Effective artists protect their art with sincerity.
In art, truth is needed, not sincerity.
Lewis Carroll, known for his logic, used symbolic logic in stories, often deemed too bleak for adult audiences, thus appealing to children.
Abstraction and Romanticism: Gothic art derives abstraction from romanticism, delving into the imagery of the unconscious. It includes themes such as:
Mirrors symbolizing reflection of the self.
Automata representing mechanization of life.
Haunted forests and forbidden erotic objects.
Exaggeration: Characters and events are exaggerated to become symbols of ideas and passions.
Gothic style features ornate, unnatural elements which challenge the human desire to accept words as realities.
Psychoanalysis parallels Gothic themes, often using the primal crimes (like parricide and incest) as models of human experiences without moral lessons. The unease provoked by Gothic art serves a moral function.
Reading solely for pleasure is viewed as immoral, as it can lead to a lack of engagement with deeper meanings of art.
Artistic figures such as Milton and Michelangelo embody the duality of beauty and boredom, which may detract from the perception of creative work.
The intent of romantic art is to subvert established order rather than to indulge in the aesthetic of the sublime.
The author reflects on the paradoxes of life during the Enlightenment, particularly through figures like the Marquis de Sade, who oscillated between roles of a judge and a prisoner during periods of revolution.
Contradictions in art and life produce a depth of understanding and engagement necessary to provoke thought and challenge norms.