Romanesque
Accomodate more pilgrims
Double side aisles allowed pilgrims to visit without interrupting any religious service in process
Enter the church, turn left, proceed down a side aisle, and move along the transept.
Concluding their visit, traveling pilgrims would walk along the side aisle opposite the one they had previously used and then exit the church.
House and display relics
Materials - stone vs wood
Pilgrimage church must have ALL three:
House a relic(s)
Incorporate features to accomodate influx of pilgrims wanting to see relics
Located along a major pilgrimage route
Constructed in honor of Saint Sernin
First bishop of Toulouse
One of seven bishops that Pope Fabian sent to different parts of Gaul to actively preach to pagans
Chained to a bull and dragged through the city
Remains are in St Sernin
One of the best-preserved and largest Romanesque churches in the world
Medieval architects used a fundamentally Roman architectural language
Thick walls with relatively few windows
Roman arches
Massive vaulting
Latin cross plan
Shifting architectural styles and changing sculptural aesthetics
Large-scale relief of Christ
Jesus sits in a shallow madorla
Raises his right hand in a gesture of blessing
Left hand holds a gospel with the words Pax Vobis → “Peace to You”
Symbols of evangelists look towards him from the four corners
Tomb of Saint Saturnin
Inner part of the ambulatory
Enter through a doorway where the lintel was carved with the head of Christ flanked by two scallop shells (symbols for the pilgrimage trail)
Non Est in Toto Sanctior Orbe Locus → “There is no holier place on earth”
Upper and lower crypts that could be visited while in the ambulatory
Contains shrines and reliquaries
One of the most impressive and elab orate Romanesque portals of the 12th century
Carved images occupy walls of the extended porch leading to the door, the door itself, and even the space over the door.
Portal → doorway or entry into a building
Divided in half vertically by the trumeau
Decorated on three of its four sides
Three pairs of intertwined lions and lionesses
Symbolically guard the entrance
Representation of the Old Testament prophet Jeremiah who holds a scroll in his hands
St. Paul from the New Testament
Placement of two figures on the sides of the trumeau
Face two other figures on the door jambs
Across from St. Paul → representation of St. Peter (New Testament saint)
Across from Jeremiah → Isaiah (Old Testament prophet)
Pairing of Old and New Testament figures was common during this period → suggesting fulfillment of Mosaic law
Also supports the horizontal beam of stone
Lintel
Decorated with ten rosettes that are bound together by a carved rope and have a repeated floral pattern at both the upper and lower spaces between each rosette
Left and right ends, rope and rosette design is coming from the mouth of a fantastical animal
Common characteristic in Romanesque art from illuminated manuscripts to sculpture
Tympanum
Has majority of the sculpted decoration
Surrounded by three decorative archivolts which have various foliate patterns carved into the individual block of stone
During Romanesque and Gothic periods, two subjects were popular for tympanum decoration.
Subject of the Last Judgement → when Christ sits as judge over those who will be divided into the Saved and the Damned
Maiestas Domini (Christ in Majesty)
More esoteric concept of the Second Coming of Christ and the End of Time
Center:
Jesus on a throne with his right hand raised in gesture of blessing
Left hand balances a book on his knee (Book of Revelation?)
Circular halo is inscribed with a cross (cruciform halo)
Mandorla
Left and right
Evangelical beasts
Two tall, elegant angels holding scrolls
24 elders mentioned in the text from Revelations
Each elder holds a small musical instrument and a chalice
Arranged on three levels
Two are divided by wavy lines, reminding us the “sea of glass”
Everyone turned towards Jesus
Bishop Odo of Bayeaux, France
Story of historical battle from the victor’s perspective
Events leading up to the Battle of Hastings
Death of King Edward the Confessor
Coronation of Harold Godwinson
Invasion of England by William, Duke of Normandy
Climactic battle itself
Nearly 230 feet long
Over 50 scenes that tell the story of the Norman Conquest
Comet seen in 1066
King Harold cowers at the sight of a comet considered to be a bad open
Evidence suggests the banner should be displayed along three sides of a rectangular space
Not a tapestry but embroidered cloth
Detailed and colorful with Latin inscriptions that explain the scenes
Romanesque
Style of European art and architecture that flourish from 11th to 12th centuries
Term coined in the 19th century to describe the style’s resemblance to the Roman architectural style which it emulated
Fusion of Roman, Carolingian, Ottonian, Byzantine, and local Germanic traditions.
