Vital part of human society
Provides entertainment and emotional release
Accompanies various activities
Ubiquitous presence in modern life
Recorded music as a 20th-century innovation, enabled by:
Internet access
Portable audio devices
Live performance adds unique excitement
Experience influenced by emotional state of performer and audience
Importance of evaluating music performances
Contrast between background music and active listening
Perceptive listening enhances enjoyment
Knowledge of musical elements improves perception
Characteristics of sound:
Pitch
Dynamics
Tone color
Duration
Our world is filled with sounds, both pleasant and unpleasant; humans can focus on and ignore specific sounds
Sound originates from vibrating objects and is transmitted through media like air
Vibrations cause eardrums to vibrate, leading to brain processing
Music defined as organization of sounds in time
Defined as the highness or lowness of sound
Determined by the frequency of vibrations
Fast vibrations = high pitch; slow vibrations = low pitch
General principle: smaller vibrating objects yield higher pitches
Definite pitch = tone, e.g., 440 cycles per second = the note A
Irregular vibrations yield indefinite pitch
Key terms:
Interval: distance between two tones
Octave: doubling/halving frequency, blending tones an octave apart
Western music divides octave into 12 tones; non-western music may differ
Range: the distance between highest and lowest tones available to a voice or instrument
Represents the relative loudness of sound
Connected to amplitude of vibrations
Changes can be sudden or gradual
Key terminology:
Accent: a tone played louder than surrounding tones
Italian terms used for dynamics include:
ppp (pianississimo), fff (fortississimo)
Crescendo: build-up in loudness
Decrescendo (diminuendo): decrease in loudness
Quality that distinguishes the sound of an instrument
Descriptions include bright, dark, mellow, etc.
Changes in tone color provide variety and contrast
Specific melodies associated with specific tone colors
Unlimited variety; composers blend instrument sounds for new tones
Modern technologies contribute to creating new tone colors
Listening Outlines & Vocal Music Guides: help focus on musical events and features
Listening outlines identify notable musical sounds
Vocal music guides help follow lyrics and stories
Suggestions for effective listening:
While listening to one passage, anticipate what follows
Voices: unique fusion of words and tone
Vocal range determined by physical structure and training
Classifications:
Female: soprano (highest), mezzo-soprano, alto
Male: tenor (highest), baritone, bass (lowest)
Vocal music often accompanied by instruments
Instruments: mechanisms producing musical sounds
Six categories:
String
Percussion
Woodwind
Keyboard
Brass
Electronic
Varied sizes for range and tone color
Produce sound via vibrating strings
Shorter and tighter strings yield higher pitch
Key orchestral bowed instruments:
Violin, viola, cello, double bass
Common techniques: pizzicato, vibrato, tremolo, double stop, harmonics, mute
Some instruments played without a bow (e.g., guitar, harp)
Traditionally made of wood; now also metal and plastic
Tube length determines pitch; holes adjust sound length
Main orchestral woodwinds:
Sounds through player’s breath; single note instruments
Types:
Whistle mouthpiece, single reed, double reed instruments, saxophone
Orchestral brass instruments arranged by range:
trumpet, french horn, trombone, tuba
Sound produced by vibrating lips against a mouthpiece
Pitch altered by lips (pressure) and instrument lengthening/sliding
Employing mutes alters tone color
Sounds produced by striking, shaking, or rubbing instruments
Some have definite pitch; others sound like noise
Requires versatility; traditionally focused on rhythm
Increased use in 20th-century music
Generate/amplify sound using electronics
Introduction around 1904; broad impact post-1950s
Key developments in technology:
Tape studio during the 1950s
Synthesizers prominent in 1960s
MIDI technology (1983) allowed connection of devices
Modern composers integrate technology into new compositions
Flow of music through time; defined by note lengths
Key concepts:
Beat: recurrent pulsation organizing music into time units
Meter: grouping of beats; common in 2s and 3s
Accent: note emphasis
Syncopation: unexpected beat emphasis
Indicates the speed of the beat, affecting emotional impact
Often specified at the beginning of a piece using Italian terms
Metronome provides exact tempo
Essential for composing and sharing musical ideas
Notates pitch, rhythm, meter, and harmony
Notating Pitch:
Uses letter names (A-G) and staff systems
Indicates tone duration relative to others
Rests represent silence within notation
Time signature shows music's meter at the beginning and during changes
Top number: beats per measure
Bottom number: note type representing one beat
A recognizable series of notes that has a distinct beginning, movement, and end
Involves tension and release, with various motions:
Stepwise vs. leap motion
Climax points and phrasing
Features sequences within melodies and cadences (complete/incomplete)
Refers to chord structure and progressions
Chord: three or more simultaneous tones
Stable (consonant) vs. unstable (dissonant) chords, with resolutions enhancing harmony
The triad is a basic chord consisting of three notes
Tonic (1st scale note): most stable, often beginning and ending pieces
Dominant (5th scale note): most tense, offering conclusive movement to tonic
Central note or harmony; influences the scale's mood
Major scale: bright, happy sound; minor scale: dark, sad sound
Major and minor scales utilize signatures indicated at the beginning
Chromatic scale encompasses all 12 notes of the octave
Key change within a piece, providing contrast and a return to the tonic key
Tonic key denotes the primary key, lending resolution
Layering of sound and their interrelations
Monophonic, polyphonic, and homophonic textures
Changes in texture create variety
Organization of musical elements; creates coherence
Techniques: repetition, contrast, and variation
Types of Musical Form:
Ternary (A-B-A), Binary (A-B), with subdivisions
Art Music: Requires training, enduring quality
Folk Music: Culturally specific, often passed down orally
Popular Music: Appeals to mass audiences currently
Characteristic usage of elements in creating music
Western Art Music historical periods:
Middle Ages (450-1450)
Renaissance (1450-1600)
Baroque (1600-1750)
Classical (1750-1820)
Romantic (1820-1900)
20th Century (to 1945) and then 1945 to present
Each period influenced by socio-political factors.