Title: After Modern Art 1945-2017
Author: David Hopkins
Publisher: Oxford University Press
Post-war avant-garde artists inherited a heroic image of the artist.
Influential figures included:
Picasso: Known for his varied styles.
Duchamp: Embodied intellectual dandyism.
Mondrian: Advocated for universal abstract vision.
This model persisted post-1945, but societal shifts began to alter perceptions of artistic uniqueness.
Jackson Pollock exemplified the tortured artist image through Namuth's photographs.
The proliferation of commodity production eroded the cultural value of uniqueness in art.
Artists responded to societal changes differently, with European artists often revising humanistic themes in their works.
Barbara Hepworth and Henry Moore emerged as leading British sculptors, shaping the national art profile.
Henry Moore's works:
Blended universal themes with English sensibilities.
Example: Working Model for Reclining Figure (1951) used form inspired by European avant-garde and emphasized classical harmony.
Moore's art reflected resilience amid national recovery post-war, infused with Neo-Romantic imagery.
While Moore's sculptures represented stability, Francis Bacon's works reflected chaos and a departure from humanism.
Bacon's Early Work:
Three Figures at the Base of a Crucifixion (1944) depicted haunting human struggles aligning with post-Holocaust sentiments.
His art focused on raw human emotion and psychological turmoil.
Used photographs as references, diverging from the traditional model of painting.
Bacon's use of motion and animal imagery put him at odds with mainstream humanist representation.
Lucian Freud adopted a direct focus on live models, prioritizing observational realism over Bacon's stylized and photographic approaches.
Freud's work was politically charged, reflecting individualistic opposition to existing norms.
Giacometti's sculptures encapsulated the fragility of human perception and existence.
Notable Work: Standing Figure (1946) showcased his intricate, ethereal quality in a large drawing.
His innovative approach emphasized existential themes reflective of the post-war human condition.
Beuys transcended traditional art, intertwining performance with socio-political commentary.
In performance pieces, such as Coyote (1974), he navigated themes of identity and transformation.
Relied on materials with symbolic significance (e.g., fat, felt) reflecting personal and cultural history.
West Germany saw a struggle for modernist identity, shaped by past Nazi ideologies.
Artists sought to redefine their practice through both international and localized influences.
Georg Baselitz:
His works juxtaposed themes of sexuality and trauma within the socio-political landscape of Germany.
The legacy of Beuys, through his hierarchical engagements and public roles, further shaped Germany's cultural evolution post-war.
Emergence of Nouveau Réalistes in France challenged the concepts of traditional art through engagement with consumer culture.
Artists like Yves Klein and Arman redefined what constituted art.
Klein altered the art landscape by branding and commodifying his works with spiritual contexts.
Notable works include performances and Monochrome paintings in International Klein Blue.
His actions represented a shift from the heroic artist to self-marketing.
Manzoni countered Klein's commercialization with works challenging aesthetic norms (e.g., Merda d’artista).
His Act-like works questioned value, transforming base materials into 'art'.
Overall, the evolution of the post-war artist reflected a complex interplay of existential philosophy, societal change, and emerging consumerism, leading to a redefined notion of artistry amid crisis.