Choreographic style of Bruce
Physical setting
Use of black box
Lighting used to create differences in atmosphere and to guide the attention of audience
Costumes used to support characters
Simple designs to avoid distracting from dancers
Collaborates with designers/designs his own work
Aural setting
Eclectic collection of music
Music chosen to enhance choreographic intention
Pop music
Folk/cultural music
Classical
Commissioned works
Use of dancers
Strong sense of musicality
Characterisation
Personal interpretation of roles
Choreographic devices
Motif repetition
Accumulation
Repeating of scenes-reinforces ideas
Movement content
Classical ballet
Graham technique
Tap
Ballroom
Flamenco
Folk
Popular dance
Everyday gesture
Pedestrian movement
Stillness contrasted with fluid action which is punctuated by sudden stops
Simplicity contrasted with intricate footwork
Gives an essence of styles rather than authentically replicating them
Themes
Emotions
Autobiographical
Political
Social
Ecological
Stimuli
Selects themes from stimuli which may be conveyed through dance
Music
Paintings
Literature
Structure
Episodic
Occasional use of cyclic structure
Key themes of Rooster
Swinging 60s
First teenage generation to be free from conscription
Parents wanted their children to enjoy their youth
British counterculture began in the mid 60s and divided the country
Rock n roll had spread from the US
Music had become a vehicle for social change
The protest songs and psychedelia of the 60s were the soundtracks to a sexual revolution and anti-war marches
The Beatles inspired many musicians including the Rolling Stones
Young people began to stand up for their beliefs and their individuality
Recreational drugs became more commonly used
LSD made people feel happy/optimistic and helped bring about the hippie movement
The effects of drugs were seen in psychedelic art and films
Fashion mirrored the social changes
The miniskirt was designed by Mary Quant, and was a symbol of youth, sexuality and power- giving women the freedom to express themselves
By the late 60s, psychedelic prints and vibrant colours began appearing on clothes
Feminism became more influential due to more jobs being available to young women
The contraceptive pill became legalised, which gave women the opportunity to focus on their careers and themselves, rather than having to start a family
Women were becoming increasingly involved in politics and the running of the country
Courting rituals
Male chauvinism
Key facts
Created for Ballet du Grand Theatre de Geneve in 1991
Rambert premiere in 1994
10 dancers- 5 male 5 female
Costumes designed by Marian Bruce
Lighting by Tina MacHugh
Bruce did his own set design (black box)
Origins of the dance
Aim was for Rooster to be “a celebration of the music”
Songs were used to create meaning and themes
The competitive feel of the work is a reflection of courtship/dating in the 1960s
Rooster in context of Bruce’s choreography
Rooster continued a trend of choreographing to cycles of songs
Some examples of works that follow this trend include Ghost Dances, Holiday Sketches, Sergeant Early’s Dream, and The Dream Is Over
Bruce often choreographed to music he grew up with
The use of popular music in dance was more common in America
Bruce frequently draws choreographic motifs from lyrics
Bruce’s prior works had been serious in terms of themes, and the inclusion of popular music and animalistic movements made Rooster stand out
The work is typical of Bruce’s style
Uses ballet, Graham technique and a wide range of social dances
The characters in Rooster are interchangeable and take on multiple roles
Role of the rooster on the farmyard- to watch over his flock, watch out for predators, alert when danger is near and help them find food
They also have to mate with the hens to create chicks
Aural setting
Songs by the Rolling Stones
Lyrics used for movements, but also through the use of characterisation, costume, colour and mood
Little Red Rooster
The song describes the activities of a rooster in a farmyard and how it is described as the peacemaker
Use of a harmonica
Used in country music- environment of a farmyard
Links to lyrics- allows the audience to understand that the male dancers are playing the role of the rooster
Lady Jane
Not Fade Away
As Tears Go By
Paint It Black
Ruby Tuesday
Play With Fire
Sympathy For The Devil
Rolling Stones
English rock band that was one of the most popular bands in the 60s
Won several awards and have estimated record sales of over 250 million
Had a large impact on young people, due to their rebellious lyrics and punk outlook
Set trends in fashion as well as music
Challenged conventions, whether through their lyrics, or many other actions
Costumes
Little Red Rooster, Lady Jane, Not Fade Away, As Tears Go By, Play With Fire, Sympathy For The Devil
Men
Colourful jackets (brown, black, burgundy, royal blue, green)
Black trousers and shoes
Colourful ties (grey, burgundy, green, red)
Colourful/white shirts
Links to 60s
Colourful/psychedelic
Jeans are less formal
Suggests Jaggers’ “dandy” phase
The costumes were initially made in the 60s, and were bought from second hand shops
Links to male chauvinism
Tie/suit jacket- connotations of a businessman, showed how men were the breadwinner/more powerful
Have a sense of individuality due to the colours, however the women did not
Women
Sleeveless black dress with red box pleats
Black tights
Black shoes
Link to 60s
Colour- red suggests love, evil, anger
60s were full of these emotions
Love- hippies
Box pleats- 50s/60s
Sense of modesty as it is longer- knee length
Traditional views of modesty
No individuality- reflection of the views prior to the 60s
Paint It Black
Men
Red shirt
Navy tie
Black trousers and shoes
No jacket
Link to 60s
Lack of jacket- rebellion of formality/freedom
Shedding of power
Women
Black dress (miniskirt)
Red scarf
Black tights
Black shoes
Link to 60s
Mary Quant’s 60s fashion
Miniskirt made famous by Twiggy
Rebellion/freedom/taking control
Designed to be free/liberating for women
Ruby Tuesday
Men
Black suit jackets
Black trousers and shoes
Coloured ties (green, purple, red, grey)
Women
Long red flowing dress
Hair down with a red bow/ribbon
Key Motifs
Rooster strut
A stylised walk performed by the men
The toes of one foot slide along the floor, the head and neck jut forward, and the rest of the dancer’s body is pulled towards the outstretched extremities
Mimics the way in which cockerels move
Grooming gestures
Slicking down the hair
Straightening their cuffs and sleeves
Adjusting their ties
Characteristic jumps
Suggests a chicken trying to fly with its stubby wings
The dancer holds onto the bottom of his jacket lapels so that his arms are bent into the shape of a chicken’s wing
He lifts his elbows as he jumps so that they appear to flap as he makes fluttering gestures with his feet
Everyday gestures
Example is the handshake in ‘Sympathy for the Devil’
Extravagant courtly gestures
Suggestive of the steps of a minuet with its bows and flourishes
Lighting
Initially the centre of the stage is illuminated
The first dancer walks into this pool of light, performing the rooster strut
Suggests a sunrise
When the rooster comes alive
Mysterious
Audience can see all the dancers very clearly
Allows the audience to focus
Shows the dancers’ importance