Compositional Modes
- Narratives, tutorials, teasers (partial information so that the audience is left to dig up more information)- 2 otehrs look in notes section of the PowerPoint
Reasoning deductive/inductive
- Deductive- working from evidence in an example- necessary conclusion
- Inductive- generalization to specific- leads to superstition or prejudice
The AIDA approach to persuasion
- Attention interest desire action
- Know what each does
- Attention- the hook
- Interest- present a relatable problem
- Desire- a growing reason why you need it
- Action- immediate plan of action
Selling points verses benefits
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Truth in advertising
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Uses for augmented reality
- Overlays lenses over the real world
- Training- hollow lense- walk through with step by step, show pieces, etc
Communities of interest around products and services
- marketing/brand community
Selecting the right medium and channel for short to medium length messages
- Email is still the standard
- Attach a formal business letter in pdf format
Analyzing audience needs takes place in which stage?
1. Planning (50)
2. Composition (25)
3. Writing (25)
Which part of an email often determines whether it gets opened?
- The subject line
Emoticons
Blogs
- Comments are an opportunity- you can see what your audience is thinking
Direct requests opening
Direct requests body
Common use of routine messages
Press releases
When to use an indirect approach
- When the information presented is difficult to hear
Condolence letters
- They have a place in business, along with congratulatory letters
Best channel for delivering bad news to employees
- Face to face to offer max emotional support, informational support, instrumental support
Indirect approach opening
- buffer statement, deliver in passive voice
Timing of bad news delivery
- Personally, indirectly
Maintaining good customer relationships- do this through offering condolences and fixing mistakes
Delay of bad news is unacceptabe when it is an emergency
- Recalls
Layoffs are best communicated by personal communication by face to face