Reading 4
hat is editing?
Editing is arranging shots to tell a story in a meaningful, clear, and emotional way. It’s not just putting clips together — it’s rewriting the story a third time (after writing and directing). A good edit guides the audience through the story, controls rhythm, and shapes emotion.
✂ Why do we edit?
To keep continuity and tell a clear story
To combine shots in a way that creates new meaning
To guide emotions and point-of-view
To keep the audience from getting bored
To control rhythm and pacing
To surprise or fool the audience (especially in horror/thrillers)
🧑💼 What does the editor do?
Shapes rhythm like a musician
Works with the director to adjust timing and emotion
Helps the story flow visually and emotionally
Makes performance and story stronger through shot selection
Controls how time and space are perceived
🧩 What are the six stages of editing?
Logging – Watching and taking notes on footage
First Assembly – Rough version of the whole story using the footage
Rough Cut – Editor’s first pass, checking structure and continuity
First Cut – Agreed-upon early version, ready for revision
Fine Cut – Small adjustments for rhythm and emotion
Final Cut – Locked version with sound, music, and effects added
🛠 Basic editing tools and ideas:
The Cut – Switching from one shot to another
Post-production – Editing + sound, effects, music, color, etc.
Continuity Editing – Keeping shots consistent so scenes make sense
Transitions – Cuts, fades, dissolves
🎞 Key Editing Techniques & Terms:
Match-on-Action – Cut between two shots that show the same movement
Eyeline Match – Matching where characters look to maintain spatial logic
180-Degree Rule – Keep the camera on one side of an imaginary line
J & L Cuts – Cutting audio before/after the image changes for smoothness
Jump Cuts – Skipping forward in the same shot (can be used stylistically)
Invisible Cuts – Seamless edits to feel like one shot (e.g., Birdman, 1917)
🎼 Walter Murch’s Rule of Six (editing priorities):
Emotion – Most important: how does the cut make the audience feel?
Story – Does it move the story forward?
Rhythm – Is the timing right?
Eye-trace – Does the audience know where to look?
2D Space (Planarity) – Does it follow the axis/180° rule?
3D Space – Does the cut make spatial sense?
✨ Other Concepts:
Ellipsis – Skipping time the audience can easily fill in
Cross-Cutting – Cutting between scenes in different locations to build tension (e.g. The Godfather christening scene)
Montage – A series of related shots to build theme or emotion (like your 1-min film!)