Introduction to Inka artistic expression, specifically focusing on the Maize Cobs sculpture from 1440–1533.
The sculpture represents a corn cob mimicking the appearance of ripe corn ready for harvest.
The artwork exemplifies the Inka's unique blend of abstract and naturalistic forms in their small-scale metal objects.
Description: Life-sized sculpture made of a gold-silver alloy, depicting maize (Zea mays).
Distinct features:
Individual kernels protruding from a cob nestled in jagged metallic leaves.
Hollow and delicate craftsmanship by Inka metalsmiths combining silver and copper.
Contextual significance:
Reflects agricultural importance to Inka civilization, particularly maize used in making chicha (maize beer).
Integral to ritual practices and state religion supporting governance.
Arrival of Spaniards in 1534:
Description of the looting of gold-silver artworks, including the Maize Cobs, post-inca leadership defeat.
Historical accounts by chronicler Pedro de Cieza de León, illustrating the Spaniards' plunder of the gardens in the Qorikancha temple.
Notable items in Spanish collections included a gold maize stalk and figures made of precious metals, representing Inka traditions.
The Qorikancha temple as a pivotal site of Inka cosmology, embodying the empire's connection to the divine.
Description of metallic offerings’ role in various rituals:
Offerings found across Inka territories included both agricultural produce and symbolic representations of animals.
Symbiotic relationship between the Inka state and diverse ecosystems represented; maize as an essential imperial foodstuff.
Vertical Archipelago System: Inka agricultural adaptations enabling the use of different elevations for cultivation.
Examination of doubts surrounding the authenticity of the Maize Cobs in the Ethnological Museum, Berlin.
Discussion of the implications of such offerings in reinforcing Inka claims of divine ancestry and control over nature, connecting their identity to the Sun deity.
The significance of the Maize Cobs sculpture extends beyond mere artistry; it intertwines cultural identity, ritual practice, and the historical intersections of Inka and Spanish encounters.