Titles | Genre and others |
Claude Debussy, Prelude to the Afternoon of a Faun | Symphonic poem, form: ABA’ |
Igor Stravinsky, The Rite of Spring, “Augurs of Spring” | ballet, form: use of block form, texture: polyrhythmic |
Arnold Schoenberg, Pierrot Lunair, “Der Mondfleck” | song cycle, melodrama |
Jozef Koffler, 15 variations on a 12-tone series | genre and form: theme and variations, instrumentation: solo piano |
Bela Bartok, Music for strings, percussion, celesta | 4 movement work for orchestra, instrumentation: strings, percussion, celesta, form: ABCBA (arch form) |
John Cage, 4’33 | chance music, any instrumentation |
Pierre Schaffer, Etude aux chemins de fer | musique concrete, instrumentation: recorder train sounds, tape, form: one movement of a 5 movement work |
William Grant Still, Darker America | symphonic poem, source: program provided by the composer about the black American experience, instrumentation: full symphony orchestra |
Florence Price, Ethiopia’s Shadow in America | 5-movement symphonic work, form: binary form, instrumentation: full symphony orchestra |
Aaron Copland, Appalachian Spring II, Allegro | orchestral suite adapted form from ballet score |
Sergei Prokofiev, Battle on the Ice | cantata adapted from film score, instrumentation: orchestra including large percussion section |
Valentyn Silvestrov, Symphony No.5 Movement 1 | symphony, instrumentation: large romantic symphony orchestra |
Steve Reich, Hindenburg, “I couldn’t understand it” | video opera in 3 acts, instrumentation: video, recorded interviews, and 10 live musicians |
Terence Blanchard, Excerpts from fire shut up in my bones | Opera (opera in jazz), source: an autobiographical novel by Charles Blow |
Nina C. Young, Tread softly |
Term | Musical Definition |
dodecaphony | a musical composition technique that uses all 12 notes of the chromatic scale equally and gives each note equal importance. |
tone row/series | a set of musical notes that are arranged in a nonrepeating order and are used as the basis for a piece of music |
development | sonata form: where themes from the exposition are reworked in new ways |
through-composed | continuously progressive with new melodies composed for new lyrics |
motive | short, reoccurring musical idea that's a key part of a composition |
rubato | musical technique that involves subtly manipulating the rhythm and tempo of a piece to create a more expressive performance |
(imitative) polyphony | polyphony: multiple independent melodic lines are played simultaneously (imitative) polyphony: |
monophony | one voice, no instruments |
homophony | one melody dominates, the other parts may be simple cords or a more elaborate accompaniment pattern |
word-painting | the song does what the word means |
tonic | the first note in a diatonic scale, the most important and central note in the scale |
dynamics | variations of volume |
phasing | same musical pattern at different intervals of time, creating a layered effect |
virtuoso | an individual with outstanding techniques and a deep understanding of music |
exposition | the initial section of a composition where the main themes are introduced |
total artwork | a work of art that combines multiple art forms into a cohesive whole |
absolute music | instrumental music. Composed purely as music, not intended to represent or illustrate something else |
thematic transformation | alternating a theme to indicate a change in a person, place, or thing |
musical propaganda | using music to convey a specific message to a target audience |
a Capella | only voices can be heard, voices create the melodies instead of having instrumentals |
chromaticism | uses notes outside of the diatonic scale of a piece of music to create tension, emotion, and expressive potential |
melisma | singing a single syllable of a text while moving between multiple motes on succession |
ground bass | involves repeating s short bass passage beneath a melody and harmony that is constantly changing |
meter (simple and compound) | how a best is divided into smaller parts in music Simple meter: divided into 2 parts Compound meter: divided into 3 parts |
timbre | the quality sound of the instruments |
Salon | a place hoisted by the rich for music of the political and socialist World |
ethnomusicology | study of music of different cultures especially non-Western ones |
Recapitulation | A section in sonata movement that restates the musical themes from exposition |
Strophic | Repetition of a musical unit, a stanza, or a verse |
Idee fixe (fixed idea) | Recurring theme or character trait that serves as the structural foundation of a work |
Polyrhythm | The simultaneous combination of contrasting rhythms in musical composition |
Orchestration | Process of writing music for an orchestra or other ensemble, assigning instruments to play specific parts |
Retrograde | A sequence of notes is played in reverse order |
Leitmotif | A short, recurring musical phrase that’s associated with a specific idea, character, place, or setting |
Inversion | Rearrangement of notes in chord, melody, interval, or group of contrapuntal lines so that a note other than the root is at the bottom |
Libretto | Text of an opera |
Tempo | The speed or pacing of a piece of music plays an essential role in the performance and acts as the heartbeat of expression |
