Paete Woodcarving & The Life of Danilo – Comprehensive Study Notes
Origin of the Town’s Name
- The town’s name is Paete (spelled “Peppe” in the transcript).
- "Paete" is a Filipino word meaning “chisel.”
- Legend: A Spanish priest asked locals for the name of the town; a wood-carver thought he was asking about his tool and answered “paet” (chisel).
- The priest recorded this as the settlement’s name, and it eventually became Paete.
Paete as the Carving Capital
- Referred to locally as the “Carving Capital of the Philippines.”
- Peak period: (1970\text{s} - 1980\text{s}) when almost every household practiced woodcarving.
- Famous for two distinct craft traditions:
- Taka (papier-mâché figurines).
- Wood-carved religious icons supplied to churches all over the Philippines.
Featured Artist: Danilo “Danny” (Cardes / Cards)
- Born in Paete, Laguna.
- Personal history
- Lost his mother at age (2).
- Father worked in Manila as a taal (traditional) carpenter.
- Entire family (siblings, grandfather, grand-uncle) are artists.
- Career path
- Began carving right after high school.
- First lessons from his older brother; typical learning sequence: ear → hand → entire figure.
- Today focuses on mother-and-child statues and other religious pieces.
- Current age: (51); hopes to stay productive until at least (75).
- Balances commission work (to fund children’s college education) with his own creative projects.
- Daily rhythm: Home and workshop are the same place—“I carve when I wake up; I sleep when I’m tired.”
Materials & Techniques
- Primary medium: Hardwood—especially mahogany.
- Often works with blocks weighing several kilos; mentioned “about (3) mahogany logs” in one sculpture.
- Finishing choices
- Prefers to leave the grain visible when the wood is of high quality.
- Uses oil paint with a dry-brush and sometimes a roller for subtle tints.
- Tools
- Chisels (paet) remain the core implement.
- Keeps brushes meticulously clean (“How’s the brush? I cleaned this.”).
- Example artwork
- Figure of his daughter sitting on a bench, holding a lollipop—demonstrates portraiture from life.
Multi-Generational Legacy
- Family residence contains chairs built circa (1600) with paint layers dating back to (1717) (≈100-year-old coating).
- Grandfather and grand-uncle collaborated on elaborate carvings, e.g.
- A grasshopper motif where both faces are fully realized, entirely hand-tooled.
- Showcases “unique techniques” now studied by younger artisans.
Training the Next Generation
- Target trainees: High-school students \ge 16 years old.
- Observed trends
- Youth gravitate toward painting and digital art; fewer commit to woodcarving because it is physically taxing and technically demanding.
- Apprenticeship model
- Graduating students spend 1–2 months in a master’s shop to “learn how to hold the chisel.”
- Community ethos: “We are always willing to teach.”
Current Challenges
- Wood scarcity
- Government logging bans protect native species; hardwood can now be sourced only from high-elevation zones.
- Prices rising; “big problem to buy a bundle now.”
- Risk of losing craft knowledge if material remains unavailable.
- Artist is exploring stone carving as a contingency.
- Community pride vs. imitation
- Other towns claim to be the “carving capital,” but many studios reportedly “gave up” when faced with material and skill shortages.
Proposed Solutions & Future Outlook
- Reforestation
- Plan to identify land where traditional carving timbers can be replanted, ensuring long-term supply.
- Skill Preservation
- Continue mentoring youth; promote Paete’s authentic methods to maintain cultural identity.
- Diversification
- Transition to alternative materials (stone, composite) if wood becomes impossible to source.
Personal Philosophy & Motivation
- Carving is described as both a livelihood and a calling of the heart.
- Despite economic pressures, Danilo strives to “keep improving my ability” and “inspire young people to get the job done.”
- Belief that tradition can survive through passion, teaching, and environmental stewardship.