The Tempest – Bullet-Point Revision Notes
Key Characters
- Prospero – Rightful Duke of Milan; sorcerer ruling the island; father to Miranda; seeks reconciliation and justice.
- Miranda – Prospero’s innocent daughter; falls in love with Ferdinand.
- Ariel – Air-spirit bound to Prospero; executes magic (tempest, masques); longs for liberty.
- Caliban – Son of witch Sycorax; native of the island; enslaved by Prospero; plots rebellion with Stephano & Trinculo.
- Ferdinand – Prince of Naples; loves Miranda; proves worth through labour.
- Alonso – King of Naples; father of Ferdinand; regrets past wrongs.
- Antonio – Prospero’s usurping brother; remains treacherous.
- Sebastian – Alonso’s brother; tempted to murder Alonso.
- Gonzalo – Honest Neapolitan counsellor; aided Prospero’s escape; voice of optimism.
- Stephano & Trinculo – Comedic drunkards; manipulated by Caliban.
Plot Flow (Act by Act)
- Act I
- Shipwreck staged by Ariel; royal party scattered.
- Prospero reveals past betrayal (Antonio + Alonso) to Miranda.
- Ariel reports safe dispersal; Caliban’s enslavement shown.
- Miranda & Ferdinand meet → instant affection.
- Act II
- Gonzalo attempts to cheer Alonso; Antonio persuades Sebastian to plot regicide (thwarted by Ariel).
- Caliban recruits Stephano & Trinculo to overthrow Prospero.
- Act III
- Ferdinand labours with logs; mutual love professed; Prospero secretly pleased.
- Caliban trio advance rebellion; island’s music and wonders described.
- Banquet scene: Harpy-Ariel condemns Alonso, Antonio, Sebastian for past crimes.
- Act IV
- Prospero approves Ferdinand-Miranda union; presents masque of Iris, Ceres, Juno.
- Remembers Caliban plot; spirits (hounds) drive conspirators off.
- Act V
- Prospero renounces “rough magic,” breaks staff, plans to drown book.
- Reveals himself; forgives enemies; restores dukedom; engages marriage.
- Caliban repents; Ariel freed; all prepare to sail for Naples.
- Epilogue: Prospero seeks audience’s “release.”
Major Themes & Ideas
- Forgiveness vs. Vengeance – Prospero chooses mercy; “rarer action is in virtue than in vengeance.”
- Power & Usurpation – Political (Antonio’s coup) and colonial (Prospero over Caliban) dimensions.
- Illusion & Reality – Masques, spirits, magical tempest question perception.
- Servitude & Freedom – Ariel’s quest for liberty; Caliban’s bondage; sailors’ and nobles’ constraints.
- Nature vs. Civilization – Island embodies wild nature; contrasted with courtly intrigues.
- Art & Creativity – Prospero’s magic as metaphor for theatrical art; epilogue breaks the “fourth wall.”
Symbols / Motifs
- The Tempest – Disruptive force initiating change & revelation.
- Prospero’s Staff & Books – Source of magical authority; their destruction = relinquishing control.
- Masque of the Goddesses – Celebration of chastity & harmony; reminder of transient art.
- Music & Sounds – Ariel’s songs, island’s “twangling instruments” guide, soothe, or chastise.
Quick Recall Quotes
- “We are such stuff as dreams are made on.” – Prospero (IV.i)
- “Hell is empty and all the devils are here.” – Ferdinand (I.ii)
- “O brave new world that has such people in’t!” – Miranda (V.i)
- “This thing of darkness I acknowledge mine.” – Prospero on Caliban (V.i)
- “My liberty.” – Ariel’s constant request (I.ii)
Scene Structure at a Glance
- Ship → Prospero’s Cell → Island wanderings → Masque & Betrayal → Cell (Resolution)
- Converging arcs: Love plot (Ferdinand/Miranda), Political redemption (Prospero/Alonso/Antonio), Comic rebellion (Caliban/Stephano/Trinculo), Spiritual release (Ariel).
Exam Tips
- Link Prospero’s magic to Shakespeare’s craft; epilogue viewed as playwright’s farewell.
- Contrast Ariel’s obedient service with Caliban’s resistant servitude for colonial readings.
- Note symmetrical betrayals: Antonio vs. Prospero; Stephano vs. Prospero; both fail yet enable forgiveness climax.
- Remember masque’s sudden end signals fragility of art and foreshadows relinquishing power.