American Popular Music Midterm Flashcards
Flashcard 1:
Q: What is a simple verse?
A: A form where the same music is used for each verse.
Flashcard 2:
Q: What is a simple verse-chorus?
A: A form with repeating verses and a chorus that shares the same music.
Flashcard 3:
Q: What is a contrasting verse-chorus?
A: A form where the verses and chorus have different music.
Flashcard 4:
Q: What is an AABA form?
A: A song form with two A sections, followed by a B section, and returning to the A section.
Flashcard 5:
Q: What is an interlude in music?
A: A short musical passage between sections of a song.
Flashcard 6:
Q: What is a bridge in a song?
A: A contrasting section that provides a break from the repetitive nature of verses and choruses.
Flashcard 7:
Q: How can you identify the 12-bar blues form?
A: By its repeating 12-bar chord progression, typically using I, IV, and V chords.
Flashcard 8:
Q: What is a riff?
A: A repeated musical phrase or pattern used in songs.
Flashcard 9:
Q: What is the doo-wop progression?
A: A chord pattern that typically follows I-vi-IV-V.
Flashcard 10:
Q: What is a coda in music?
A: The concluding section of a piece of music.
Flashcard 11:
Q: What are the three things that combine to make an APM trend (genre)?
A: Community, artists, and music business (market).
Flashcard 12:
Q: Name two influences on American Popular Music.
A: Promotion and economic flow.
Flashcard 13:
Q: Define rock and roll as an idea.
A: It represents going against societal norms.
Flashcard 14:
Q: Give two examples of rock and roll movements.
A: Jim Morrison's drinking and drug use; Madonna's provocative performances.
Flashcard 15:
Q: How does the popularity arc work?
A: Music starts in a local place, gains popularity in a small subculture, and then business promotes it to mainstream audiences.
Flashcard 16:
Q: Define two musical characteristics of the Jazz Age.
A: It was characterized by upbeat, strong rhythms and a focus on dancing.
Flashcard 17:
Q: What were the main components of FDR’s New Deal?
A: Social Security Act, Works Progress Administration, and Emergency Banking Act.
Flashcard 18:
Q: How did the New Deal affect artist performance styles?
A: It led to more inappropriate and provocative performances.
Flashcard 19:
Q: Before TV and radio were available to ordinary people, how did music spread?
A: Through sheet music and oral tradition (singing songs).
Flashcard 20:
Q: How was APM identified by producers?
A: By its potential for profits.
Flashcard 21:
Q: Who was the main target audience of APM radio studios?
A: Middle-class white audiences who could afford radios.
Flashcard 22:
Q: What was the most popular thing over radio?
A: Soap operas (melodramas).
Flashcard 23:
Q: Who came up with the idea to put a picture with sound?
A: David Sarnoff.
Flashcard 24:
Q: After TV became available to ordinary people, what did it mean for radio, and what was the solution for radio stations?
A: Radio stations began streaming R&B and country/western music to compensate for the loss of audiences to TV.
Flashcard 25:
Q: What is Tin Pan Alley?
A: A small community/area in New York where publishers and songwriters gathered to collaborate, which became a business model for other companies.
Flashcard 26:
Q: Name some artists associated with Tin Pan Alley.
A: Irving Berlin, Cole Porter, George Gershwin, Judy Garland, Frank Sinatra, Elvis Presley.
Flashcard 27:
Q: What song form did Tin Pan Alley introduce?
A: AABA.
Flashcard 28:
Q: How did songwriters make a living in Tin Pan Alley?
A: Through royalties – a percentage of earnings from performances, broadcasts, and recordings.
Flashcard 29:
Q: Name two big band artists.
A: Glenn Miller, Benny Goodman.
Flashcard 30:
Q: What are the differences between orchestra and big band elements?
A: Orchestra uses strings and is led by a conductor, while big bands use brass/woodwind and are led by an instrumentalist (usually trumpet or trombone).
Flashcard 31:
Q: What types of chords are used in jazz?
A: 9th, 11th, and 13th chords.
Flashcard 32:
Q: What did Frank Sinatra say about instrumentalists, and how did he influence the music business?
A: He said, "Screw those instrument guys," influencing the industry by reducing the need for large bands and thus lowering costs.
Flashcard 33:
Q: Why did people recognize APM and dislike it?
