IM

Rooster notes

  • Choreographic style of Bruce

    • Physical setting

      • Use of black box

      • Lighting used to create differences in atmosphere and to guide the attention of audience

      • Costumes used to support characters

      • Simple designs to avoid distracting from dancers

      • Collaborates with designers/designs his own work

    • Aural setting

      • Eclectic collection of music

      • Music chosen to enhance choreographic intention

      • Pop music

      • Folk/cultural music

      • Classical

      • Commissioned works

    • Use of dancers

      • Strong sense of musicality

      • Characterisation

      • Personal interpretation of roles

    • Choreographic devices

      • Motif repetition

      • Accumulation

      • Repeating of scenes-reinforces ideas

    • Movement content

      • Classical ballet

      • Graham technique

      • Tap

      • Ballroom

      • Flamenco

      • Folk

      • Popular dance

      • Everyday gesture

      • Pedestrian movement

      • Stillness contrasted with fluid action which is punctuated by sudden stops

      • Simplicity contrasted with intricate footwork

      • Gives an essence of styles rather than authentically replicating them

    • Themes

      • Emotions

      • Autobiographical

      • Political

      • Social

      • Ecological

    • Stimuli

      • Selects themes from stimuli which may be conveyed through dance

      • Music

      • Paintings

      • Literature

    • Structure

      • Episodic

      • Occasional use of cyclic structure


    Key themes of Rooster

    • Swinging 60s

      • First teenage generation to be free from conscription

      • Parents wanted their children to enjoy their youth

      • British counterculture began in the mid 60s and divided the country

      • Rock n roll had spread from the US

      • Music had become a vehicle for social change

      • The protest songs and psychedelia of the 60s were the soundtracks to a sexual revolution and anti-war marches

      • The Beatles inspired many musicians including the Rolling Stones

      • Young people began to stand up for their beliefs and their individuality

      • Recreational drugs became more commonly used

      • LSD made people feel happy/optimistic and helped bring about the hippie movement

      • The effects of drugs were seen in psychedelic art and films

      • Fashion mirrored the social changes

      • The miniskirt was designed by Mary Quant, and was a symbol of youth, sexuality and power- giving women the freedom to express themselves

      • By the late 60s, psychedelic prints and vibrant colours began appearing on clothes

      • Feminism became more influential due to more jobs being available to young women

      • The contraceptive pill became legalised, which gave women the opportunity to focus on their careers and themselves, rather than having to start a family

      • Women were becoming increasingly involved in politics and the running of the country

    • Courting rituals

    • Male chauvinism


    Key facts

    • Created for Ballet du Grand Theatre de Geneve in 1991

    • Rambert premiere in 1994

    • 10 dancers- 5 male 5 female

    • Costumes designed by Marian Bruce

    • Lighting by Tina MacHugh

    • Bruce did his own set design (black box)


    Origins of the dance

    • Aim was for Rooster to be “a celebration of the music”

    • Songs were used to create meaning and themes

    • The competitive feel of the work is a reflection of courtship/dating in the 1960s


    Rooster in context of Bruce’s choreography

    • Rooster continued a trend of choreographing to cycles of songs

    • Some examples of works that follow this trend include Ghost Dances, Holiday Sketches, Sergeant Early’s Dream, and The Dream Is Over

    • Bruce often choreographed to music he grew up with

    • The use of popular music in dance was more common in America

    • Bruce frequently draws choreographic motifs from lyrics

    • Bruce’s prior works had been serious in terms of themes, and the inclusion of popular music and animalistic movements made Rooster stand out

    • The work is typical of Bruce’s style

    • Uses ballet, Graham technique and a wide range of social dances

    • The characters in Rooster are interchangeable and take on multiple roles

      • Role of the rooster on the farmyard- to watch over his flock, watch out for predators, alert when danger is near and help them find food

