Admitted to a mental asylum outside Saint Remy in Provence, staying for just over a year.
Originally planned for a large public institution in Marseille but was diverted to a smaller asylum with only 41 patients.
Kind treatment allowed Vincent to survive; art became essential for his well-being.
Despite the turmoil around him, Vincent's creativity flourished, producing approximately 150 paintings during his stay, averaging one every other day.
Known for painting quickly, often completing works in just a few hours.
Commonly perceived as a "mad artist," Vincent experienced both manic episodes and periods of lucidity.
Demonstrated intelligence and articulate nature, being knowledgeable about art and fluent in four languages.
Struggled with his identity and place in the world, contributing to his mental health issues.
Suffered from epilepsy and likely bipolar disorder along with hallucinations and syphilis.
Labelled as the sanest patient by recent evaluations, indicating the asylum had a net positive effect on him.
Experienced manic attacks but was able to paint approximately 75% of the time.
His regimen at the asylum included regular meals and less alcohol, contributing to improved health.
The asylum environment, with its gardens and proximity to nature, was beneficial, fostering creativity.
Allowed to paint, with the insistence of his brother Theo, who funded his treatment.
His initial works reflected the view from his cell, later evolving to portray the surrounding countryside.
Self-taught artist who began painting at age 30; his significant development unfolded over the last four years.
Prior two years in Paris majorly influenced his style through exposure to Impressionists and Japanese art.
Shifted from dark muted colors to a vibrant palette coinciding with new synthetic pigments available.
Painted on June 18, 1889; depicts the view from his window in the asylum in a nocturne style, combining memory and imagination.
Utilizes a cypress tree symbolizing a link between life and death, pivotal in Mediterranean culture.
Painted sky displays energetic colors and swirling galaxies, suggesting new artistic movements towards abstraction.
Incorporates impasto techniques where paint is applied thickly, heightening texture and emotion.
Influenced by astronomy, possibly alluding to contemporary astronomical discoveries such as spirals in galaxies.
Explored themes of spirituality and nature through his art, which served as a form of worship post-Christianity.
Dismissed "The Starry Night" as a failure during his lifetime; his self-critique led him to often overwrite previous works.
Following his release from the asylum, he moved to Auvers-sur-Oise, where he took his life two months later.
Myth that he was unrecognized during his life; he had notable exhibitions and was considered significant by peers.
The complex legacy includes a profound influence on modern art, though he struggled personally throughout his life.
Vincent Van Gogh's The Starry Night_ Great Art Explained
Admitted to a mental asylum outside Saint Remy in Provence, staying for just over a year.
Originally planned for a large public institution in Marseille but was diverted to a smaller asylum with only 41 patients.
Kind treatment allowed Vincent to survive; art became essential for his well-being.
Despite the turmoil around him, Vincent's creativity flourished, producing approximately 150 paintings during his stay, averaging one every other day.
Known for painting quickly, often completing works in just a few hours.
Commonly perceived as a "mad artist," Vincent experienced both manic episodes and periods of lucidity.
Demonstrated intelligence and articulate nature, being knowledgeable about art and fluent in four languages.
Struggled with his identity and place in the world, contributing to his mental health issues.
Suffered from epilepsy and likely bipolar disorder along with hallucinations and syphilis.
Labelled as the sanest patient by recent evaluations, indicating the asylum had a net positive effect on him.
Experienced manic attacks but was able to paint approximately 75% of the time.
His regimen at the asylum included regular meals and less alcohol, contributing to improved health.
The asylum environment, with its gardens and proximity to nature, was beneficial, fostering creativity.
Allowed to paint, with the insistence of his brother Theo, who funded his treatment.
His initial works reflected the view from his cell, later evolving to portray the surrounding countryside.
Self-taught artist who began painting at age 30; his significant development unfolded over the last four years.
Prior two years in Paris majorly influenced his style through exposure to Impressionists and Japanese art.
Shifted from dark muted colors to a vibrant palette coinciding with new synthetic pigments available.
Painted on June 18, 1889; depicts the view from his window in the asylum in a nocturne style, combining memory and imagination.
Utilizes a cypress tree symbolizing a link between life and death, pivotal in Mediterranean culture.
Painted sky displays energetic colors and swirling galaxies, suggesting new artistic movements towards abstraction.
Incorporates impasto techniques where paint is applied thickly, heightening texture and emotion.
Influenced by astronomy, possibly alluding to contemporary astronomical discoveries such as spirals in galaxies.
Explored themes of spirituality and nature through his art, which served as a form of worship post-Christianity.
Dismissed "The Starry Night" as a failure during his lifetime; his self-critique led him to often overwrite previous works.
Following his release from the asylum, he moved to Auvers-sur-Oise, where he took his life two months later.
Myth that he was unrecognized during his life; he had notable exhibitions and was considered significant by peers.
The complex legacy includes a profound influence on modern art, though he struggled personally throughout his life.