Zaabalawi Notes
Initial Encounter and Zaabalawi's Reputation
Introduction to Zaabalawi
The narrator first learns about Sheikh Zaabalawi through childhood stories and family discussions.
Zaabalawi's Transformative Qualities
He is portrayed as someone who can significantly change one's perception and experience of the world.
Father's Reverence
The narrator's father deeply respects Zaabalawi, considering him a saint blessed by God, capable of easing worries and solving problems.
The father always wished for Zaabalawi's blessing.
Reputation for Miracles
Zaabalawi is known for performing miracles, earning him admiration, especially from the narrator's father, who often spoke of these wonders.
The Narrator's Affliction and Quest
Unexplained Illness
The narrator suffers from a persistent illness that does not respond to standard medical treatments.
Seeking Zaabalawi
Inspired by stories of Zaabalawi, the narrator seeks him out as a potential healer, viewing him as a last resort.
Recollection of Khan Gaafar
The narrator recalls his father mentioning an encounter with Zaabalawi in Khan Gaafar, at the home of Sheikh Qamar, a legal expert in religious courts.
Beginning the Quest
The narrator starts his search at Sheikh Qamar's residence, hoping to find information about Zaabalawi's whereabouts.
Encounters and Disappointments
Search for Sheikh Qamar
The narrator learns from a vendor that Sheikh Qamar has moved to Garden City, with his office now in al-Azhar Square.
Meeting Sheikh Qamar
Upon arriving at Sheikh Qamar's office, the narrator is greeted with a formal reception, typical for prospective clients.
Sheikh Qamar's Vague Recollection
Sheikh Qamar remembers the narrator's father and his past connection with Zaabalawi, but claims it was long ago and his memory of Zaabalawi is unclear.
Direction to Birgawi Residence
When asked about Zaabalawi's current location, Sheikh Qamar directs the narrator to the Birgawi Residence, located in a densely populated area of the city.
The Dilapidated Residence
The Birgawi Residence is run-down, and the caretaker vaguely remembers Zaabalawi but doesn't know where he is now.
Caretaker's Reminiscence
The caretaker recalls Zaabalawi's visits and conversations about the past, noting the sense of blessing his presence brought.
Inquiries in the District
The narrator asks shopkeepers about Zaabalawi, receiving mixed responses: some are unfamiliar, others recall him nostalgically but don't know his current location; some dismiss him as a fraud.
Disheartened Return
The narrator returns home discouraged, his hope fading after the unsuccessful encounters.
A Glimmer of Hope and Further Inquiry
Seeking Help from a District Officer
The narrator seeks help from a district officer, noticing he wears a European jacket with a traditional robe.
Officer's Acknowledgment
The officer admits Zaabalawi is hard to find and doesn't have a permanent address.
Detailed Map
The officer shows a detailed map of the district, marking houses, the Quarter of Perfumes, the Quarter of the Coppersmiths, the Mouski, police and fire stations, cafes, mosques, prayer-rooms, and the Green Gate.
Systematic Search
The officer advises a thorough search but admits he hasn't seen Zaabalawi recently.
Guidance to Hassanein
Guided by the officer, the narrator seeks Hassanein, a calligrapher in Umm al-Ghulam, known to be friends with Zaabalawi.
Hassanein's Description
Hassanein confirms Zaabalawi was his teacher, describing him as mysterious, often visiting and disappearing without warning.
Zaabalawi's Qualities
Hassanein mentions Zaabalawi's impeccable taste and unforgettable beauty.
The Musician's Tale
Information from a Vendor
The narrator learns from a lupine vendor that Zaabalawi was recently at the house of Sheikh Gad, a composer in Tabakshiyya.
Arrival at Sheikh Gad's House
Sheikh Gad welcomes the narrator into his traditionally decorated home.
Zaabalawi's Visit
Sheikh Gad recounts that Zaabalawi spent the entire night during the Lesser Bairam and chose the poem to be played.
Zaabalawi's Influence
Sheikh Gad shares stories of how Zaabalawi inspired his music, joking with the children and playfully punching Gad when he lacked inspiration.
Musical Essence
Sheikh Gad describes Zaabalawi as the essence of music, noting even a brief encounter could stir deep emotions.
Jasmine Petals
Sheikh Gad remembers Zaabalawi playing with a string of jasmine petals.
Direction to Hagg Wanas
Inquiring about Zaabalawi's location, Sheikh Gad directs the narrator to Hagg Wanas al-Damanhouri, a man of independent means who frequents the Negma Bar in Ali Street.
The Encounter with the Drunkard
Finding Wanas al-Damanhouri
The narrator finds Wanas al-Damanhouri at the Negma Bar, sitting behind a pillar surrounded by mirrors and alcohol.
Wanas's Intoxication
Wanas is absorbed in his drunken state and initially unaware of the narrator.
Demand for Indulgence
Wanas insists the narrator must drink alcohol to have a meaningful conversation, threatening a lack of understanding otherwise.
Compliance
The narrator hesitantly drinks the wine, feeling a burning sensation in his stomach and the need to get drunk.
The Dream and Disappearance
Dreamlike Vision
The narrator blacks out and has a dream of a garden with fragrant branches, filled with serenity and harmony, with the universe in a rapturous dance.
Revelation
Waking up, the narrator is told by Wanas al-Damanhouri that Zaabalawi was there, playing with jasmine petals.
Search for the Sheikh
Wanas had sent a vendor to find and bring back the sheikh
Zaabalawi's Departure
The narrator learns that Zaabalawi has left and won't return to Cairo until the cotton harvest, prompting street boys to seek shelter.
Lingering Hope and Acceptance
Commitment to Wait
The narrator decides to wait patiently, hoping to eventually meet Zaabalawi.
Steadfast Conviction
Despite despair and no updates from Wanas, the narrator remains convinced of the need to find Zaabalawi.
Universal Knowledge
The narrator acknowledges that many weary people know of Zaabalawi.
Loss of Contact
The narrator stops getting updates and learns W