the japanese concentration camps really destroyed the japanese’s self identities and familial structure, kind of breaking them in almost
Fire Island (2022)
Baby Cobra (2016)
Rosalind Chou, “Why Asian American Sexual Politics?” (race, gender, and sexual construction, white supremacy)
the white west, as the people in power, reduce Asian Americans to sexual stereotypes in order to maintain their position in power.
they change the stereotypes based on what they need in order to maintain that hierarchy
at first, they stereotyped the “chinese man” to dangerous and predatory in order to keep them below the white male
then they reduced asian men to asexual, sexless creatures in order for them to never climb above white supremacy
asian women are either seen as sexual objects, or completely innocent, something for the white man to conquer
Celine Parreñas Shimizu, “The Bind of Representation: Performing and Consuming Hypersexuality in ‘Miss Saigon’”
hypersexuality
representation
Euni Kim. “‘An Impression of Asian People’: Asian American Comedy, Rhetoric, and Identity in Ali Wong’s Standup Comedy” (Terms: comedy, polyphony, polysemy, impersonation)
comedy
polyphony
how comedians kind of create a different identity/persona on stage that may not represent their actual self, in order to effectively communicate a joke
polysemy
the performer adjusts to how the audience might respond
if majority white, vs majority asian
the audience has the power to interpret the joke in different ways
they can decode the joke from the signs that are presented to them
based on their life perspectives
impersonation
Loubna Qutami and Omar Zahzah, “The War of Words: Language as an Instrument of Palestinian National Struggle.” (Terms: Zionism, democracy, violence)