Perception_-_PSych_PPT

Page 1: Perception

  • Overview of perception concepts (Pg 59-65)

Page 2: Just Noticeable Difference / Difference Threshold

  • Definition: Smallest amount of change needed in a stimulus to detect a difference.

  • Essential Question: How much must a stimulus change before we perceive a difference?

Page 3: Weber's Law

  • Principle: The just-noticeable difference (JND) is proportional to the magnitude of the original stimulus.

  • Implication: Larger original stimuli require larger changes to be noticed.

  • Intensity relation: More intense stimuli need more change for detection.

Page 4: Weber's Law - Discriminable Analysis

  • Example values illustrating discriminability thresholds across senses:

    • Hearing: 0.2

    • Vision: 0.06

    • Touch: Shows discernible thresholds at varying levels.

Page 5: Weber's Law - Key Points

  • JND is a constant ratio of original stimulus intensity.

  • Percentage difference needed varies by sense:

    • Weight: 2-5% change to notice.

    • Brightness: 1-2% change needed.

    • Sound Volume: Approximately 1-5% change.

Page 6: Perceptual Theories

  • Theories that explain perception:

    • Signal Detection Theory

    • Top-Down Processing

    • Bottom-Up Processing

Page 7: Signal Detection Theory

  • States that detection depends on stimulus intensity and the observer's state.

  • Relates to both Weber's Law and individual factors affecting perception.

Page 8: Outcomes of Signal Detection Theory

  • Four outcomes based on observer response:

    • Hit: Signal detected.

    • Miss: Signal not detected.

    • False Alarm: Incorrectly perceived signal.

    • Correct Rejection: Signal absent, correctly not perceived.

Page 9: Signal Detection Theory - Definition and Outcomes

  • Definition: SDT explains decision-making based on sensory input strength and confidence.

  • Used under uncertainty, e.g., perceiving distances in fog.

  • Outcomes repeat the four situations described on Page 8.

Page 10: Top-Down Processing

  • Cognitive process using pre-existing knowledge to interpret sensory information.

  • Also known as conceptually driven processing.

  • Relies on prior knowledge and experiences for understanding.

Page 11: Top-Down Processing Example

  • Example of using familiarity with word shapes:

    • _voc_do

    • Dand_li_n

    • _clip_e

    • Tw_li_ht

Page 12: Bottom-Up Processing

  • Describes how sensory information is processed independently of prior knowledge.

  • Focuses on details and is largely automatic.

Page 13: Processing Strategies

  • Top-Down Processing: Uses prior knowledge for interpretation.

    • Example: Understanding a story by interpreting text details.

  • Bottom-Up Processing: Builds perception from sensory inputs.

    • Example: Anticipating song lyrics based on familiarity.

Page 14: Top-Down vs Bottom-Up Processing

  • Top-Down: Involves expectations and existing models for perception.

  • Bottom-Up: Analyzes sensory details without prior influence.

Page 15: Figure-Ground Principle

  • Cognitive function to distinguish figure from ground in visual scenes.

Page 18: Figure-Ground Relationship

  • Describes how visual fields are separated into figure (focus of attention) and ground (background).

  • Fundamental Gestalt principle for simplifying visual scenes.

Page 19: Gestalt Rules Overview

  • Gestalt rules entail principles for organizing sensory information into wholes.

  • Key Concept: "The whole is greater than the sum of its parts".

Page 20: Main Gestalt Principles

  • Proximity: Grouping close objects together.

  • Similarity: Grouping similar-looking objects.

  • Continuity: Perceiving smooth patterns.

  • Closure: Filling in gaps to see a complete figure.

  • Figure-ground: Recognizing focal objects against their background.

Page 22: Examples of Gestalt Principles

  • Objects grouped together appear as a single figure.

  • Continuation: Perceiving uninterrupted objects despite intersections.

  • Symmetry: Recognizing symmetrical arrangements around a center.

Page 23: Perceptual Constancy

  • Refers to perceiving familiar objects as stable despite sensory changes.

  • Types include:

    • Size Constancy: Perceiving constant size at different distances.

    • Shape Constancy: Maintaining perceived shape despite angle changes.

    • Color Constancy: Seeing the same color under varied lighting.

Page 26: Brightness Constancy Example

  • Illustrates how identical shades can appear differently due to environmental context.

  • Light conditions affect perceived brightness, e.g., a dark square in light vs a light square in shadow.

Page 27: Perceived Motion

  • Definition: Psychological experience of seeing movement through visual signals.

  • Involves interpreting visual cues, leading to perceived motion even when stationary.

Page 28: Key Points About Perceived Motion

  • Optical Illusions: Objects appearing to move due to misinterpretation of visual data.

  • Phi Phenomenon: Misinterpretation of rapidly flashing lights as movement.

  • Motion Parallax: Real-world observation of speed differences based on distance.

Page 30: Depth Cues

  • Visual signals that allow distance perception.

  • Binocular cues: Difference in perspective from two eyes (e.g., retinal disparity).

  • Monocular cues: Single-eye cues like linear perspective, texture gradient, and interposition.

Page 31: Examples of Monocular Cues

  • Relative Size: Larger objects appear closer.

  • Linear Perspective: Converging parallel lines suggest distance.

  • Interposition: Overlapping objects indicate positional closeness.

  • Texture Gradient: Denser textures suggest proximity.

  • Aerial Perspective: Distant objects appear hazy.

Page 32: Key Points About Binocular Cues

  • Retinal Disparity: Images are slightly different from each eye allowing depth perception.

  • Convergence: Eyes move inward focusing on nearby objects, relaying depth info to the brain.

Page 33: Culture and Perception

  • Cultural differences in perception, e.g., responses to the Muller-Lyer illusion based on environmental geometry experience.

Page 35: Extrasensory Perception (ESP)

  • Definition: Alleged ability to perceive information without known sensory channels.

  • Types: Telepathy, clairvoyance, precognition.

  • Scientific Consensus: ESP considered a paranormal phenomenon lacking robust evidence.

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