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Romanesque

St Sernin

  • Accomodate more pilgrims

    • Double side aisles allowed pilgrims to visit without interrupting any religious service in process

    • Enter the church, turn left, proceed down a side aisle, and move along the transept.

    • Concluding their visit, traveling pilgrims would walk along the side aisle opposite the one they had previously used and then exit the church.

  • House and display relics

  • Materials - stone vs wood

  • Pilgrimage church must have ALL three:

    • House a relic(s)

    • Incorporate features to accomodate influx of pilgrims wanting to see relics

    • Located along a major pilgrimage route

  • Constructed in honor of Saint Sernin

    • First bishop of Toulouse

    • One of seven bishops that Pope Fabian sent to different parts of Gaul to actively preach to pagans

    • Chained to a bull and dragged through the city

    • Remains are in St Sernin

  • One of the best-preserved and largest Romanesque churches in the world

  • Medieval architects used a fundamentally Roman architectural language

    • Thick walls with relatively few windows

    • Roman arches

    • Massive vaulting

  • Latin cross plan

  • Shifting architectural styles and changing sculptural aesthetics

  • Large-scale relief of Christ

    • Jesus sits in a shallow madorla

    • Raises his right hand in a gesture of blessing

    • Left hand holds a gospel with the words Pax Vobis → “Peace to You”

    • Symbols of evangelists look towards him from the four corners

  • Tomb of Saint Saturnin

    • Inner part of the ambulatory

    • Enter through a doorway where the lintel was carved with the head of Christ flanked by two scallop shells (symbols for the pilgrimage trail)

    • Non Est in Toto Sanctior Orbe Locus → “There is no holier place on earth”

  • Upper and lower crypts that could be visited while in the ambulatory

    • Contains shrines and reliquaries

Maiestas Domini in Saint Pierre

  • One of the most impressive and elab orate Romanesque portals of the 12th century

  • Carved images occupy walls of the extended porch leading to the door, the door itself, and even the space over the door.

  • Portal → doorway or entry into a building

    • Divided in half vertically by the trumeau

      • Decorated on three of its four sides

      • Three pairs of intertwined lions and lionesses

        • Symbolically guard the entrance

      • Representation of the Old Testament prophet Jeremiah who holds a scroll in his hands

      • St. Paul from the New Testament

      • Placement of two figures on the sides of the trumeau

        • Face two other figures on the door jambs

        • Across from St. Paul → representation of St. Peter (New Testament saint)

        • Across from Jeremiah → Isaiah (Old Testament prophet)

        • Pairing of Old and New Testament figures was common during this period → suggesting fulfillment of Mosaic law

      • Also supports the horizontal beam of stone

    • Lintel

      • Decorated with ten rosettes that are bound together by a carved rope and have a repeated floral pattern at both the upper and lower spaces between each rosette

      • Left and right ends, rope and rosette design is coming from the mouth of a fantastical animal

        • Common characteristic in Romanesque art from illuminated manuscripts to sculpture

    • Tympanum

      • Has majority of the sculpted decoration

      • Surrounded by three decorative archivolts which have various foliate patterns carved into the individual block of stone

      • During Romanesque and Gothic periods, two subjects were popular for tympanum decoration.

        • Subject of the Last Judgement → when Christ sits as judge over those who will be divided into the Saved and the Damned

        • Maiestas Domini (Christ in Majesty)

      • More esoteric concept of the Second Coming of Christ and the End of Time

        • Center:

          • Jesus on a throne with his right hand raised in gesture of blessing

          • Left hand balances a book on his knee (Book of Revelation?)

          • Circular halo is inscribed with a cross (cruciform halo)

          • Mandorla

        • Left and right

          • Evangelical beasts

          • Two tall, elegant angels holding scrolls

          • 24 elders mentioned in the text from Revelations

            • Each elder holds a small musical instrument and a chalice

          • Arranged on three levels

            • Two are divided by wavy lines, reminding us the “sea of glass”

          • Everyone turned towards Jesus

Bayeux Tapestry

  • Bishop Odo of Bayeaux, France

  • Story of historical battle from the victor’s perspective

    • Events leading up to the Battle of Hastings

      • Death of King Edward the Confessor

      • Coronation of Harold Godwinson

      • Invasion of England by William, Duke of Normandy

      • Climactic battle itself

  • Nearly 230 feet long

  • Over 50 scenes that tell the story of the Norman Conquest

  • Comet seen in 1066

    • King Harold cowers at the sight of a comet considered to be a bad open

  • Evidence suggests the banner should be displayed along three sides of a rectangular space

  • Not a tapestry but embroidered cloth

    • Detailed and colorful with Latin inscriptions that explain the scenes

Vocabulary

  • Romanesque

    • Style of European art and architecture that flourish from 11th to 12th centuries

    • Term coined in the 19th century to describe the style’s resemblance to the Roman architectural style which it emulated

    • Fusion of Roman, Carolingian, Ottonian, Byzantine, and local Germanic traditions.