A: It was considered cheesy because it had to be family-friendly and appeal to a wide range of audiences, targeting the white middle class.
Flashcard 34:
Q: Who was the main target audience for country/western music?
A: Low-income white audiences who couldn’t afford TV.
Flashcard 35:
Q: Where did country music originate?
A: The Appalachian region.
Flashcard 36:
Q: Where did western music originate?
A: The southern and midwestern United States, particularly Texas.
Flashcard 37:
Q: What are two elements that country/western music achieved?
A: Simplicity and honesty.
Flashcard 38:
Q: Who was an American scout for country music artists?
A: Ralph Peer.
Flashcard 39:
Q: What were two methods used to make western music popular?
A: Sharing by military during WWII (trading LPs) and radio compensating for market loss.
Flashcard 40:
Q: What are the musical characteristics of cowboy subgenres?
A: Emotional, depressing, and simple style.
Flashcard 41:
Q: What are the musical characteristics of western swing?
A: Danceable, hybrid style incorporating elements of big band, polka, bluegrass, and jazz.
Flashcard 42:
Q: What are the musical characteristics of bluegrass?
A: Instruments take turns having riffs/solos, showing off instrumental abilities, typically using mandolin, banjo, fiddle, and guitar.
Flashcard 43:
Q: Who was the target audience for R&B music?
A: Low-income African American audiences.
Flashcard 44:
Q: How did R&B spread fame?
A: Played on radio after country left, and people gathering in cities (Detroit, NY, Chicago) promoted it, along with indie recording companies.
Flashcard 45:
Q: Name two indie recording companies that promoted R&B.
A: Chess Records and Atlantic Records.
Flashcard 46:
Q: What is meant by the centralization of pop music?
A: Changing pop music lyrics to religious themes.
Flashcard 47:
Q: What does sacrilegious music refer to?
A: Switching from religious to non-religious themes, as done by Ray Charles.
Flashcard 48:
Q: Compare studio techniques of Chess and Atlantic records.
A: Chess used simple equipment and performance styles, while Atlantic used reverb and flashy performances for a more polished sound.
Flashcard 49:
Q: What is Hokum Blues?
A: A genre with suggestive and double entendre lyrics that survived by hiring white editors and performers to make it more appropriate.
Flashcard 1:
Q: What is a simple verse?
A: A form where the same music is used for each verse.
Flashcard 2:
Q: What is a simple verse-chorus?
A: A form with repeating verses and a chorus that shares the same music.
Flashcard 3:
Q: What is a contrasting verse-chorus?
A: A form where the verses and chorus have different music.
Flashcard 4:
Q: What is an AABA form?
A: A song form with two A sections, followed by a B section, and returning to the A section.
Flashcard 5:
Q: What is an interlude in music?
A: A short musical passage between sections of a song.
Flashcard 6:
Q: What is a bridge in a song?
A: A contrasting section that provides a break from the repetitive nature of verses and choruses.
Flashcard 7:
Q: How can you identify the 12-bar blues form?
A: By its repeating 12-bar chord progression, typically using I, IV, and V chords.
Flashcard 8:
Q: What is a riff?
A: A repeated musical phrase or pattern used in songs.
Flashcard 9:
Q: What is the doo-wop progression?
A: A chord pattern that typically follows I-vi-IV-V.
Flashcard 10:
Q: What is a coda in music?
A: The concluding section of a piece of music.
Flashcard 11:
Q: What are the three things that combine to make an APM trend (genre)?
A: Community, artists, and music business (market).
Flashcard 12:
Q: Name two influences on American Popular Music.
A: Promotion and economic flow.
Flashcard 13:
Q: Define rock and roll as an idea.
A: It represents going against societal norms.
Flashcard 14:
Q: Give two examples of rock and roll movements.
A: Jim Morrison's drinking and drug use; Madonna's provocative performances.
Flashcard 15:
Q: How does the popularity arc work?
A: Music starts in a local place, gains popularity in a small subculture, and then business promotes it to mainstream audiences.
Flashcard 16:
Q: Define two musical characteristics of the Jazz Age.
A: It was characterized by upbeat, strong rhythms and a focus on dancing.
Flashcard 17:
Q: What were the main components of FDR’s New Deal?
A: Social Security Act, Works Progress Administration, and Emergency Banking Act.
Flashcard 18:
Q: How did the New Deal affect artist performance styles?
A: It led to more inappropriate and provocative performances.
