Johann Gottfried Herder (1744-1803) is a key figure in the development of romantic nationalism.
Herder emphasized a return to cultural roots, advocating for the study and revival of folklore to strengthen national identity.
English-American folklore studies began as a curiosity among scholars captivated by popular traditions, termed folklore in 1846.
The rise of evolutionary anthropology in the late 19th century shifted folklore studies to focus on survivals of ancient practices among the peasantry.
Key scholars in this domain include Tylor, Lang, and Gomme, who aimed at reconstructing historical contexts of folklore.
Serious folklore research began earlier in continental Europe, intertwined with emerging romantic nationalist movements.
*Nationalism is a complex idea; according to Hans Kohn, it involves the supreme loyalty of individuals to their nation-state, defined by language, culture, and common historical traditions.
In contrast to liberal nationalism which advocated for rights and equality, romantic nationalism emphasized the unique qualities of each nation, derived from history and folklore.
Romantic nationalism arose as a response to social and political conditions in Central and Eastern Europe, where national boundaries often did not align with existing states.
This nationalism connected deeply to popular sovereignty, championed by theorists like Rousseau, viewing the common people as fundamental to civilization.
Nationalists believed in enhancing individual identity through national character, comparing it to a natural organic entity.
Herder posited that each nation’s identity is shaped by its physical environment, history, and inherent traits, producing distinct national characters.
He believed that education and tradition are synonymous, with customs passed down from ancestors becoming fundamental elements of national identity.
National perfection cannot be judged by external standards but should be understood within its cultural context.
Folk poetry is crucial in understanding a nation's past and character. Herder valued it as a mirror reflecting the sentiments, struggles, and aspirations of a people.
He emphasized that poetry is the expression of national identity, and through folk poems, one gains insights into the societal ethos of a nation.
Herder saw folk poets as vital to capturing and expressing the essence of the national soul.
Herder argued against adopting foreign cultural influences, urging for a revival of native traditions to restore national identity and integrity.
Historical periods, particularly the Middle Ages, were viewed as points where national culture had to be reclaimed.
He warned against the loss of national identity due to the adoption of foreign customs, viewing it as a rejection of one’s heritage.
For Herder, the ideal future for a nation involves developing its culture organically, reflecting its true character, rather than striving for something imposed from outside.
He believed that the development of nations should rely on folk traditions as foundational stones for cultural innovation and continuity.
Romantic nationalism, influenced by folk traditions as articulated by Herder, underlines the importance of understanding and preserving cultural heritage as a means of civic identity and national integrity.
The ideas stemming from Herder continue to resonate in contemporary discussions about folklore and nationalism. Each nation is seen as having a unique mission to contribute to humanity collectively without losing its distinctiveness.