    • Features rounded arches, barrel vaults, apses, and acanthus-leaf decorations

    • Influenced by Byzantine art, especially in painting, and by the anti-classical energy of Insular art

    • Used visual iconography to teach Christian doctrine

    • Romanesque architects developed the ribbed vault which allowed for lighter and higher vaults and more windows on the upper level of the structure

    • Used simple geometric shapes

  • Relic

    • Religious object associated with a saint or other venerated person

    • Kept in a protective container called a reliquary which can be made of precious metals and gemstones

    • Large pilgrimage churches would house major relics and many lesser-known relics

    • Valuable and churches competed to have an important relic which led to a black market for fake and stolen relics

  • Reliquary

    • Container that holds sacred relics

    • Elaborately decorated with precious metals and gemstones

    • Shrines, chasses, and phylacteries.

    • Portable reliquaries → fereters

      • Chapels that housed them → feretories

  • Ambulatory

    • Covered walkway that encircles the apse of chancel of a church

    • Allows for movement of clergy and worshippers around the altar

    • Provides a designated space for processions

    • Has altars for saints set up along it

    • Vaulted which enhances their structural integrity, acoustics, and aesthetic appeal.

  • Radiating chapels

    • Small, semi-circular chapels that extend from the main body of a church and are arranged around the apse

    • Provide extra space for altars during Mass

    • Enhance the liturgical space

    • Allow for more efficient movement of worshippers during services

    • Contribute to the overall aesthetic of the church

  • Barrel vaulting

    • Series of arches that form a tunnel-like structure

    • Continuous arched surface that extends from wall to wall, creating a long, tunnel-like space.

    • Used to create spacious interiors in religious buildings, and to support the weight of the structure above.

    • Symbolize the connection between heaven and earth

    • Made of stone or brick

    • Constructed by building round arches from the bottom up

  • Groin vaulting

    • Used to cover naves where two vaults met at a right angle

    • Form an X at their intersection

    • Used to create large, open spaces without relying too much on columns.

    • Made from stone or brick

    • Stronger than barrel vaults because the four pillars of the groin vault helped to distribute the weight of the ceiling

  • Tympanum

    • Decorative area above a doorway or entrance that is located between the door’s horizontal frame and the arch or pediment above it

    • Decorated with intricate relief sculptures that depicted biblical scenes, saints, or significant events.

    • Popular subject was Last Judgement

  • Lintel

    • Horizontal beam spanning an opening, as over a window or door, or between two posts.

  • Trumeau

    • Vertical post or pillar that supports the lintel of a doorway

    • Feature decorative elements such as sculptures or reliefs that convey religious narratives or symbolize various themes

  • Side wall

    • Thick, heavy, and double-shelled, filled with rubble.

  • Jamb

    • Side of a doorway or window frame

    • Decorated with figure sculpture

  • Archivolt

    • Decorative molding or band that runs around the underside of an arch or the inner curve of the arch itself

    • Convey a theological story or depict religious figures and ideologies of the church

    • Made of wedge-shaped stones called voussoirs

  • Bestiaries

    • Literary genre and a type of illuminated text

    • Type of encyclopedia that included fables with moral lessons

    • Way for medieval Christians to learn from animals which were seen as manifestations of God and were believed to have either virtuous or evil connotations

  • Mandorla

    • Almond-shaped frame that surrounds the entire body of a holy figure

    • Symbolize heaven, divine glory, or light.

    • Often depicted in scenes of Christ’s Ascension and the Virgin’s Assumptions

  • Historiated capitals

    • CCapital decorated with humans, animals, or birds, often in a narrative sequence.

