Roman Social Classes
Patricians
Plebeians
Slaves and Freedmen
Patricians: The aristocratic class of ancient Rome, holding most of the political power and land. (basically the rich people)
Similar to aristocrats or nobles
Wealthy and held most of the power
Controlled the government
Owned most of the land
Held high positions in society, and held most of the influence; people looked up to them
Nobility was based on birth
Served in the senate
Plebians: were the common people of Rome, often struggling for rights and representation in the government. (middle/working class)
Majority of the population
Poor, working-class citizens
Given parcels of land outside of the city walls
Often had to borrow money at high interest rates
Faced harsh punishments for defaulting on a loan, including slavery
An official chosen by the plebeians to protect the rights of ordinary citizens
Had the power to veto decisions made by the senate and consuls. (local representative)
Highest-ranking officials in ancient Rome (not chosen/voted by the plebians)They were elected by the citizens of Rome and held significant military and administrative authority, serving a term of one year.
Senate: A political institution in ancient Rome made up of patricians who advised the consuls and held significant power over legislation and governance.
Tribunes: Elected representatives who protected the interests of the plebeians, possessing the power to veto legislation passed by the Senate and consuls, thereby serving as a check on the power of the elite.
Praetors: Judicial officials in ancient Rome responsible for overseeing legal matters, including the administration of justice and the management of public affairs, often acting as a substitute for consuls in their absence.
Two consuls were elected each year for a one-year term
Could veto each other’s decisions (would this cause conflict?)
Commanded the army and presided over the senate, consulting it on major decisions
Could be appointed in times of crisis with almost absolute power, but only for six months
This role was meant for emergencies to help Rome
A triumvirate was a political alliance or power-sharing agreement between three leaders.
First Triumvirate (60 BCE)
Informal alliance between Julius Caesar, Pompey the Great, and Crassus
Aimed to gain political power and control Rome without being an official government structure
Second Triumvirate (43 BCE)
Formal alliance between Octavian (Augustus), Mark Antony, and Lepidus
Created to defeat the assassins of Julius Caesar and divide control of the Republic
Fell apart due to power struggles, leading to Octavian’s rise as sole ruler.
Typically divided into three categories:
Histories: Focus on historical events and political conflict
Tragedies: Themes of betrayal, loss, and death
Comedies: Lighthearted with happy endings
Based on historical events yet Shakespeare took liberties with details and characterizations
Focuses on personal tragedy, especially of Brutus and his tragic flaws
Explores themes of honor, betrayal, and fate more akin to Shakespeare's tragedies than histories
Prose: Ordinary language often used for lower-class characters or informal situations
Verse: Uses blank verse (unrhymed iambic pentameter) for formal or elevated speech, typically among nobility
Definition: A rhythmic pattern in English poetry consisting of five metrical feet, each an "iamb"
Meter: Refers to the rhythmic structure of verse
An iamb consists of two syllables; one short (unstressed) followed by one long (stressed)
Pent: Comes from the Greek word for five
Example: "Shall I compare thee to a summer's day?"
Noble characters like Brutus, Cassius, and Caesar commonly speak in blank verse
Example from Cassius:
"Why, man, he doth bestride the narrow world / Like a Colossus, and we petty men / Walk under his huge legs and peep about / To find ourselves dishonorable graves" (1.2.135-138)
Reflects the seriousness of the argument and high stakes in discussing Caesar’s power.
Commoners often speak in prose, particularly evident in the opening scene with tribunes Flavius and Marullus
Example from the Cobbler:
"A trade, sir, that I hope I may use with a safe conscience, which is indeed, sir, a mender of bad soles."
The pun highlights the cobbler’s wit and differentiates the social status and tone from the tribunes, who switch to verse.
Characters adapt language to reflect their audience and dynamics
Ex: Cassius' manipulation of Brutus in Act 1, Scene 2
Tailors speech to appeal to Brutus’ honor and fears:
"The fault, dear Brutus, is not in our stars, / But in ourselves, that we are underlings" (1.2.139-140)
This choice of language reflects power structures and strategies of persuasion.