Stan Cohen:
Cohen’s Folk Devils and Moral Panics outlines the relationship between media, police and acts of deviance
Highly influential in looking at the relationship between media, crime and the representation of different social groups
Mods and Rockers:
Cohen examined youth subcultures in the 1960s and clashes at seaside resorts in the UK
‘Mods’ and ‘Rockers’ clashed and the media reacted to this by creating these subcultures
Cohen followed the proceeding from beaches to the courts using a variety of methods
Moral Panics:
Cohen found that the reality of what happened was different from that which was reported
Media created a moral panic- suggesting actions of young people were damaging to society’s morality
They were one of several agencies to take on the role of moral entrepreneur- enforcing their morality onto others in society as part of a moral crusade
Folk Devils:
As a by-product of creating moral panics, the media and other agencies also created folk devils
These were oversimplified and ill-informed generalisations of individuals involved in deviant behaviour
Mods and rockers became folk devils and this elicited a reaction from the authorities
Deviancy Amplification:
After first reporting of events, Cohen noticed harsher policing against those deemed ‘Folk devils’
Government and police clampdowns increased the criminality of actions, while media reporting increased the number of young people involved
This led to deviancy amplification, and more crime as a result of reporting
Further applications:
Rave culture in the late 1980s
Terrorism
Xenophobia and the rise of nationalism
Knife crime in the UK
Welfare dependency
Urban Music
Evaluations:
McRobbie and Thornton (1995)- moral panics have diminished due to the diversity of media
Some youth subcultures have become mainstream (e.g. race culture, grime) which diminishes the impact of moral panics
Elements of Cohen’s work that can be seen in contemporary issues- from reaction to Covid (Covidiots) and Black Lives Matter