Peking-Opera (Mapeh)
Peking Opera Overview
Peking Opera combines Grand Opera, Ballet, and acrobatic display.
Includes dancing, dialogue, monologue, acrobatic combat, and mime.
Performers need to be skilled in singing, acting, and acrobatics simultaneously.
Takes over ten years of training to master singing and acrobatic skills.
History of Peking Opera
Originated in 1790 in Beijing by the Four Great Anhui Troupes.
Initially performed for Emperor Qianlong's birthday celebration.
Became popular during the Qing dynasty and is considered a national art form.
Characteristics of Peking Opera
Emphasizes simplicity, symbolism, and synchronization.
Actors wear elaborate and colorful costumes and move symbolically.
Plots are derived from folklore, popular novels, and historical events.
Roles in Peking Opera
Four major roles: Sheng, Dan, Jing, Chou.
Sheng: male roles with subtypes based on age and personality.
Dan: female roles with subtypes like Laodan, Huadan, Wudan, Daomadan, Qingyi.
Jing: male roles with painted faces representing loyalty, evil, or integrity.
Chou: male clown roles believed to drive away evil spirits.
Musical Elements in Peking Opera
Includes singing, speech, instrumental interludes, and percussion patterns.
Tempo varies based on the plot, scene, and character's personality.
Six main types of song lyrics like emotive, condemnatory, narrative, descriptive, disputatious.
Melodies and Instruments
Two main melodies: Xipi and Erhuang, each expressing different moods.
Lead melodic instruments: Jing Hu Yuen.
Instruments accompanying singing: Erhu, Souna.
Instruments for military scenes and special effects: Bangzi, daluo, naobo, Xia