Features rounded arches, barrel vaults, apses, and acanthus-leaf decorations
Influenced by Byzantine art, especially in painting, and by the anti-classical energy of Insular art
Used visual iconography to teach Christian doctrine
Romanesque architects developed the ribbed vault which allowed for lighter and higher vaults and more windows on the upper level of the structure
Used simple geometric shapes
Relic
Religious object associated with a saint or other venerated person
Kept in a protective container called a reliquary which can be made of precious metals and gemstones
Large pilgrimage churches would house major relics and many lesser-known relics
Valuable and churches competed to have an important relic which led to a black market for fake and stolen relics
Reliquary
Container that holds sacred relics
Elaborately decorated with precious metals and gemstones
Shrines, chasses, and phylacteries.
Portable reliquaries → fereters
Chapels that housed them → feretories
Ambulatory
Covered walkway that encircles the apse of chancel of a church
Allows for movement of clergy and worshippers around the altar
Provides a designated space for processions
Has altars for saints set up along it
Vaulted which enhances their structural integrity, acoustics, and aesthetic appeal.
Radiating chapels
Small, semi-circular chapels that extend from the main body of a church and are arranged around the apse
Provide extra space for altars during Mass
Enhance the liturgical space
Allow for more efficient movement of worshippers during services
Contribute to the overall aesthetic of the church
Barrel vaulting
Series of arches that form a tunnel-like structure
Continuous arched surface that extends from wall to wall, creating a long, tunnel-like space.
Used to create spacious interiors in religious buildings, and to support the weight of the structure above.
Symbolize the connection between heaven and earth
Made of stone or brick
Constructed by building round arches from the bottom up
Groin vaulting
Used to cover naves where two vaults met at a right angle
Form an X at their intersection
Used to create large, open spaces without relying too much on columns.
Made from stone or brick
Stronger than barrel vaults because the four pillars of the groin vault helped to distribute the weight of the ceiling
Tympanum
Decorative area above a doorway or entrance that is located between the door’s horizontal frame and the arch or pediment above it
Decorated with intricate relief sculptures that depicted biblical scenes, saints, or significant events.
Popular subject was Last Judgement
Lintel
Horizontal beam spanning an opening, as over a window or door, or between two posts.
Trumeau
Vertical post or pillar that supports the lintel of a doorway
Feature decorative elements such as sculptures or reliefs that convey religious narratives or symbolize various themes
Side wall
Thick, heavy, and double-shelled, filled with rubble.
Jamb
Side of a doorway or window frame
Decorated with figure sculpture
Archivolt
Decorative molding or band that runs around the underside of an arch or the inner curve of the arch itself
Convey a theological story or depict religious figures and ideologies of the church
Made of wedge-shaped stones called voussoirs
Bestiaries
Literary genre and a type of illuminated text
Type of encyclopedia that included fables with moral lessons
Way for medieval Christians to learn from animals which were seen as manifestations of God and were believed to have either virtuous or evil connotations
Mandorla
Almond-shaped frame that surrounds the entire body of a holy figure
Symbolize heaven, divine glory, or light.
Often depicted in scenes of Christ’s Ascension and the Virgin’s Assumptions
Historiated capitals
CCapital decorated with humans, animals, or birds, often in a narrative sequence.