Texture | The effect of the different layers of sound in a piece of music, and the relationship between them; the way that melodic, rhythmic, and harmonic elements are combined to create a piece’s overall sound quality |
Atonality | Any composition that does not have a central tone or tonal center, deviates from traditional Western expectations of harmony, key, or mode. |
Term | Definition |
Nationalism | Emphasizes loyalty, devotion, or allegiance to a nation or nation-state and holds that such obligations outweigh other individual or group interests |
Expressionism | Seeks to express emotional experience rather than impressions of the external world |
Minimalism | Tonal harmonies, process music, the aesthetic of simplicity and symmetry. |
Postmodernism | A reaction to modernist music; rejection of what came before |
Socialist Realism | Called for art to be used to develop social consciousness in a socialist state |
Exoticism | Incorporation of foreign-style elements |
Neoclassicism | Return to clarity, balance, and formality of classical music |
Polystylism | Combines multiple music styles, genres, and historical references in a single work |
Romanticism | Emphasis on originality and individuality, personal emotional expression, and freedom and experimentation of form; loved the idea of struggle and pain |
Primitivism | Depicts scenes from other times or places or expresses ideas related to antiquity or a “primitive” culture |
Impressionism | Aims to create moods, emotions, and atmosphere; classical composition |
Modernism | Composers and musicians rejected traditional styles and conventions and instead explored new ways of expressing themselves and music in general |
Decadence | Exaggerated feelings; extravagance, luxury, and self-indulgence with a sense of moral decline |
Name | Definition |
Program symphony | A symphonic composition that is written to correspond to a narrative structure, sometimes accompanied by a narrative program to go along with the music |
Character piece | Short musical composition that conveys a specific mood or idea, usually for piano or small ensembles |
Symphony | A lengthy form of musical composition for orchestra, normally consisting of several large sections or movements |
Symphonic poem (tone poem) | A musical composition for orchestra inspired by an extra-musical idea, story, or “program” to which the title typically refers to. |
Chant | Sacred, monophonic, unaccompanied chant used in the Roman Catholic Chruch |
Fugue | Musical composition that uses a contrapuntal (the use of multiple independent melodies, each of which is given equal weight) technique to repeat a main theme, or subject, across multiple voices or instruments |
Oratorio | A large-scale musical composition that tells a dramatic story based on a religious theme; opera but with religious themes, no costumes, sacred. |
Orchestral suite | A collection of instrumental pieces that are usually performed by an orchestra |
lied/art song | German art song that sets poetry to music for voice and piano |
Sonata | Musical composition for a solo instrument or small group of instruments typically made up of 3 or 4 movements |
String quartet | Musical composition for a group of four string instruments or a piece written for a group of 2 violins, 1 viola, and a violoncello to perform. |
Ballet | Type of music that is written to accompany a ballet, a theatrical art form that combines dancing, and music. And a scenery to tell a story. |
Opera | Combination of vocal and orchestral music that tells a story through dramatic presentation |
Motet | A polyphonic choral composition that is typically based on a sacred Latin text and performed without accompaniment |
Chance (aleatoric) music | Incorporates some level of chance or randomness into the composition or performance |
Overture | Plays before the start of an opera, ballet, or musical play |
Film score | Original (usually instrumental) music composed and recorded especially for a film |
Musique concrete | Using recorded sounds as raw material |
Cantana | A musical composition for voices and instruments that typically includes solos, duets, recitatives, and choruses, intended to be sung |
Concerto | Musical composition for instruments in which a solo instrument is set off against an orchestral ensemble; features a solo instrument or group of instruments playing alongside an orchestra |
Mass | A form of sacred musical composition, choral composition |
Aria | A self-contained piece for solo voice, usually accompanied by an orchestra |
Recitative | A rhythmically free vocal style that imitates the natural inflections of speech and that is used for dialogue and narrative in operas and oratorios; used to move the story along in an opera. |
Name | Definition |
Arch form (palindrome) | ABCBA |
Sonata form | 3 sections
|
Thorough composed | Features continuous progression of new musical ideas without repetition |
Rondo form | An instrumental form characterized by the initial statement and subsequent restatement of a particular melody or section |
Strophic | The same music is repeated for each verse or stanza of a song, most similar to music right now |
Binary form | AB form, divides a piece of music into 2 related sections, usually of equal length, that are repeated. |