Course: MUS 113
Schedule: T/TH Noon-1:15
Instructor: Dr. Immel
Location: SA 13G
19th-century German composer, revolutionized drama with Gesamtkunstwerk.
Introduced ideas: darkened auditorium, orchestra pit, no applause during performance.
Wagner's full control over music dramas; wrote librettos, directed, composed.
Emphasized thematic development through Leitmotive—musical themes representing characters and ideas.
Plot: Structure of the story.
Character: Central figures in the story.
Setting: Location and time frame.
Theme: Underlying ideas.
Mood: Emotional quality.
Casual Plot: Includes exposition, complications, climax, and resolution.
Episodic Plot: Series of events without strict chronological order; may use flashbacks.
Protagonist: Central character (e.g., Frodo, Indiana Jones).
Antagonist: Opposing character causing conflict (e.g., Darth Sidious, Gollum).
Contemporary: Reflective of modern life (e.g., American Beauty).
Fantasy: Imaginative locales (e.g., Jurassic Park).
Historical: Utilizes a specific era’s details (e.g., Amadeus).
Central idea; some films lack clear themes and focus on entertainment.
Serious films often address social issues (e.g., To Kill a Mockingbird).
Emotional quality created through visuals and music.
Examples: Gone With the Wind, Psycho, The Graduate.
Nonfiction: Documentaries, propaganda.
Narrative: Fictional stories divided into various genres.
Comedy (e.g., dark, romantic)
Drama (e.g., historical, biopic)
Horror
Musical
Mystery
Romance
Science Fiction
Western
Art of capturing moving images; considerations include composition, lighting, and movement.
Omniscient POV: Detached, camera-driven perspective.
Subjective POV: Shows the story through a character’s eyes.
Pitch: Highness or lowness of notes.
Time Signature: Beats within a measure.
Melody: Succession of pitches forming a musical idea.
Harmony: Simultaneous pitches; chords can be consonant or dissonant.
Rhythm: Recurring pulses, beats.
Tempo: Speed of music.
Timbre: Quality of sound.
Orchestration: Arrangement of musical ideas for performance.
Strategic use: before credits, throughout drama, underscoring emotions.
Source Music: Heard within the film context (e.g., radio).
Underscoring: Non-diegetic music guiding emotions (orchestral).
Establishing mood, contrasting action, thematic unity through Leitmotive.
Pioneers of motion picture development; influential in early synchronized sound.
Music essential due to lack of sound; live performances common.
Innovations in sound technology led to synchronized dialogue and soundtracks.
Erich Korngold: Robin Hood score, advanced film music scoring.
Max Steiner: Composed iconic scores for Gone with the Wind and Casablanca.
Citizen Kane: Notable for its complex score and themes.
Casablanca: Features memorable nationalistic tunes and motifs like "As Time Goes By."
Established moral guidelines for film content, lasting until 1966.
Integrated contemporary concert music into film; known for Citizen Kane and works with Hitchcock.
Ongoing evolution in film music, with genres crossing boundaries and incorporating diverse elements.