KN

Unit 3&4 Metalanguage

Cohesion:

Lexical choice: role of content words in creating texts

  • synonymy: using pairs or groups of words that are equivalent or very similar in meaning

    • “choice, selection and preference” (all three words have a similar meaning so could be used within a text to create cohesion)

  • antonymy: the relationship of words that are opposite in meaning

    • “He’s always been hot and cold with me”

    • links conceptually in a sentence

  • hyponymy: a word that is a sub-type of a larger category called hypernym

    • builds a semantic domain

    • adds a consistent idea/concept

  • hypernymy: a larger category consisting of smaller categories called hyponyms

    Animal (Hypernym) → Cat (hyponym of animal) (hyperhym of ragdoll) → ragdoll (hyponym of cat)

  • Collocation: words that typically appear next to or very near each other in texts. allows readers or listeners to predict the next word in a sentence or utterance.

    • “welcome to my humble abode”

    • adds an expectation of what comes next

Information flow: modification of the structure of a sentence or clause so that the elements that are important gains prominence

  • clefting: moving a phrase to another position within the sentence

    • It-cleft: ‘It’ is at the front moving the most important element to the front

      Unmarked: “I washed the cat last night”

      • “ It was the cat that I washed last night”

    • Pseudo-cleft: Uses a relative pronoun to move the most important element to the back

      Unmarked: “The cat stole the fish from the fridge”

      • “What was stolen from the fridge by the cat was the fish”

      Unmarked sentence: Cecily read a poem at the recital last night.

      • “Where Cecily was last night when she read the poem was at the recital”

      • “Who read the poem last night at the recital was Cecily”

      • “When Cecily read the poem was last night at the recital”

  • front focus: moving a phrasal element out of its usual position and to the front of a sentence to give it prominence

    • info moved to the front already known in the context, if new acts as contrast/comparison

    • “We were watching the man down the street. To all of us he seemed to he acting suspiciously.”

  • end focus: allows for prominence to be placed on a particular phrasal element that normally appears elsewhere to the end of a sentence by moving it to the end

    • unmarked: “My cat dropped a dead mouse on the doorstep this morning.”

    • “My cat dropped a mouse on the doorstep this morning, dead!”

  • anaphoric reference: when an element or an entity has been introduced in a text (referent), a pronoun (anaphor) is used instead of the full phrase to refer back to it

    • “Miss Melrose woke up this morning on the left side of her bed. She usually wakes up on the right.”

  • cataphoric reference: uses substitution before the referent is introduced.

    • “As she felt a little cold, Mendy put on her coat”

    • adds suspense and tension or obfuscates

  • deictics: an expression used in relation to the speaker, listener or context of the communication. can signal people, places, objects, times or situations. the referent is not explicit in the text.

    • creates shared understanding between interlocutors

    • paralinguistic features: also can be deictic since it requires contextual knowledge (pointing)

  • repetition: using the same word throughout a text to reiterate an idea or topic

    • “Aleyna loved reading books. Without a doubt the appeal went beyond the stories within them, it was also the calming smell of the books’ paper. She embraced being bookish.”

  • substitution: replacing one element of a sentence with something else

    • “Will it be sunny tomorrow? I hope so” ← “I hope it will be sunny tomorrow”

    • “I like pie. I bet you do too.” ← “I bet you like pie too”

    Nominal: uses ‘one’ or ‘ones’ to substitute the noun

    • “okay Jules, thanks for the meeting. Let’s start the next one”

    Verbal: realised through aux verbs or substitute terms like ‘so’ or ‘the same’

    • “Thursday the sixth looks pretty good, and, so does Monday the tenth”

    Clausal: ‘so’ and ‘not’ substitutes the previous clause

    • “do you think we’ll need an hour? If so, how bout the twenty sixth, three to four?”

  • ellipsis: the omission of words or phrases, particularly when they are already known due to contextual information or because they have been referred to previously

    • “Suzie took the first bite of matcha cheesecake while Yarys took the second bite of matcha cheesecake.

  • conjunctions and adverbials: can be used to improve the flow of writing by tying together phrases, clauses, sentences and paragraphs

    • adverbials can be used to signpost: “firstly…, immediately…, finally”

    • coordinating conjunctions allow for additions, comparisons and contrasts

    • subordinating conjunctions relate lexis by context of time and space, or cause and effect


Coherence:

·      cohesion

  • Inference: A conclusion that is reached on the basis of evidence and reasoning

    • relies on a level of situational, cultural, regional and/or historical knowledge

  • logical ordering: Ensures that a text is structured in a way that is visually and textually appropriate for that text type

    • written: TEEL

    • spoken: formal greeting, intro, development, conclusion, final acknowledgement of audience

  • formatting: includes the font style, spacing, alignment, headings and subheadings, lists, text colours, graphics, margins and white space to give prominence to more important elements of a text.

  • consistency and conventions:

    Coherent texts adhere to the conventions of the text type

    • e.g. a recipe requires a list of ingredients and a method, as well as the number of suggested servings, and perhaps a picture of the finished dish

    Consistency can be achieved by using lexical choices from the same semantic field and/or using dominant sentence types

    • e.g. a recipe would include lexemes from the semantic field of cooking, and the dominant sentence type would be imperatives


Features of spoken discourse:

  • Openings and Closings

    Opening: to start a conversation (phatic talk) = formulaic utterances

    • Salutation

      • “Hi, g’day, hey, sigma”

    • Vocatives (addressing someone)

      • “Ladies and gentlemen, (name), Mr, Miss”

    • phatic question/comment

      • “How are you?, it’s great to see you”

    Closing: close a conversation

    • “Thank you, see ya”

  • Adjacency Pairs (AP)

