Italian Renaissance

Crusades and Renaissance—Italian Renaissance—Notes#4

The Big Idea

The Italian Renaissance was a rediscovery of learning that produced many great works of art and literature

Key Terms and People

perspective-a way of showing three dimensions on a flat surface

Michelangelo-poet, architect and painter from flourence.

Leonardo da Vinci-painter, sculptor, inventor, scientist

BACKGROUND:The Renaissance began in northern Italy. Italy’s city-states were wealthy, with an advanced urban society, and they felt a sense of connection with the classical past of ancient Rome and Greece. During the Renaissance, these city-states were home to some of the world’s most extraordinary writers and artists

  • Supported by patrons like Isabella d’Este, dozens of artists worked in northern Italy

  • These artists excelled at imitating nature, which became an important aspect of Renaissance painting and sculpture

  • Medieval artists had used religious subjects to convey a spiritual ideal

  • Renaissance artists often portrayed religious subjects, but they used a realistic style copied from classical models

  • Greek and Roman subjects also became popular

  • Renaissance painters used the technique of perspective, a way of showing three dimensions on a flat surface

  • The introduction of oil-based paints, first developed in Flanders, allowed artists to create more realistic forms and details

  • Following the new emphasis on individuals, painters began to paint prominent citizens

  • These realistic portraits revealed what was distinctive about each person

  • In Florence, artists such as the sculptor, poet, architect, and painter Michelangelo Buonarroti used a realistic style when depicting the human body

  • The sculptor Donatello revived a classical form in his statue of David, a boy who, according to the Bible, became a great king

  • Donatello’s statue was created in the late 1460s

  • It was the first European sculpture of a large, free-standing nude since ancient times

  • David was a favorite subject for sculptors of the period, including Michelangelo

  • Leonardo da Vinci was a painter, sculptor, inventor, and scientist

  • A true “Renaissance man,” he was interested in how things worked

  • He studied how a muscle moves and how veins are arranged in a leaf

  • His notebooks contain anatomical, mathematical, optical, mechanical, geological, and botanical studies

  • He sketched designs for machines that resemble modern tanks and helicopters

  • Among Leonardo’s masterpieces is one of the best-known portraits in the world, the Mona Lisa. The woman in the portrait seems so real that many writers have tried to explain the thoughts behind her smile

  • Leonardo also produced a famous religious painting, The Last Supper. It shows

    the personalities of Jesus’ disciples through facial expressions

  • Raphael (RAHF•ee•uhl) Sanzio learned by studying the work of Michelangelo and Leonardo

  • One of Raphael’s favorite subjects was the Madonna and child, whom he portrayed with gentle,

    calm expressions

  • He was famous for his use of perspective

  • In his greatest achievement, Raphael filled the walls of Pope Julius II’s library with paintings

  • One of these, School of Athens, shows the classical influence

  • Raphael painted famous figures such as Michelangelo, Leonardo, and himself as classical philosophers and their students

  • Renaissance society generally restricted women’s roles

  • However, a few Italian women became notable painters

  • Sofonisba Anguissola was the first woman artist to gain an international reputation

  • She is known for her portraits of her sisters and of prominent people such as King Philip II of Spain

  • Artemisia Gentileschi was another accomplished artist

  • She trained with her painter father and helped with his work

  • In her own paintings, Gentileschi painted pictures of strong, heroic women

  • Even more than painting and sculpture, Renaissance architecture showed its classical roots

  • Features included classical Roman forms such as columns and domes

  • Renaissance architects focused on proportion in their designs

  • As a result the spaces they designed are clear and easy to comprehend

  • One of the pioneers of Italian Renaissance architecture was Filippo Brunelleschi

  • His designs fused classical elements with the Romanesque style, a mixture of Roman, Byzantine, and local styles

  • As well as rediscovering the principles of linear perspective, Brunelleschi devised a way to build huge domes, using machines of his own invention

  • Venetian architect Andrea Palladio studied surviving Roman buildings as well as the works of Roman architects

  • He wrote a book with rules and plans for buildings

  • With its clear, detailed illustrations, his book inspired architects in many countries to design buildings in the same style

  • The dominant feature of Italian Renaissance writing was humanism. Many Italian writers incorporated classical ideals in their work

  • Francesco Petrarch was one of the earliest and most influential humanists

  • Some have called him the father of Renaissance humanism

  • He was also a great poet. Petrarch wrote both in Italian and in Latin

  • In Italian, he wrote sonnets—14-line poems

  • They were about a mysterious woman named Laura, who was his ideal woman

    (Little is known of Laura except that she died of the plague in 1348.)

  • In classical Latin, he wrote letters to many important friends

  • The Italian writer Giovanni Boccaccio is best known for the Decameron, a series of realistic, sometimes off-color stories

  • The stories are supposedly told by a group of worldly young people waiting in a rural villa to avoid the plague sweeping through Florence

  • The Decameron presents both tragic and comic views of life

  • In its stories, the author uses cutting humor to illustrate the human condition

  • Boccaccio presents his characters in all their individuality and folly

  • The Prince (1513) by Niccolò Machiavelli also examines the imperfect conduct of human

    beings

  • Machiavelli lived in Florence, which was a center of philosophy and the arts

  • However, it was also the subject of a series of conflicts as different individuals and factions struggled for power

  • Machiavelli watched as the Medici ruler was driven from Florence by French forces, only to make a triumphant return to power

  • The Prince, which was first published after Machiavelli’s death, follows a long tradition of books offering advice for princes

  • However, before Machiavelli, most writers urged princes to model themselves after a good and able ruler

  • Machiavelli recommended that princes should think for themselves

  • Rather than identifying what “should” be done, rulers should base their actions on the needs of a given situation

  • In The Prince, Machiavelli was not concerned with what was morally right but with what was politically effective

  • In answering the question of how a ruler can gain power and keep it in spite of enemies, he began with the idea that most people are selfish, fickle, and corrupt

  • To succeed in such a wicked world, Machiavelli said, a prince must be strong as a lion and shrewd as a fox

  • For the good of the state, he might have to trick his enemies or even his own people

  • He pointed out that most people think it is praiseworthy in a prince to keep his word and live with integrity

  • Nevertheless, Machiavelli argued that in the real world of power and politics a prince must sometimes mislead the people and lie to his opponents

  • As a historian and political thinker, Machiavelli suggested that in order for a prince to accomplish great things, he must be crafty enough to not only overcome the suspicions but also gain the trust of others

  • The women writers who gained fame during the Renaissance usually wrote about personal subjects, not politics

  • Yet some of them had great influence

  • Vittoria Colonna (1492–1547) was born of a noble family

  • In 1509, she married the Marquis of Pescara

  • He spent most of his life away from home on military campaigns

  • Vittoria Colonna exchanged sonnets with Michelangelo and helped Castiglione publish The Courtier

  • Her own poems express personal emotions

  • An ardent humanist and intellectual, Colonna was active in literary, political, and religious life

  • Her poetry, written in the vernacular, was widely published during her lifetime

  • Vittoria Colonna was the first secular woman writer to attain high literary status in Italy, and her achievements made her a role model for later women writers