Composed the iconic work Rite of Spring.
Noted for his innovative and percussive use of the orchestra.
Pushed the limits of dissonance in music composition.
Advocated for the freedom of dissonance in music.
Developed the concept of atonality, moving away from traditional harmonic structures.
Composed Pierrot Lunaire in 1912, a seminal work in atonal music.
A method of composition devised by Schoenberg.
Utilizes all twelve notes of the chromatic scale in a particular sequence or row, forming the basis for the composition.
An early electronic musical instrument developed in the late 19th century.
Pioneered innovations in sound synthesis and electronic music.
Inventor of the Theremin, an electronic instrument controlled without physical contact.
Volume Antenna: Controls the volume of the sound.
Pitch Antenna: Controls the pitch or frequency.
Lowpass Amplifier Filter: Filters out high frequencies.
Envelope Oscillator: Shapes the sound over time.
Filter Detector: Analyzes incoming signals.
Speaker Mixer: Combines audio outputs to speakers.
Composers associated with the Futurist movement.
Emphasized the use of acoustic noise to mimic machinery sounds.
Advocated for new timbres and sound beyond traditional instruments.
Authored The Art of Noises, proposing a new understanding of musical sound.
Born in Paris in 1883; significant figure in modern music.
Studied composition at Schola Cantorum and the Paris Conservatoire.
Relocated from Paris to Berlin, influenced by composer Ferruccio Busoni.
Attended a performance of Schoenberg’s Pierrot Lunaire in 1912, which greatly impacted his compositional style.
Proposed the urgent need for new instruments to advance music composition.
Encouraged collaboration between musicians and machinery specialists to innovate.
Designed by Iannis Xenakis for the Brussels World Fair in 1958.
A notable work by Edgard Varèse that integrated electronic music with spatial sound experiences.
Born in Menlo Park, California, and largely self-taught.
Studied with Charles Seeger at UC Berkeley.
Known for his exploration of atonality and polytonality in composition.
Authored New Musical Resources in 1919, exploring avant-garde musical possibilities.