      • They also have to mate with the hens to create chicks


    Aural setting

    • Songs by the Rolling Stones

      • Lyrics used for movements, but also through the use of characterisation, costume, colour and mood

      • Little Red Rooster

        • The song describes the activities of a rooster in a farmyard and how it is described as the peacemaker

        • Use of a harmonica

        • Used in country music- environment of a farmyard

        • Links to lyrics- allows the audience to understand that the male dancers are playing the role of the rooster

      • Lady Jane

      • Not Fade Away

      • As Tears Go By

      • Paint It Black

      • Ruby Tuesday

      • Play With Fire

      • Sympathy For The Devil

    • Rolling Stones

      • English rock band that was one of the most popular bands in the 60s

      • Won several awards and have estimated record sales of over 250 million

      • Had a large impact on young people, due to their rebellious lyrics and punk outlook

      • Set trends in fashion as well as music

      • Challenged conventions, whether through their lyrics, or many other actions


    Costumes

    • Little Red Rooster, Lady Jane, Not Fade Away, As Tears Go By, Play With Fire, Sympathy For The Devil

      • Men

        • Colourful jackets (brown, black, burgundy, royal blue, green)

        • Black trousers and shoes

        • Colourful ties (grey, burgundy, green, red)

        • Colourful/white shirts

        • Links to 60s

        • Colourful/psychedelic

        • Jeans are less formal

        • Suggests Jaggers’ “dandy” phase

        • The costumes were initially made in the 60s, and were bought from second hand shops

        • Links to male chauvinism

        • Tie/suit jacket- connotations of a businessman, showed how men were the breadwinner/more powerful

        • Have a sense of individuality due to the colours, however the women did not

      • Women

        • Sleeveless black dress with red box pleats

        • Black tights

        • Black shoes

        • Link to 60s

        • Colour- red suggests love, evil, anger

        • 60s were full of these emotions

        • Love- hippies

        • Box pleats- 50s/60s

        • Sense of modesty as it is longer- knee length

        • Traditional views of modesty

        • No individuality- reflection of the views prior to the 60s

    • Paint It Black

      • Men

        • Red shirt

        • Navy tie

        • Black trousers and shoes

        • No jacket

        • Link to 60s

        • Lack of jacket- rebellion of formality/freedom

        • Shedding of power

      • Women

        • Black dress (miniskirt)

        • Red scarf

        • Black tights

        • Black shoes

        • Link to 60s

        • Mary Quant’s 60s fashion

        • Miniskirt made famous by Twiggy

        • Rebellion/freedom/taking control

        • Designed to be free/liberating for women

    • Ruby Tuesday

      • Men

        • Black suit jackets

        • Black trousers and shoes

        • Coloured ties (green, purple, red, grey)

      • Women

        • Long red flowing dress

        • Hair down with a red bow/ribbon


    Key Motifs

    • Rooster strut

      • A stylised walk performed by the men

      • The toes of one foot slide along the floor, the head and neck jut forward, and the rest of the dancer’s body is pulled towards the outstretched extremities

      • Mimics the way in which cockerels move

    • Grooming gestures

      • Slicking down the hair

      • Straightening their cuffs and sleeves

      • Adjusting their ties

    • Characteristic jumps

      • Suggests a chicken trying to fly with its stubby wings

      • The dancer holds onto the bottom of his jacket lapels so that his arms are bent into the shape of a chicken’s wing

      • He lifts his elbows as he jumps so that they appear to flap as he makes fluttering gestures with his feet

    • Everyday gestures

      • Example is the handshake in ‘Sympathy for the Devil’

    • Extravagant courtly gestures

      • Suggestive of the steps of a minuet with its bows and flourishes


    Lighting

    • Initially the centre of the stage is illuminated

    • The first dancer walks into this pool of light, performing the rooster strut

    • Suggests a sunrise

    • When the rooster comes alive

    • Mysterious

    • Audience can see all the dancers very clearly

    • Allows the audience to focus

    • Shows the dancers’ importance