Timeframe: 12th-15th centuries
Characteristics:
Religious art focused on Christian figures and themes
Iconography that is didactic, divine, and transpersonal
Worldview: Primarily devotional and religious
Timeframe: 14th-17th century
Expanded Subject Matter:
Inclusion of pagan mythology, living rulers, aristocrats, and human scenes
Christian themes remained but were more humanized and less idealized
Worldview: Focus on human figures and human achievement
Concepts include humanistic, didactic, temporal, and personal
Alter Pieces: Predominantly religious in content
Stylistic Elements:
Highly stylized forms
Lacked true perspective; figures stacked on top of each other
Important figures often depicted as larger; unrealistically exaggerated scale
Color and Line:
Vivid line and color emphasized in artworks
Use of gold-leaf highlights and elaborate detailing
Elongated facial features and almond-shaped eyes symbolize piety
Iconography:
Works serve as a window to the transcendent
Nimbus used to spotlight saints
The Printing Press (1454):
Invented by Johannes Gutenberg; democratized access to philosophical and artistic works
Humanism:
Philosophy asserting that God made Earth for humans to cultivate and develop
Early Renaissance characterized by a revival of classical forms and mythology
Focus: Concern with secular life and humanism
Early Renaissance:
Explored atmospheric perspective
De-emphasized line and color
Focus on natural, representational subjects
Connection between the divine and humanism emphasized
Linear Perspective:
Mathematical system for creating the illusion of space and distance
Horizon Line:
Runs across the canvas at eye level; where sky meets ground
Vanishing Point:
Center of the horizon line; all parallel lines converge here
Aerial/Atmospheric Perspective:
Creates the sense of depth by making distant objects appear bluish and less distinct
Tondo:
Preferred round shape of pictures hung in private homes
Sfumato:
Technique for softening edges and blurring shadows, giving a dreamlike effect
In Scurto:
Extreme foreshortening that creates intimacy in depiction
Chiaroscuro:
Use of light and shade to create depth and dimension in figures
Famous Works:
The Annunciation by Fra Angelico: Emotional depth and spatial perspective shown
Madonna and Child with two Angels by Fra Filippo Lippi: Use of light and whimsical elements
Lamentation Over Dead Christ by Mantegna: Represents intimacy and mourning
David by Michelangelo: Embodies themes of humanism and potential
Alba Madonna by Raphael: Representation of familial bonds and future
Byzantine Achievements:
Focus on didactic and religious themes with iconic figures
Southern Renaissance Achievements:
Emphasis on humanism, depth, and dimension in representation
Baroque Achievements:
Psychological penetration and elaborate detail in storytelling
Northern Renaissance Achievements:
Everyday life representation with a focus on individual consciousness
Mannerism Characteristics:
Embraces bizarre themes; unstable and asymmetrical forces
Dynamic Movement:
Displayed through tension and energy in compositions
Representational Figures:
Realistic expressions and emotional depth in Southern and Northern Renaissance
Humanism's Role:
Everyday scenes were brought to the forefront, art became accessible to the newly emerging merchant class
Focus on naturalism and precise anatomy reflects divine creation
Background of Printmaking's Popularity:
Allowed for the mass production of images, contributing to the Gothic sensibility that remained in Northern Europe