  • Includes singing, speech, instrumental interludes, and percussion patterns.

  • Tempo varies based on the plot, scene, and character's personality.

  • Six main types of song lyrics like emotive, condemnatory, narrative, descriptive, disputatious.


Melodies and Instruments


  • Two main melodies: Xipi and Erhuang, each expressing different moods.

  • Lead melodic instruments: Jing Hu Yuen.

  • Instruments accompanying singing: Erhu, Souna.

  • Instruments for military scenes and special effects: Bangzi, daluo, naobo, Xia