  • Hellmouths

    • Entrance to Hell depicted as a monster’s gaping mouth

    • Visual deterrent against wrongdoing and a reminder of the importance of the Church

SY

Romanesque

St Sernin

  • Accomodate more pilgrims

    • Double side aisles allowed pilgrims to visit without interrupting any religious service in process

    • Enter the church, turn left, proceed down a side aisle, and move along the transept.

    • Concluding their visit, traveling pilgrims would walk along the side aisle opposite the one they had previously used and then exit the church.

  • House and display relics

  • Materials - stone vs wood

  • Pilgrimage church must have ALL three:

    • House a relic(s)

    • Incorporate features to accomodate influx of pilgrims wanting to see relics

    • Located along a major pilgrimage route

  • Constructed in honor of Saint Sernin

    • First bishop of Toulouse

    • One of seven bishops that Pope Fabian sent to different parts of Gaul to actively preach to pagans

    • Chained to a bull and dragged through the city

    • Remains are in St Sernin

  • One of the best-preserved and largest Romanesque churches in the world

  • Medieval architects used a fundamentally Roman architectural language

    • Thick walls with relatively few windows

    • Roman arches

    • Massive vaulting

  • Latin cross plan

  • Shifting architectural styles and changing sculptural aesthetics

  • Large-scale relief of Christ

    • Jesus sits in a shallow madorla

    • Raises his right hand in a gesture of blessing

    • Left hand holds a gospel with the words Pax Vobis → “Peace to You”

    • Symbols of evangelists look towards him from the four corners

  • Tomb of Saint Saturnin

    • Inner part of the ambulatory

    • Enter through a doorway where the lintel was carved with the head of Christ flanked by two scallop shells (symbols for the pilgrimage trail)

    • Non Est in Toto Sanctior Orbe Locus → “There is no holier place on earth”

  • Upper and lower crypts that could be visited while in the ambulatory

    • Contains shrines and reliquaries

Maiestas Domini in Saint Pierre

  • One of the most impressive and elab orate Romanesque portals of the 12th century

  • Carved images occupy walls of the extended porch leading to the door, the door itself, and even the space over the door.

  • Portal → doorway or entry into a building

    • Divided in half vertically by the trumeau

      • Decorated on three of its four sides

      • Three pairs of intertwined lions and lionesses

        • Symbolically guard the entrance

      • Representation of the Old Testament prophet Jeremiah who holds a scroll in his hands

      • St. Paul from the New Testament

      • Placement of two figures on the sides of the trumeau

        • Face two other figures on the door jambs

        • Across from St. Paul → representation of St. Peter (New Testament saint)

        • Across from Jeremiah → Isaiah (Old Testament prophet)

        • Pairing of Old and New Testament figures was common during this period → suggesting fulfillment of Mosaic law

      • Also supports the horizontal beam of stone

    • Lintel

      • Decorated with ten rosettes that are bound together by a carved rope and have a repeated floral pattern at both the upper and lower spaces between each rosette

      • Left and right ends, rope and rosette design is coming from the mouth of a fantastical animal

        • Common characteristic in Romanesque art from illuminated manuscripts to sculpture

    • Tympanum

      • Has majority of the sculpted decoration

      • Surrounded by three decorative archivolts which have various foliate patterns carved into the individual block of stone

      • During Romanesque and Gothic periods, two subjects were popular for tympanum decoration.

        • Subject of the Last Judgement → when Christ sits as judge over those who will be divided into the Saved and the Damned

        • Maiestas Domini (Christ in Majesty)

      • More esoteric concept of the Second Coming of Christ and the End of Time

        • Center:

          • Jesus on a throne with his right hand raised in gesture of blessing

          • Left hand balances a book on his knee (Book of Revelation?)

          • Circular halo is inscribed with a cross (cruciform halo)

          • Mandorla

        • Left and right

          • Evangelical beasts

          • Two tall, elegant angels holding scrolls

          • 24 elders mentioned in the text from Revelations

            • Each elder holds a small musical instrument and a chalice

          • Arranged on three levels

            • Two are divided by wavy lines, reminding us the “sea of glass”

          • Everyone turned towards Jesus

Bayeux Tapestry

  • Bishop Odo of Bayeaux, France

  • Story of historical battle from the victor’s perspective

    • Events leading up to the Battle of Hastings

      • Death of King Edward the Confessor

      • Coronation of Harold Godwinson

      • Invasion of England by William, Duke of Normandy

      • Climactic battle itself

  • Nearly 230 feet long

  • Over 50 scenes that tell the story of the Norman Conquest

  • Comet seen in 1066

    • King Harold cowers at the sight of a comet considered to be a bad open

  • Evidence suggests the banner should be displayed along three sides of a rectangular space

  • Not a tapestry but embroidered cloth

    • Detailed and colorful with Latin inscriptions that explain the scenes

Vocabulary

  • Romanesque

    • Style of European art and architecture that flourish from 11th to 12th centuries

    • Term coined in the 19th century to describe the style’s resemblance to the Roman architectural style which it emulated

    • Fusion of Roman, Carolingian, Ottonian, Byzantine, and local Germanic traditions.

