Contrast between Katherine Mansfield and Edgar Allan Poe's short stories.
Poe's stories:
"The Purloined Letter" (1844), "The Cask of Amontillado" (1846).
Influenced by realism, romanticism, gothic.
Mansfield's stories:
"At the Bay", "The Garden Party", "The Daughters of the Late Colonel" (1922 collection).
Modernist style, characterized by a break with past traditions.
Many stories lack Poe’s idea of "unity of effect".
Modernist artists and writers as exiles within cultural centers.
Mansfield's background:
From New Zealand, lived in Europe (London, Paris).
Group of modernists (Conrad, Joyce, Eliot, Lawrence) shared a sense of alienation.
Modernism entails:
Formal revolution in literary style.
Ideological revolution challenging traditional values (class, race, gender, etc).
Notable modernist short story writers: Joyc,e Lawrence, Woolf, Mansfield.
Shared qualities (not all present in every story):
Stream of consciousness
Free indirect speech
Epiphany
Plotlessness, Disunity
Impressionism over realism
Suspicion of truth and overall meaning
Questioning social values
Disillusionment post-World War I
Simon During's observations on Mansfield's writing:
Short stories as reflections of individual consciousness rather than geography.
Three sub-genres of Mansfield's stories:
Switch stories: sudden mood or perception inversions.
Brutal stories: regressions from civility to selfishness.
Childhood stories: interactions between adult and child perspectives.
Disconnection between characters, highlighting the inability to communicate effectively.
Stories do not impose moral judgments.
Focus on women’s positions in contemporary society across three stories:
"At the Bay" and "The Garden Party": colonial New Zealand.
"The Daughters of the Late Colonel": early 20th-century London.
"At the Bay":
Features varied female roles: Linda (mother/wife), Mrs. Fairfield (grandmother), Beryl (spinster).
Linda feels freedom when Stanley leaves but is burdened by motherhood.
Beryl yearns for security in relationships but is conflicted in her desires.