Poetry descriptive language and second one

Accent – The emphasis or stress placed on a syllable in a word or line of poetry.

Chorus – Lines said by a group of people

Foot – A basic unit of meter in poetry, consisting of a set pattern of stressed and unstressed syllables.

Line – A single row of words in a poem.

Meter – The rhythmic structure of lines in poetry, based on the arrangement of stressed and unstressed syllables.

Metrical Line – A line of poetry with a specific number of metrical feet.

Persona – The speaker or narrator of a poem, not necessarily the poet.

Refrain – A phrase, line, or stanza repeated at intervals in a poem.

Repetition – The intentional reuse of words, phrases, or lines for emphasis.

Rhyme Scheme – The pattern of rhymes at the end of lines in a poem.

Stanza – A grouped set of lines in a poem, similar to a paragraph in prose.

Verse – A single line of poetry or a collection of lines forming a poem.

Monostich – A poem consisting of a single line.

Couplet – A pair of rhyming lines in poetry.

Tercet – A three-line stanza, often rhyming.

Quatrain – A four-line stanza, often with a specific rhyme scheme.

Quintain (Cinquain) – A five-line stanza with various rhyme schemes.

Sestet – A six-line stanza, often the second part of a sonnet.

Septet – A seven-line stanza.

Octave – An eight-line stanza, often the first part of a Petrarchan sonnet.

Nonet (Spencerian) – A nine-line poem with a descending syllable count (9-8-7-6-5-4-3-2-1).

Dizain – A ten-line stanza, typically following a strict rhyme scheme.

Roundel – An 11-line poem with a refrain in the first and last lines.

Rondeau Prime (Wavelet) – A variation of the rondeau with a repeating refrain.

Rondeau – A 15-line poem with a complex rhyme scheme and repeating refrains.

Sonnet – A 14-line poem, typically written in iambic pentameter with specific rhyme schemes.

Aural – Descriptive language that appeals to the sense of hearing, including speech, music, or environmental sounds.

Gustatory– Imagery that evokes flavors, sensations of sweetness, bitterness, spiciness, or other taste-related experiences.

Olfactory– Descriptions that engage the sense of smell, often invoking strong memories or emotions.

Tactile – Language that conveys texture, temperature, or physical sensations like roughness, softness, or pain.

Visual – Imagery that describes color, shape, size, or movement to create a vivid mental picture.

Thermal – Descriptions of heat or cold to enhance sensory engagement in a poem.

Kinesthetic – Imagery that conveys motion, physical tension, or bodily movement, creating a sense of dynamism.

Alliteration – The repetition of initial consonant sounds in closely placed words to create rhythm or emphasis.

Assonance – The repetition of vowel sounds within words, often producing a musical or melodic effect.

Cacophony – The use of harsh, discordant sounds to create tension or an unsettling atmosphere.

Consonance – The repetition of consonant sounds, particularly at the end or middle of words, to add cohesion or texture.

Dissonance – A deliberate combination of clashing sounds or syllables to create discomfort or disrupt flow.

End Rhyme – Rhyming words appearing at the ends of lines in a structured pattern.

Euphony – The use of smooth, harmonious sounds to create a pleasing, lyrical effect.

Internal Rhyme – A rhyme occurring within a single line of poetry rather than at the end.

Onomatopoeia – Words that imitate natural sounds, enhancing imagery through auditory mimicry.

Rhyme – The repetition of similar sounds in two or more words, often used to create rhythm and unity.

Rhyme Scheme – The pattern of end rhymes in a poem, usually labeled with letters to indicate structure.

Rhythm – The beat or pace of a poem, influenced by syllable patterns, stresses, and line breaks.

Sound Repetition – The intentional recurrence of sounds, words, or phrases to emphasize meaning or create musicality.