Early Life
Born in San Miguel de Mayumo, Bulacan.
Father was an organist and symphonic band leader.
Studied composition and harmony at Liceo de Manila with Marcelo Adonay as mentor.
Furthered musical education at Ateneo de Manila University and a Escuela of the music department at Centro Escolar de Senoritas (now Centro Escolar University) for three decades.
Established a publishing company and the Buencamino Music Academy.
Nicanor Abelardo, another Filipino composer, became one of his students.
Compositional works range from small solo piano pieces to large-scale theater and film music.
Theater: "Si Tio Selo Yanyang," "Pangakong Hindi Natupad."
Piano works likened to Franz Liszt's compositions.
Incorporated Philippine folk melodies into a Western musical framework.
Famous pieces include "Mayon," "Harana," "Damdamin," and "Ang Larawan."
Early Life
Born in Santa Maria, Bulacan.
Taught solfeggio and violin by his uncle.
Taught piano at the University of the Philippines Conservatory of Music.
Studied at the American Conservatory of Music and Chicago Musical School, earning master’s and doctorate degrees in music.
Used Filipino folk songs as major elements in most of his works.
Notable compositions include "Anak Dalita," "Ano Kaya ang Kapalaran?," "Pakiusap," "Madaling Araw," and "Ave Maria."
Early Life
Born in San Miguel de Mayumo, Bulacan.
Father taught him solfeggio and banduria at age 5.
Composed first piece "Unang Buko" at age 8.
Played piano backgrounds for silent films.
Noticed by Buencamino, who recommended him for piano roles in bars.
Studied at UP Conservatory of Music in 1916 and taught solfeggio and harmony two years later.
Further studies at Chicago Musical College in 1931 exposed him to Schonberg, Bartok, and Satie.
Elevated kundiman into an art song with significant contributions.
Famous vocal works: "Nasaan ka Irog?", "Kundiman ng Luha," "Mutya ng Pasig."
Early Life
Born in Quiapo, Manila.
Son of noted government official Juan Molina.
Attended Colegio de San Juan de Letran in 1909.
Taught at UP Conservatory of Music and became Dean of Centro Escolar Conservatory of Music.
Renowned as a prominent composer akin to Claude Debussy.
Well-known piece: "Hatinggabi," a serenade for solo violin and piano.
Composer who used folk materials heavily in his compositions.
Also served as a soldier and conductor of military bands.
Notable works include "Mindanao Sketches," "Symphonies in C and Eb Major," and "Ode to Freedom."
National Artist for Music, known for conducting and composing for symphonic band.
Advocate for using folk songs, depicting Philippine beauty in work.
Famous compositions: "Lahing Kayumanggi," "Suite Pastorale."
Known for avant-garde compositions.
Noteworthy works: "Pagsamba," "Udlot-Udlot."
National Artist title awarded in 1997 for contributions to Philippine arts.
First notable Filipino female composer.
Studied with her mother, furthered education with music degrees.
Renowned works: "Toccata for Percussion and Winds," "Walang Angay theme and variations,"
National Artist for Music with a strong basis in pop songs and film soundtracks.
Collaborated with lyricist Levi Celerio on several songs.
Popular songs include "Gaano Kita Ka Mahal," and "Inang Bayan."
Composer and educator, created significant works: "La Loba Negra," "Pamugun."
Membership in the Order of National Artist for Music awarded shortly before his death.
Noted for contributions in composition and research of folk music.
His works reflect Western and Asian musical fusion.
Conductor and educator involved in folk music ensembles.
Notable works include "Kwaderno Para sa Kwerdas" and "San Andres B."
Interdisciplinary composer and ethnomusicologist with a focus on unique sound combinations.
Known for audience participation in pieces like "Awit ng Ibon."
Highly regarded composer and musician, famous for lyrical songs and musicals.
Key works: "Kay Ganda ng Ating Musika," and "Spoliarium."