Hellmouths
Entrance to Hell depicted as a monster’s gaping mouth
Visual deterrent against wrongdoing and a reminder of the importance of the Church
Accomodate more pilgrims
Double side aisles allowed pilgrims to visit without interrupting any religious service in process
Enter the church, turn left, proceed down a side aisle, and move along the transept.
Concluding their visit, traveling pilgrims would walk along the side aisle opposite the one they had previously used and then exit the church.
House and display relics
Materials - stone vs wood
Pilgrimage church must have ALL three:
House a relic(s)
Incorporate features to accomodate influx of pilgrims wanting to see relics
Located along a major pilgrimage route
Constructed in honor of Saint Sernin
First bishop of Toulouse
One of seven bishops that Pope Fabian sent to different parts of Gaul to actively preach to pagans
Chained to a bull and dragged through the city
Remains are in St Sernin
One of the best-preserved and largest Romanesque churches in the world
Medieval architects used a fundamentally Roman architectural language
Thick walls with relatively few windows
Roman arches
Massive vaulting
Latin cross plan
Shifting architectural styles and changing sculptural aesthetics
Large-scale relief of Christ
Jesus sits in a shallow madorla
Raises his right hand in a gesture of blessing
Left hand holds a gospel with the words Pax Vobis → “Peace to You”
Symbols of evangelists look towards him from the four corners
Tomb of Saint Saturnin
Inner part of the ambulatory
Enter through a doorway where the lintel was carved with the head of Christ flanked by two scallop shells (symbols for the pilgrimage trail)
Non Est in Toto Sanctior Orbe Locus → “There is no holier place on earth”
Upper and lower crypts that could be visited while in the ambulatory
Contains shrines and reliquaries
One of the most impressive and elab orate Romanesque portals of the 12th century
Carved images occupy walls of the extended porch leading to the door, the door itself, and even the space over the door.
Portal → doorway or entry into a building
Divided in half vertically by the trumeau
Decorated on three of its four sides
Three pairs of intertwined lions and lionesses
Symbolically guard the entrance
Representation of the Old Testament prophet Jeremiah who holds a scroll in his hands
St. Paul from the New Testament
Placement of two figures on the sides of the trumeau
Face two other figures on the door jambs
Across from St. Paul → representation of St. Peter (New Testament saint)
Across from Jeremiah → Isaiah (Old Testament prophet)
Pairing of Old and New Testament figures was common during this period → suggesting fulfillment of Mosaic law
Also supports the horizontal beam of stone
Lintel
Decorated with ten rosettes that are bound together by a carved rope and have a repeated floral pattern at both the upper and lower spaces between each rosette
Left and right ends, rope and rosette design is coming from the mouth of a fantastical animal
Common characteristic in Romanesque art from illuminated manuscripts to sculpture
Tympanum
Has majority of the sculpted decoration
Surrounded by three decorative archivolts which have various foliate patterns carved into the individual block of stone
During Romanesque and Gothic periods, two subjects were popular for tympanum decoration.
Subject of the Last Judgement → when Christ sits as judge over those who will be divided into the Saved and the Damned
Maiestas Domini (Christ in Majesty)
More esoteric concept of the Second Coming of Christ and the End of Time
Center:
Jesus on a throne with his right hand raised in gesture of blessing
Left hand balances a book on his knee (Book of Revelation?)
Circular halo is inscribed with a cross (cruciform halo)
Mandorla
Left and right
Evangelical beasts
Two tall, elegant angels holding scrolls
24 elders mentioned in the text from Revelations
Each elder holds a small musical instrument and a chalice
Arranged on three levels
Two are divided by wavy lines, reminding us the “sea of glass”
Everyone turned towards Jesus
Bishop Odo of Bayeaux, France
Story of historical battle from the victor’s perspective
Events leading up to the Battle of Hastings
Death of King Edward the Confessor
Coronation of Harold Godwinson
Invasion of England by William, Duke of Normandy
Climactic battle itself
Nearly 230 feet long
Over 50 scenes that tell the story of the Norman Conquest
Comet seen in 1066
King Harold cowers at the sight of a comet considered to be a bad open
Evidence suggests the banner should be displayed along three sides of a rectangular space
Not a tapestry but embroidered cloth
Detailed and colorful with Latin inscriptions that explain the scenes
Romanesque
Style of European art and architecture that flourish from 11th to 12th centuries
Term coined in the 19th century to describe the style’s resemblance to the Roman architectural style which it emulated
Fusion of Roman, Carolingian, Ottonian, Byzantine, and local Germanic traditions.
