Result of the Enlightenment: renewed interest in Classical past (Greece and Rome).
Unlike the Renaissance, which combined Greco-Roman ideals with Christian values, the Enlightenment rejected the idea of God.
Enlightenment thinkers focused on man as all-knowing and self-sufficient, seeking answers through reason and science.
Distrust of the Church and governments arose from their abuses, leading Enlightenment thinkers to advocate for a removal of these institutions in search of true freedom.
This shift impacted the role and purpose of art in culture significantly.
Driven by Enlightenment ideas, Europeans sought new artistic principles.
Archaeological excavations of Herculaneum and Pompeii revived ancient Roman ideals of virtue and honor.
Angelica Kauffmann's "Cornelia Presenting Her Children as Her Treasures" symbolizes that the true treasures are one's children, emphasizing virtue over material wealth.
Neoclassical art is characterized by clarity, rationalism, and an absence of Christian themes unlike the Rococo genre.
Angelica Kauffmann, "Cornelia Presenting Her Children as Her Treasures," ca. 1785• Oil on canvas, 3' 4" x 4' 2"• Illustrates moral virtue through Cornelia's choice to present her children as her treasures.
Jacques-Louis David, "Oath of the Horatii," 1784• Oil on canvas, approx. 11' x 14'• Depicts themes of loyalty to the state over family, resonating with Enlightenment rationalism.
Jacques-Louis David, "The Death of Marat," 1793• Memorial to revolutionary martyr Jean Marat, blending Christian symbolism with current events.• Reflects on martyrdom and revolutionary themes in a similar vein to Christian art.
Jacques-Louis David, "The Coronation of Napoleon," 1805-1808• Massive painting depicting Napoleon's rise with art manipulated to enhance his image.
Transition from Neoclassical severity to Romantic emotional expression.
Romanticism focuses on feelings and current events rather than religious themes.
Théodore Géricault, "Raft of the Medusa," 1818-1819• Addresses government incompetence; conveys raw emotion and realism of a tragic event.
Francisco Goya, "The Third of May 1808," 1814• Depicts the horror of war against the backdrop of religious themes; showcases intense emotional response.
Goya critiques Enlightenment ideals by questioning the loss of tradition and the consequences of pure reason.
Emergence of photography in the early 1800s combined optical and chemical processes, leading to the future of visual arts.
Photography's ability to capture reality challenges traditional painting, leading to experiments with light and composition.
Manet serves as a bridge between Realism and Impressionism, impacting conceptual approaches to art.
Manet, "Le Déjeuner sur l'herbe," 1863• Challenges traditional notions of art with a modern commentary on society and class.
With "Olympia," he confronts traditional representations by presenting a nude with a direct gaze, challenging societal norms.
Manet's works prompt viewers to engage with the realities of modernity, reflecting cultural changes.
Art becomes a commentary on culture rather than a mere reflection of it; artists adopt the role of cultural critics.
Movement towards Modernism emerges as artists begin to reject past traditions, aimed at innovation and breaking ground in art.