Key Concepts from the Analysis of Black Motherhood in Jesmyn Ward's Novels
Jesmyn Ward's Postcolonial Black Motherhood in "Salvage the Bones" and "Sing, Unburied, Sing"
Introduction to Black Motherhood
- Jesmyn Ward's novels explore the lives of Black mothers in rural Mississippi, drawing connections to Toni Morrison's earlier work.
- There's an emphasis on how these narratives uncover and challenge the controlling images of mothers throughout history.
Controlling Images Identified by Patricia Hill Collins
- Mammy: Depicts Black women as loyal caretakers for white families.
- Jezebel: Characterizes Black women as hyper-sexual and promiscuous, leading to their exploitation.
- Welfare Mother: Stigmatizes Black women as irresponsible, having children without the means to support them.
- Matriarch: Represents Black women as overbearing and unsupportive of their families.
Historical Context of Oppression
- Black mothers have historically faced systemic racism and sexism, with stereotypes derived from slavery continuing to impact their social realities today.
- The narrative scrutinizes the effects of controlling images on the identities of contemporary Black mothers in Ward's stories.
Comparative Analysis with Morrison’s Work
- Like Morrison, Ward depicts the struggles of Black women and mothers while expressing their voices and reclaiming their histories.
- Ward critiques mainstream narratives that romanticize or erase the pain associated with Black motherhood.
Salvage the Bones
Sing, Unburied, Sing
Conclusion