Features rounded arches, barrel vaults, apses, and acanthus-leaf decorations
Influenced by Byzantine art, especially in painting, and by the anti-classical energy of Insular art
Used visual iconography to teach Christian doctrine
Romanesque architects developed the ribbed vault which allowed for lighter and higher vaults and more windows on the upper level of the structure
Used simple geometric shapes
Relic
Religious object associated with a saint or other venerated person
Kept in a protective container called a reliquary which can be made of precious metals and gemstones
Large pilgrimage churches would house major relics and many lesser-known relics
Valuable and churches competed to have an important relic which led to a black market for fake and stolen relics
Reliquary
Container that holds sacred relics
Elaborately decorated with precious metals and gemstones
Shrines, chasses, and phylacteries.
Portable reliquaries → fereters
Chapels that housed them → feretories
Ambulatory
Covered walkway that encircles the apse of chancel of a church
Allows for movement of clergy and worshippers around the altar
Provides a designated space for processions
Has altars for saints set up along it
Vaulted which enhances their structural integrity, acoustics, and aesthetic appeal.
Radiating chapels
Small, semi-circular chapels that extend from the main body of a church and are arranged around the apse
Provide extra space for altars during Mass
Enhance the liturgical space
Allow for more efficient movement of worshippers during services
Contribute to the overall aesthetic of the church
Barrel vaulting
Series of arches that form a tunnel-like structure
Continuous arched surface that extends from wall to wall, creating a long, tunnel-like space.
Used to create spacious interiors in religious buildings, and to support the weight of the structure above.
Symbolize the connection between heaven and earth
Made of stone or brick
Constructed by building round arches from the bottom up
Groin vaulting
Used to cover naves where two vaults met at a right angle
Form an X at their intersection
Used to create large, open spaces without relying too much on columns.
Made from stone or brick
Stronger than barrel vaults because the four pillars of the groin vault helped to distribute the weight of the ceiling
Tympanum
Decorative area above a doorway or entrance that is located between the door’s horizontal frame and the arch or pediment above it
Decorated with intricate relief sculptures that depicted biblical scenes, saints, or significant events.
Popular subject was Last Judgement
Lintel
Horizontal beam spanning an opening, as over a window or door, or between two posts.
Trumeau
Vertical post or pillar that supports the lintel of a doorway
Feature decorative elements such as sculptures or reliefs that convey religious narratives or symbolize various themes
Side wall
Thick, heavy, and double-shelled, filled with rubble.
Jamb
Side of a doorway or window frame
Decorated with figure sculpture
Archivolt
Decorative molding or band that runs around the underside of an arch or the inner curve of the arch itself
Convey a theological story or depict religious figures and ideologies of the church
Made of wedge-shaped stones called voussoirs
Bestiaries
Literary genre and a type of illuminated text
Type of encyclopedia that included fables with moral lessons
Way for medieval Christians to learn from animals which were seen as manifestations of God and were believed to have either virtuous or evil connotations
Mandorla
Almond-shaped frame that surrounds the entire body of a holy figure
Symbolize heaven, divine glory, or light.
Often depicted in scenes of Christ’s Ascension and the Virgin’s Assumptions
Historiated capitals
CCapital decorated with humans, animals, or birds, often in a narrative sequence.
Hellmouths
Entrance to Hell depicted as a monster’s gaping mouth
Visual deterrent against wrongdoing and a reminder of the importance of the Church