    • Features rounded arches, barrel vaults, apses, and acanthus-leaf decorations

    • Influenced by Byzantine art, especially in painting, and by the anti-classical energy of Insular art

    • Used visual iconography to teach Christian doctrine

    • Romanesque architects developed the ribbed vault which allowed for lighter and higher vaults and more windows on the upper level of the structure

    • Used simple geometric shapes

  • Relic

    • Religious object associated with a saint or other venerated person

    • Kept in a protective container called a reliquary which can be made of precious metals and gemstones

    • Large pilgrimage churches would house major relics and many lesser-known relics

    • Valuable and churches competed to have an important relic which led to a black market for fake and stolen relics

  • Reliquary

    • Container that holds sacred relics

    • Elaborately decorated with precious metals and gemstones

    • Shrines, chasses, and phylacteries.

    • Portable reliquaries → fereters

      • Chapels that housed them → feretories

  • Ambulatory

    • Covered walkway that encircles the apse of chancel of a church

    • Allows for movement of clergy and worshippers around the altar

    • Provides a designated space for processions

    • Has altars for saints set up along it

    • Vaulted which enhances their structural integrity, acoustics, and aesthetic appeal.

  • Radiating chapels

    • Small, semi-circular chapels that extend from the main body of a church and are arranged around the apse

    • Provide extra space for altars during Mass

    • Enhance the liturgical space

    • Allow for more efficient movement of worshippers during services

    • Contribute to the overall aesthetic of the church

  • Barrel vaulting

    • Series of arches that form a tunnel-like structure

    • Continuous arched surface that extends from wall to wall, creating a long, tunnel-like space.

    • Used to create spacious interiors in religious buildings, and to support the weight of the structure above.

    • Symbolize the connection between heaven and earth

    • Made of stone or brick

    • Constructed by building round arches from the bottom up

  • Groin vaulting

    • Used to cover naves where two vaults met at a right angle

    • Form an X at their intersection

    • Used to create large, open spaces without relying too much on columns.

    • Made from stone or brick

    • Stronger than barrel vaults because the four pillars of the groin vault helped to distribute the weight of the ceiling

  • Tympanum

    • Decorative area above a doorway or entrance that is located between the door’s horizontal frame and the arch or pediment above it

    • Decorated with intricate relief sculptures that depicted biblical scenes, saints, or significant events.

    • Popular subject was Last Judgement

  • Lintel

    • Horizontal beam spanning an opening, as over a window or door, or between two posts.

  • Trumeau

    • Vertical post or pillar that supports the lintel of a doorway

    • Feature decorative elements such as sculptures or reliefs that convey religious narratives or symbolize various themes

  • Side wall

    • Thick, heavy, and double-shelled, filled with rubble.

  • Jamb

    • Side of a doorway or window frame

    • Decorated with figure sculpture

  • Archivolt

    • Decorative molding or band that runs around the underside of an arch or the inner curve of the arch itself

    • Convey a theological story or depict religious figures and ideologies of the church

    • Made of wedge-shaped stones called voussoirs

  • Bestiaries

    • Literary genre and a type of illuminated text

    • Type of encyclopedia that included fables with moral lessons

    • Way for medieval Christians to learn from animals which were seen as manifestations of God and were believed to have either virtuous or evil connotations

  • Mandorla

    • Almond-shaped frame that surrounds the entire body of a holy figure

    • Symbolize heaven, divine glory, or light.

    • Often depicted in scenes of Christ’s Ascension and the Virgin’s Assumptions

  • Historiated capitals

    • CCapital decorated with humans, animals, or birds, often in a narrative sequence.

  • Hellmouths

    • Entrance to Hell depicted as a monster’s gaping mouth

    • Visual deterrent against wrongdoing and a reminder of the importance of the Church

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