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Jan+15+-+Greek+Heroes%2C+Iliad+1

CLA160 Introduction to Classical Studies

Course Information

  • Date: Wed Jan. 15, 2025

  • Lecture Topic: The Greek Heroes, Homer’s Iliad 1

  • Instructor: Dr. Matt Ludwig


What is a Greek Hero?

  • Definition by Sarah Iles Johnson (2018):

    • Humans born with or acquiring status and abilities beyond those of the average human.

    • Retain these qualities after death, benefiting living humans who worship them.

  • Key Points of Definition:

    • Emphasizes the link between heroism and religion.

    • Highlights the connection to the past and the necessity of heroes having died or undergone deification (apotheosis).

    • Stresses on the persistent influence of dead heroes on the present.

    • No requirement for heroes to be virtuous individuals.


Origins of Greek Hero Worship

  • Historical Context:

    • Originated in the Dark Ages and early Archaic Period.

    • Evidence of hero worship at tombs from Mycenaean times (shaft and tholos).

  • Shrines:

    • Dedicated to Mycenaean figures, such as Agamemnon in Mycenae and Menelaus + Helen in Sparta.

  • Funerary Practices:

    • Later burial practices mirrored those of Mycenaean times.

    • Descriptions in Homer detail cremated bones in urns and grave weapons.

  • Terminology:

    • Worship sites dedicated to heroes referred to as heroa (s. heroon), with the recipient known as a heros.


The Spectrum of Greek Heroism

  • Types of Heroes:

    • Older Heroes (e.g., Perseus, Theseus, Jason, Heracles):

      • Engage in exotic quests, possess supernatural abilities, slay monsters, and have divine ancestry.

    • Later Heroes (e.g., figures from the Trojan War):

      • Main characters in the Iliad and Odyssey.

    • Founding Heroes associated with colonization and early kingship (e.g., Thymoetes in Athens, Iops in Sparta).

  • Crossover Characters:

    • Figures such as Oedipus and Odysseus that belong to one era but possess attributes of another.


Tensions of Greek Heroism (Part 1/2)

  • Local vs. Panhellenic Hero Cults:

    • Many hero cults specific to locales (epichoric).

    • Heroes celebrated in various poetic forms and across different regions.

  • Epic Cycle:

    • Focus on heroes from the Trojan and Theban Wars, contributing to a wider cultural interest beyond epic poetry.

  • Ceremonies and Events:

    • Heroic influences observed in various rituals, including weddings, coming-of-age ceremonies, competitions, and athletic victory celebrations (epinician poetry).


Notable Works and Authors

  • Hesiod’s Contributions:

    • Theogony: 1022 lines (date: 900 BC?)

    • Works and Days: 828 lines

    • Shield: 480 lines

    • Catalogue of Women: Fragments survive

  • Epic Cycle & Theban Saga:

    • Comprising various major works including Titanomachy, Oedipodeia, and Thebais.

    • Timeline ranging from late 8th century to early 7th century BC.

  • Epic Cycle & Trojan Saga:

    • Includes works like Cypria, Iliad, and Odyssey with substantial line counts indicating a rich oral tradition.


Tensions of Greek Heroism (Part 2/2)

  • Divine vs. Human Nature of Heroes:

    • Greek heroes associated with gods, serving as helpers and antagonists.

    • Heroes such as Bellerophon, Perseus, and Heracles cited as slayers of creatures and monsters.

  • Human Aspects:

    • Experience labor, require divine assistance, confront death.

    • Historical portrayal of heroes evolving from divine to predominantly human traits, especially in the works of Archaic poets like Homer.


Heroism in the Iliad (Part 1/3)

  • Achaeans/Danaans (Greeks):

    • Significant figures: Agamemnon, Menelaus, Achilles, Patroclus, Diomedes, Ajax (x2), Nestor, Odysseus, Idomeneus.

  • Trojans (Ilios/Ilium):

    • Key characters: Hector, Paris (Alexandros), Aeneas, Priam, Hecuba, Polydamas, Agenor, Antenor, Pandarus, Dolon, Sarpedon, Phoenix, Machaon, Glaucus, Calchas, Helenus.


Heroism in the Iliad (Part 2/3)

  • Concept of Aretē (Excellence):

    • Involves something more than mere virtuous behavior:

      • Deeds: Displays of strength (bia) in battle and athletics.

      • Social Standing: Acting with honor (timē) and achieving elevated military status (aristeia).

      • Personal Connections: Loyal to friends (philoi) and hostile to enemies (echthroi).

  • Words:

    • Skills in cunning (mētis), deception (dolos), and effective communication (peitho), all contributing to the heroic image.

  • Securing Aretē:

    • Glory (kudos) earned among peers, often symbolized through war prizes (geras) and maintained through reputation (kleos) in stories after death.


Heroism in the Iliad (Part 3/3)

  • Focus in Iliad Book 1:

    • Examination of the heroic code and its challenges.

    • Key Themes:

      • Security of kleos (glory) and stability of relationships (philoi vs. echthroi).

      • Questions on the applicability of heroic models to contemporary behaviors.

      • Elements such as Ate (delusion) and Hybris (excess) reflect early Archaic concerns.


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