Definition: A 19th-century art movement characterized by a focus on capturing light and movement, initiated by Parisian artists in the 1870s and 1880s.
Origin of Name: The term "Impressionism" comes from Claude Monet's painting "Impression, Sunrise" (1872), which prompted critic Louis Leroy to use it in a satirical review.
Key Characteristics:
Small, thin, visible brush strokes
Open composition
Accurate depiction of light’s changing qualities
Subject matter focusing on ordinary scenes
Inclusion of movement in human experience and perception
Unconventional visual angles.
Radical Changes: Impressionists rejected the academic painting norms, favoring color and light over precise lines.
Influences: Influences from artists like Eugène Delacroix and a shift to plein air (outdoor) painting helped depict transient effects of sunlight.
Technique: Utilized short, broken brush strokes combining mixed and pure colors to create vibrant compositions.
Core Figures: Key figures include Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Camille Pissarro, and Edouard Manet.
Evolving Membership: The group exhibited together from 1874 to 1886, despite differing artistic beliefs.
The Académie des Beaux-Arts: Dominated mid-19th century French art; valued traditional subjects and polished images.
Salon Struggles: Many Impressionists faced rejection from the Salon, leading to the establishment of the Salon des Refusés in 1863 to showcase rejected works.
Innovations: They refrained from traditional techniques such as oil glazes and instead layered wet paint in innovative ways to create softer edges and bold colors.
Color Use: Focused on side-by-side application of colors, enhancing vibrancy without direct mixing.
Cultural Impact: Impressionism influenced subsequent movements like Neo-Impressionism, Post-Impressionism, Fauvism, and Cubism.
Expanding Beyond France: The movement inspired artists globally, including American, British, and Australian Impressionists, as well as significant impacts in sculpture, photography, and literature.
Salon des Refusés (1863): Established by Emperor Napoleon III after numerous artist rejections, helped highlight emerging styles.
First Exhibition (1874): Organized by Monet and others, received mixed reviews yet solidified the term "Impressionists."
Claude Monet's "Woman with a Parasol" (1875)
Techniques and Themes: Captured spontaneity in light, everyday life, and displayed artistic freedom from strict compositional norms.
Reaction to Photography: Also served as a rebellion against realism brought forth by photography; focused instead on subjective perceptions of reality.
Influence of Japanese Art: Contributed to distinct angles and compositions common in Impressionist works.give me a review on the centuries