    • aids natural progression of the conversation

    • structures convo

    • provides co-operation

      • opening + closing

      • phatic comment + response

      • apology + acceptance

      • thank you + response

      • compliment + acknowledgement

      • question + answer

  • Minimal responses/Backchannels

    • responses that show encouragement and support for the speaker

    • indicates listeners engagement

      • “mm”, “yeah”, “wow”, “damn”

      • laughter

      • echoing

      • facial expressions

  • Overlapping Speech: one person overlaps another speaker

    reasons why:

    • to get the other to stop talking

    • to seize the floor

    • agreement

    • excitement

    shows:

    • informality

    • support or animosity

    • spontaneity

  • Discourse markers/Particles: fillers we insert into our speech for a particular purpose

    • ‘yeah-no’, ‘like’, ‘i think’, ‘well’, ‘sort of’, ‘you know’

    • Hedging expressions/hedges: expressions that reduce the force of what we’re saying to express modesty, uncertainty creating a friendly, less authoritative utterance

    • ‘sort of’, ‘just’, ‘like’

    • eg. I think it’s kind of like a tiger

  • Non-fluency Features (NFF)

    • reflective or spontaneous speech

    • does not change nature of convo

    • occurs when speakers formulate ideas/words while speaking and reach grammatical boundaries

    • Pauses

      • formulating ideas

      • emphasis

      • hesitation

      • word searching

    • Filled pauses/voiced hesitations

      • hesitation, uncertainty, word searching

        • ‘um’, ‘er’, ‘like’, ‘uh’, ‘hmm’, ‘mm’

    • False starts

      • demonstrates spontaneity

      • gives more time to construct grammatically correct sentences

      • occurs anywhere

        • starting with a different word → changing to start with another word

    • Repetition: unintentional mention of repeated words

      • hesitation, self-correction

        • ‘I’, ‘I dont know’

    • Repairs: correction of utterance that may have occurred due to errors, miscommunication

      • need for clarification

      • “I have, I mean I don’t have”

Strategies in spoken discourse:

·     management of repair sequences

·     code switching as a marker of group membership and belonging

  • Topic Management (1 or more people): ways to manage a topic within a conversation or monologue

    1. Topic initiation: starting a topic through a statement or question

    2. Topic development: further elaboration and extending the initial discussion through expansion on points

    3. Topic shift: topic is changed from one to another

      • deliberate or unintentional

    4. Topic loop: returning to a previously discussed topic

    5. Topic termination: reaching the end of a convo

  • Turn taking (2 or more ppl): ways to organise turns

    1. Taking the floor

      • speaking during silence or interrupting

    2. Hold the floor

      • voice hesitation (umm, hmm, uhh)

      • conjunctions (and)

      • rising intonation

      • pauses

    3. Passing the floor

      • explicitly: interrogative sentence

      • implicitly: silence, falling intonation


Politeness strategies

Positive and negative face

Face: the aspect of the listener being acknowledged through the politeness strategy

  • Positive face: concerns the desire for favourable social interactions and maintaining a positive self-image

  • Negative face: concerns the desire to maintain one's sense of individuality and personal space

Positive and negative face threatening acts

  • Face-threatening act: communication that can pose a threat to an individual's positive or negative face, leading to consequences such as embarrassment, loss of face, offence or conflict.

    • eg. making requests, giving directives, complaining, disagreeing, interrupting and delivering bad news

Positive and negative politeness

  • Positive politeness: strategies we use to create and maintain social harmony by demonstrating empathy and building rapport

  • Negative politeness: reducing the imposition placed on the listener


  • Lexical meaning, especially sense relations:

  • synonymy: using pairs or groups of words that are equivalent or very similar in meaning

    • “choice, selection and preference” (all three words have a similar meaning so could be used within a text to create cohesion)

    • adds variety and helps engagement with text

  • antonymy: the relationship of words that are opposite in meaning

    • “He’s always been hot and cold with me”

    • antonyms are linked conceptually

  • hyponymy: a word that is a sub-type of a larger category called hypernym

    • builds a semantic domain

    • establishes a consistent idea/concept

  • hypernymy: a larger category consisting of smaller categories called hyponyms

    Animal (Hypernym) → Cat (hyponym of animal) (hyperhym of ragdoll) → ragdoll (hyponym of cat)

  • idiom: commonly used phrases which have a non-literal meaning. These may be integrated within a language, or more specific to individual social groups.

  • denotation: the literal meaning of a word, as found in the dictionary.

  • connotation: the set of associations and values that are attributed to a word overtime.


Euphemism: words or phrases that are used in place of a particularly blunt or taboo word or phrase, to reduce the impact of the statement

  • obfuscates the meaning of the word

Dysphemism: words or phrases that are used to magnify a particularly blunt or taboo word or phrase, to increase the impact of the statement.

Paralinguistic features: non-vocal signals beyond the basic speech

vocal effects: all other sounds made in spoken communication except prosodic features

  • whispers:

  • laughter: can signal amusement, enjoyment, solidarity, entertainment, sarcasm, close social distance

non-verbal communication:

gestures, facial expressions, eye contact

  • creakiness: low and scratchy sound

  • breathiness: dry/sigh like sound


Active and passive voice, including agentless passives

Agent: who performs the action

Patient: thing that is effected by the action of the agent

Active voice

  • The agent is at the subject position and the patient is at the object position

    • Tiffany hit the ball

Passive voice

  • the agent is at the object position, the patient is at the subject position

  • agent is normally preceded by the preposition ‘by’

    • The ball was hit by Tiffany


Hypocoristic use of suffixes

A word turns into a form denoting affection or familiarity

  • Usually into a monosyllable and suffixed with ‘-y’, ‘-ie’, ‘-o’

  • expensive → ‘exy’, afternoon → ‘arvo’