Flashcard 19:
Q: Before TV and radio were available to ordinary people, how did music spread?
A: Through sheet music and oral tradition (singing songs).
Flashcard 20:
Q: How was APM identified by producers?
A: By its potential for profits.
Flashcard 21:
Q: Who was the main target audience of APM radio studios?
A: Middle-class white audiences who could afford radios.
Flashcard 22:
Q: What was the most popular thing over radio?
A: Soap operas (melodramas).
Flashcard 23:
Q: Who came up with the idea to put a picture with sound?
A: David Sarnoff.
Flashcard 24:
Q: After TV became available to ordinary people, what did it mean for radio, and what was the solution for radio stations?
A: Radio stations began streaming R&B and country/western music to compensate for the loss of audiences to TV.
Flashcard 25:
Q: What is Tin Pan Alley?
A: A small community/area in New York where publishers and songwriters gathered to collaborate, which became a business model for other companies.
Flashcard 26:
Q: Name some artists associated with Tin Pan Alley.
A: Irving Berlin, Cole Porter, George Gershwin, Judy Garland, Frank Sinatra, Elvis Presley.
Flashcard 27:
Q: What song form did Tin Pan Alley introduce?
A: AABA.
Flashcard 28:
Q: How did songwriters make a living in Tin Pan Alley?
A: Through royalties – a percentage of earnings from performances, broadcasts, and recordings.
Flashcard 29:
Q: Name two big band artists.
A: Glenn Miller, Benny Goodman.
Flashcard 30:
Q: What are the differences between orchestra and big band elements?
A: Orchestra uses strings and is led by a conductor, while big bands use brass/woodwind and are led by an instrumentalist (usually trumpet or trombone).
Flashcard 31:
Q: What types of chords are used in jazz?
A: 9th, 11th, and 13th chords.
Flashcard 32:
Q: What did Frank Sinatra say about instrumentalists, and how did he influence the music business?
A: He said, "Screw those instrument guys," influencing the industry by reducing the need for large bands and thus lowering costs.
Flashcard 33:
Q: Why did people recognize APM and dislike it?
A: It was considered cheesy because it had to be family-friendly and appeal to a wide range of audiences, targeting the white middle class.
Flashcard 34:
Q: Who was the main target audience for country/western music?
A: Low-income white audiences who couldn’t afford TV.
Flashcard 35:
Q: Where did country music originate?
A: The Appalachian region.
Flashcard 36:
Q: Where did western music originate?
A: The southern and midwestern United States, particularly Texas.
Flashcard 37:
Q: What are two elements that country/western music achieved?
A: Simplicity and honesty.
Flashcard 38:
Q: Who was an American scout for country music artists?
A: Ralph Peer.
Flashcard 39:
Q: What were two methods used to make western music popular?
A: Sharing by military during WWII (trading LPs) and radio compensating for market loss.
Flashcard 40:
Q: What are the musical characteristics of cowboy subgenres?
A: Emotional, depressing, and simple style.
Flashcard 41:
Q: What are the musical characteristics of western swing?
A: Danceable, hybrid style incorporating elements of big band, polka, bluegrass, and jazz.
Flashcard 42:
Q: What are the musical characteristics of bluegrass?
A: Instruments take turns having riffs/solos, showing off instrumental abilities, typically using mandolin, banjo, fiddle, and guitar.
Flashcard 43:
Q: Who was the target audience for R&B music?
A: Low-income African American audiences.
Flashcard 44:
Q: How did R&B spread fame?
A: Played on radio after country left, and people gathering in cities (Detroit, NY, Chicago) promoted it, along with indie recording companies.
Flashcard 45:
Q: Name two indie recording companies that promoted R&B.
A: Chess Records and Atlantic Records.
Flashcard 46:
Q: What is meant by the centralization of pop music?
A: Changing pop music lyrics to religious themes.
Flashcard 47:
Q: What does sacrilegious music refer to?
A: Switching from religious to non-religious themes, as done by Ray Charles.
Flashcard 48:
Q: Compare studio techniques of Chess and Atlantic records.
A: Chess used simple equipment and performance styles, while Atlantic used reverb and flashy performances for a more polished sound.
Flashcard 49:
Q: What is Hokum Blues?
A: A genre with suggestive and double entendre lyrics that survived by hiring white editors and performers to make it more appropriate.