Title: The Cambridge Introduction to Narrative (Second Edition)
Author: H. Porter Abbott, University of California, Santa Barbara
Notable Praise for First Edition:
Described as having brilliant architecture of narrative.
Recommended as a guide to narrative technique.
Noted for its accessibility and coherence, highly recommended for its practical application in literary theory and criticism.
Praise for Second Edition:
Stronger than the first edition, includes two new chapters on 'Narrative and Truth' and 'Narrative Worlds'.
Reworked for accuracy, comprehensiveness, and clarity, valuable for classes in various disciplines.
Considered an invaluable resource for specialists.
Basic Understanding:
Narrative is defined as the representation of an event or series of events.
Key Element: "Event" (or "action") is essential for a narrative to exist.
Examples:
Description: "My dog has fleas" (not a narrative).
Narrative: "My dog was bitten by a flea" (contains an event).
Scholarly Views on Events:
Some argue the necessity of at least two events (Barthes, Rimmon-Kenan).
Others require causal relationships between events (Bal, Bordwell, Richardson).
Abbott advocates for a broader definition covering even single events.
Longer Works as Narratives:
Debate exists over whether longer, complex works like poetry or fragmented narratives count as narratives.
Narrative Coherence: Lack of continuity or coherence may disqualify some works as narratives despite containing mini-narratives.
Picaresque Novels (e.g., Lazarillo de Tormes, The Adventures of Augie March) are always regarded as narratives due to shared chronology and character involvement.
Compact and Definable:
Focused on individual narrative units as building blocks for larger narratives.
Provides a basis for discussion of various definitions of narrative as useful subsets.
Loose and Generally Recognizable:
Includes longer structures (e.g., genres like tragedy or comedy) that might contain significant non-narrative elements.
The aspect of narrative coherence is vital at this level.
Differences Explained:
Distinction between "story" (events/timeline) and "narrative discourse" (how those events are presented).
Time in Narrative:
Incorporates external time (reading duration) and internal time (plot chronology).
Example of Chrono-Logic:
Events can be recounted in different orders, showcasing flexibility in narrative discourse.
Narrative Flexibility:
Narrative discourse can change perspectives and shape events while retaining the same core story.
Definitions in Narrative Studies:
Representation: the act of narrating or telling a story.
Presentation: used for stories acted out (theater) as opposed to being narrated.
Argument for broader use of "representation" to include visual media and their storytelling capabilities.
Author's Choice: Abbott favors "representation" due to its common usage and implication of a pre-existing story.
Distinctions in Events:
Constituent Events (Nuclei/Kernels): Necessary for the core story.
Supplementary Events (Catalyzers/Satellites): Add depth but aren't necessary for the story's integrity.
Significance Exists: Supplementary events can enhance meaning and thematic depth without altering the foundational story.
Acknowledgment of ongoing changes in story elements as cultures evolve.
Demonstrated through variations of the Faust story across different time periods.
Persistence of core elements and themes amid changes is crucial in narrative analysis.
Narrativity Defined:
A measure of how much a narrative invokes a sense of storytelling beyond plain events.
Degree of Narrativity:
Involves emotional depth, character development, and performative qualities.
Scholarly Discourse:
Complex debates around narrativity emphasize variations and personal interpretation in storytelling.
Recommended readings and texts:
Routledge Encyclopedia of Narrative Theory
Gerald Prince's Dictionary of Narratology
Luc Herman & Bart Vervaeck's Handbook of Narrative Analysis
Jonathan Culler's The Pursuit of Signs
Narrative understanding is essential in literature, theory, and varied academic disciplines.
The complexities of definition, representation, and constituent events contribute to an expansive discourse on narrative theory.