Angela Vicario Character Analysis

While Santiago Nasar is technically the protagonist due to the narrative centering on him, he is only barely so. The reader gets very little insight into Santiago's character or point of view, primarily because he is dead throughout the narrative.
Angela Vicario is presented as a much more ideal protagonist for several reasons:
- The novel's central conflict would not exist without her actions.
- She is the only character who demonstrably grows and develops over the course of the story.
- More of her perspective and side of the story is revealed than any other character.
The narrative choice not to cast Angela as the primary protagonist might be a statement by Márquez about the constrained position of women in society, suggesting that a woman, even in her own critical story, cannot be the central figure.

Initial depiction: When first introduced, Angela is portrayed as a helpless and submissive young girl.
Narrator's description: The narrator states: "She had a helpless air and a poverty of spirit that augured an uncertain future for her." (2.16)
- "Poverty of spirit": This phrase traditionally holds a positive, religious connotation, signifying voluntary humility. However, in Angela's context, it indicates a lack of spunk, vitality, or independent spirit, aligning with her mother's desired docile demeanor.
Forced marriage: Angela is coerced into marrying Bayardo San Román by her family, demonstrating a complete lack of free will. This parallels the situation of Divina Flor and other young women in the community who seemingly resigned themselves to inevitable fates, understanding their opinions held the least importance.

Catalyst for change: Everything transforms for Angela after she is returned to her family following her wedding night.
Rejection of past self: Post-event, Angela consciously decides to shed her