This era lasted from 1750-1820. Some of the most famous composers include:
Haydn
Mozart
Characteristics of Classical Music:
Beautiful melodies
Homophonic Accompaniments
Alberti Bass
This is a chordal pattern where all of the notes of the chord are broken up
Ornamentation
Decoration was still very common here, similar to the Baroque period
Instrumentation
Strings
Violin
Viola
Cello
Double Bass
Guitar
Woodwind
Recorder or wooden flute
Oboe
Bassoon
Clarinet
The clarinet is a new instrument during this period
Larger range of wind instruments
Brass
Trumpet
Horns
Percussion
Timpani
Triangle
Hand Cymbals
Bass Drum
Keys
Fortepiano
This was a new type of piano
Replaces harpsichord
Simple, balanced, non-emotional
Absolute music
Music for its own sake. not for dancing/special occasions
Performed in recitals or concert halls
Simple textures
Mainly homophonic
Just melody and accompniment
Scalic passages were common
Imitation was common
Types of Classical Music:
Symphonies
Played by orchestras
Four movements, each with a different tempo and mood
Concertos were further developed
Cadenzas were added
Themes and melodies from the concerto are arranged to display the technical virtuosity of the soloist
Chamber music
Small orchestra (~4 people)
String Quartet created
2 violins, viola, cello
Structural music in the Classical Period:
Binary Form
Two clear sections
Ternary Form
Two sections then the piece returns to the first section again
Rondo Form
One section which keeps returning, sandwiched between other different sections
Section A will return in related keys
Evolution of ritornello form
Found as the final movement in symphonies, sonatas, concertos etc
Coda
The final section of a piece, either to create a dramatic or calm end
Rallentando is sometimes used, to slow the music down
Diminuendos were also common
Sonata
Generally was the structure of the first movement of sonatas, symphonies and concertos
Three main sections
Exposition
Most musical ideas come from the two main themes shown here (the first and second subjects)
The first subject is in the tonic key, second is in a different key (usually dominant or relative minor)
Connected by transition/bridge passage
Development
Materials from exposition are transformed
Modulations happen
Ambiguous, restless due to exploration of keys
Avoids tonic and dominant keys
Relative minors, sub dominant, circle of fifths etc
Recapitulation
Material from exposition recapped (but slightly different and in shorter form)
Both of the subjects are heard in the tonic key
No modulation
Some of these finish with a small coda
Cadenza
Found in a classical concerto
Dramatic solo passage
Orchestra pauses, remaining silent
Played towards the end of the first movement
Improvises, based on 1+ themes from the first movement
Shows skill of soloist
Ends in a trill
Minuet and Trio
Found in symphonies
Additional third movement
Came before the final movement
From Baroque dances
Ternary form (but within each section, there is binary form)
After the trio, the minuet returns without repeats
Symphonies
These have four movements
Fast
Allegro
Slow
Ternary
Dance
Minuet and Trio
Scherzo
Fast
Allegro - Rondo
Opera
Comic Opera
funny operas
Operia Seria
serious operas
Arias & Recicative
Chorus
Overture
Coloratura
Piano Music
Question and answer phrasing
aka antecedent and consequent
Contrary motion
Arpeggio
Broken Chord
Alberti Bass
Perfect Cadence
Plagal Cadence
Diatonic Harmony
Scalic Passages
Melody:
Diatonic
Occasional chromaticism
Even phrase lengths
4-8 bars long
Balanced phrases
Antecedent and consequent phrases (question and answer)
Monothematic
Appoggiaturas became common
Dissonance in classical music, falling to consonance
Passing notes used for decoration