SM

Techniques and Analysis for Exam Preparation

Techniques in Analysis

  • Avoid using rhetorical questions or similes just for the sake of using them. Focus on quotes and analysis instead.
  • Techniques should support the answer and relate to the responder and how they are positioned to feel.

Composer, Text, Audience

  • Pay attention to the question's direction.
  • When a question asks how something is represented, focus on the reader.
  • If the question asks how you are positioned, use a personal voice.
  • Example: "The composer positions us to reconsider our perspectives…"
  • Be mindful of the verb used in the question.

Analyzing vs. Explaining

  • Always analyze, regardless of the verb in the question.
  • Analyzing is more than just explaining cause and effect.
  • Explaining retells cause and effect.

Verbs: Compare and Evaluate

  • Compare: Focuses on similarities and differences between texts. Requires synthesizing the discussion.
  • Evaluate: Requires making a judgment on how effective or skillful something is.

Types of Texts

  • Prose texts: Fictional extracts, novels, short stories.

Narrative Point of View

  • Consider the relevance of first, second, or third person narration.
  • Is the narrative voice intrusive or limited?

Characterization

  • Describe the type of characterization: vulnerable, strong, independent, etc.

Dialogue

  • Dialogue is when two characters are speaking.
  • Internal monologue: A character talking to themselves; not a conversation.

Speech, Emotive Language, Tone, and Lexical Choice

  • These are fallback techniques, but broaden your scope.

Imagery

  • Imagery is not confined to the senses; any descriptor will do.
  • Use descriptors like natural, astronomical, or grotesque imagery.

Figurative Language

  • Examples: metaphors, similes, analogies, symbolism.

Basic Features of Language

  • Negative adjectives can be significant.
  • Superlatives: Words at their most extreme (e.g., amazing, wonderful, spectacular).

Syntax

  • Sentence length is often overlooked but significant.
  • Short, sharp sentences are punchy and impactful.
  • Long sentences can pad details.
  • Modality: High or low.

Structure

  • Consider flashbacks, nonlinear narratives, and anecdotal reflections.
  • Candid Narration: Honest, reflective voice often found in opinion pieces or memoirs.

Poetry

  • End stop line: A line stopped with punctuation (full stop, comma, etc.).
  • Enjambment: Lines that run on without punctuation.
  • Apostrophe: A reference to something not in the scene.
  • Disjunction: Use of the word "but" to shift the tone.
  • Volta: A dramatic shift in tone or perspective (only in poetry).
  • Asyndeton: Without conjunctions. Example: Comma, eggs, comma, bread.
  • Polysyndeton: Via conjunctions. Example: I bought milk and eggs and bread.
  • Allusion: A reference to something.

Visual Texts

  • Salience: The most noticeable image.
  • Framing: Arrangement in three-dimensional space (foreground, midground, background).
  • Vectors: Lines that direct the eye.
  • Symbolism: Use of symbols to represent ideas.
  • Color: Discuss macroscopically.
  • Subtext: Any text on a visual.
  • Facts, statistics, quotes.

Nonfiction Texts

  • Address the argument fully.
  • Look at all parts of the argument.
  • Use appropriate terminology.
  • Techniques include analogies, anecdotes, references to experts, facts, and statistics.
  • Avoid using logos, pathos, ethos; instead, use the techniques that evoke them.
  • Consider verdict language or inclusion of facts/statistics.
  • Allusion: A reference, even if naming something.
  • Intertextuality: Deliberate quoting of another work.

Example Analysis

  • Analyze the image and its message about suffering.
  • Consider the visual and language features in your analysis.
  • Address both visual and language aspects in your QTEs (quote, technique, explanation).