1.1 | Periods of Music |
1.1.1 | Baroque (1600 – 1750) 3 composers – Bach, Handel, Vivaldi (Purcell) Key Features - use of ornamentation e.g. trills, mordent, turn - baroque instruments e.g. harpsichord - basso continuo – harpsichord playing a single line bassline and cello or double bass playing chords - contrapuntal textures – melody lines moving independently of each other - terraced dynamics – sudden changes of dynamics - melody made of short melodic phrases called motifs |
1.1.2 | Classical (1750 – 1820) 3 composers – Mozart, Haydn, Beethoven Key Features - regular and consistent phrasing marked by cadences - Alberti bass - Functional harmony - Melody dominated homophony - Sonata Form |
1.1.3 | Romantic (1820 – 1910) 3 composers – Chopin, Schumann, Brahms Key Features - Adventurous harmonies and modulations - Freer structure and form - Use of rubato - Larger range of dynamics - Nationalism in Music - Use of 7th, 9th and 11th |
1.1.4 | 20th Century (1910 – 2000) Key Features - Expressionist : Schoenberg, Webern Disjunct (large intervals between notes) Dissonance (lack of harmony among notes, clash) Angular melodies Extreme contrast of dynamics Atonal (has no key or tonal centre) - Minimalist : Glass, Reich Metamorphosis (changes are made over time to melody until it changes into something new) Additive and Subtractive Melodies (adding or subtracting a note) Phase shifting (parts are played simultaneously but slightly out of synchronisation) |