Exam 1

The Medieval Era

  • Western European classical music based on theoretical writings of Ancient Greece

  • sacred - religious purpose ( later became art music )

  • music remained mainly vocal genre until 1600

  • chant - religious song

    • main sacred musical style

    • type of song

    • shorter to longer melodies

Monophonic texture - a melody, no background

  • no distinct beat

  • short

  • unhurried

  • A capella - just human voice, no instruments

polyphone - multiple melodies, performed simultaneously

Ancient Art (ars antiqua): 1150 - 1299

1st school of composers

  • Leonin (1135-1201)

  • Perotin (1200 - 1230)

Ars Nova - 14th century

  • transition from sacred to secular styles

  • rhythm - became more active

  • harmony - used more progressively

  • melodies - more contrasting rhythms

  • melodies imitated themselves - counterpoint

  • melodies overlapped, creating complexity

  • the text sometimes got obscured

  • text- the most important part

Motet - a vocal style for the chorus

  • in france, “mot” means “word”

  • a prominent motet composer - Petrus de Cruce

Madrigal - a vocal style for the chorus

  • an italian style

  • became a competitor to french music

  • alot of repetition

  • madrigal reflected the growing independence of arts from church

  • more metrical and lively than motet

  • from popular from 1350s into renaissance

  • mass - a vocal style for the chorus for church service

    • in latin

    • most important sacred music literature was produced in mass form

    • a leading mass composer - Guillaume de Machaut (1300 - 1377)

The renaissance era - 1450 - 1600

  • term given in 1855 by Jules michelet

  • meaning - re discovering past

  • “humanism”

  • search for better

Unit 5 - Functional Music

  • Gabrieli - orgnaist and choirmaster

    • searched and found new sonorities

    • his music fore shadowed the next era in music: Baroque period

Luthier - violin maker

stradivarious - best violin maker ever

Summary - Medieval and Renaissance periods

  • musical types

    • sacred (in church

  • styles( musical words)

    • chants - monophonic and free in time

    • mass +madrigal +motet = polyphonic (homophonic)

    • a capella style - voice only

    • 4 voices - soprano, alto, tenor, bass

    • renaissance period switched to homophonic

    • melody vs harmony

  • composers

    • leonin + perotin in part (notre dame church)

    • machaut = composed the first multi movement work/mass

    • hosquin des prez, gabrielli (palestrina

  • instruments/groups

    • consort = renaissance orchestra (instrumental) played dance music

    • instruments = recorders, gamba (cello), viols (violins) in various sizes

  • composing techniques

    • imitations (4 voices), counterpoint (2 voiced competing) are writing techniques in harmony

The Baroque Era: 1600-1750

  • definition of baroque

    • “baruecco” (portuguese) - a piece of stone with uneven proportions

  • homophonic texture - melody is the most essential part of music

  • emotion music

  • Early part: 1600 to 1650 (experiments)

  • later on: 1650 to 1700 (mutual agreement: new harmony, color, form)

  • 10 baroque musical qualities

    • two tonality choices - major 🙂 and minor

    • homophonic texture - melody +harmony lines/ sacred: polyphonic

    • strong bass line in major role along with melody

      • basso continuo walking bass/ figured bass: chord symbols

    • word painting - music conveys the mood, meaning of text

    • repetitions of musical materials - da capo aria

    • tension vs release - the use of dynamics / dramatic sound effects

    • recitative - speech like singing/ pronouncing the important text/ less metric in time

    • common time signatures - ¾ 4/4 2/4 6/8 3/8 9/8

    • vocal and instrumental words - more repertoire

      • instruments imitated the singing style

    • leading solo instruments - violin + harpsichord, organ

Four baroque music categories

  • musical theater (secular) - opera

  • church (sacred)

  • concert music (secular) - large ensemble/ orchestra

  • chamber music (secular) - small ensemble

Musical theater - opera / secular style

  • emotional music

Church - sacred style

  • there are 4 types of church music

    • cantala

    • oratorio

    • passion

    • mass

  • aria - lyrical song

  • type order of the movements of the cantata

    • intro by the instrument

    • recitative

    • solo singers

    • chorus

    • recitative

    • solo singer

    • final chorus

  • oratorio

    • most famous example - Handel (messiash is the most famous)

    • longer in length

Concert music - secular

  • wind instruments were added later part of baroque

    • oboe, flute, bassoon, trumpet, horns, timpani

  • solo instruments

    • violin - plays melody

    • gamba or cello - plays bass line

    • harpsichord and organ - plays both lines

  • alternating between solo and group playing

    • dynamics soft/loud

Trio sonata

  • same music as the sonata with the added bass instrument - cell

  • total 3 instruments

  • keyboard music

    • music for organ and harpsichord

Famous baroque works

  • four season - violin concertos by vivaldi

  • fireworks - orchestra by handel

  • canon - strings by pachelbel

  • messiah - orchestra/choir by handel

  • toccata and fugue - organ by bach

Famous baroque composers

  • Germany - serious , intellectual

  • France - ornamented, amusing, uses dance called ballet

  • England - sophisticated, gentle, catch, and easy listening

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