Baroque Art
key points
counter reformation led by catholic church aginst protestants
tried to steer away taking good parts of renassaince using good parts
communicated religious themes and invoked an emotional involvement (response to protestant reformation)
catholic countries as decoration for church
style β exaggerated motion and clear detail used to produce drama, exuberance and grandeur
chiascuro often used (extreme play between light and dark) β often very high contrast and dramatic atmosphere
coined rococo as become more decorative and elaborate
general characteristics
high renassaince mixed emotion and movement of mannerism
asymetrical composition for balance; spiral compositions or restlessness
shapes melt into one another β foreground and background combine
chiaroscuro β most cases subject face and hand lit up
painterly style β movement of figures/light, high degree of technical ability
colour β glowing rich colour
distortion β figures often in exaggerated poses
subjective style β opinion and emotion important
art theatrical, dramatic, full of movement
capturing a single moment
naturalistic
important figure in early baroque art
figures, even classical and religious, in normal clothing or as normal people
make scripture almost palpable
the moment which matthew convinced to follow
main character one with halo
dramatic lighting β enough light to fill the room, but only face is highlighted
jesus (in light) accepting what is about to happen, humble, young, fragile
evil people β make them look bad so you hate
being cruxified
resurrection of jesus (no one believed)
softer facial features β effeminate
way he says hello makes them know
guy on right immatating the cruxificion
1601
carravagio
thought he saws a ghost
break bread with him
face in light, surrounded in shadow
chiaroscuro
almost like a timelapse through his life
known for self portraits
dramatic and lively
chiaroscuro
teaching
most influential of the flemish baroque
biblical massacre of the innocents of Bethlehem
key points
counter reformation led by catholic church aginst protestants
tried to steer away taking good parts of renassaince using good parts
communicated religious themes and invoked an emotional involvement (response to protestant reformation)
catholic countries as decoration for church
style β exaggerated motion and clear detail used to produce drama, exuberance and grandeur
chiascuro often used (extreme play between light and dark) β often very high contrast and dramatic atmosphere
coined rococo as become more decorative and elaborate
general characteristics
high renassaince mixed emotion and movement of mannerism
asymetrical composition for balance; spiral compositions or restlessness
shapes melt into one another β foreground and background combine
chiaroscuro β most cases subject face and hand lit up
painterly style β movement of figures/light, high degree of technical ability
colour β glowing rich colour
distortion β figures often in exaggerated poses
subjective style β opinion and emotion important
art theatrical, dramatic, full of movement
capturing a single moment
naturalistic
important figure in early baroque art
figures, even classical and religious, in normal clothing or as normal people
make scripture almost palpable
the moment which matthew convinced to follow
main character one with halo
dramatic lighting β enough light to fill the room, but only face is highlighted
jesus (in light) accepting what is about to happen, humble, young, fragile
evil people β make them look bad so you hate
being cruxified
resurrection of jesus (no one believed)
softer facial features β effeminate
way he says hello makes them know
guy on right immatating the cruxificion
1601
carravagio
thought he saws a ghost
break bread with him
face in light, surrounded in shadow
chiaroscuro
almost like a timelapse through his life
known for self portraits
dramatic and lively
chiaroscuro
teaching
most influential of the flemish baroque
biblical massacre of the innocents of Bethlehem