three movements
-ecs usually had three movemenst
baroque concerto fast slow fast
SYMPHONIC EXAMPLE- CPE BACH - ends in ritornello - unusually runs 1st movement straight into second
HYADN LAMENTATIONES - unusually ends in minuet and trio
sentences to memorise
-Early Classical Symphonies often had three movements, following the structure of the Baroque concerto: fast-slow-fast.
4 movement structure
-style galant emerges - emohasis on balanced phrasing and structure
This led to forms which created a larger scale sense of balance such as -
binary,
-ternary,
-sonata,
-theme and variations and
- rondo forms.
SYMPHONIC EXAMPLES
-stamitz - helped establish 4 movement symohony
1 allegro
Early Classical symphonies had simple versions of these forms and were usually in a major key, with limited modulation to closely related keys.