Two types of processing functions
Top-down- Filling the gaps, less accurate, uses schema
Bottoms-up- Uses sensory input to create a perception.
Perceptual Organisations
Gestalt belief- Human brain perceives stimulus as a whole and not as the sum of its parts
Founder of the Gestalt Approach- 1912, Wertheimer, Koffka, Kohler
Gestalt- Organised whole
Law of Pragnanz (Good Figure, Simplicity)- People percieve and interpret ambiguous or complex images in the simplest form possible
Figure-Ground Relationships- Tendency to percieve objects or figures as existing on a background- Edgard Rubin
4 factors that contribute to change in figure-ground perception
Blurriness- Sharpness/ Lack thereof of the edges between two objects. Blurry edges make the observer percieve an object or shape as the background
Contrast- Contrast in colors between potential figure and potential background
Size- Size of target object relative to the rest of the image
Separation- Objects degree of separation from the background
Laws of Perceptual Organisation
Similarity- Tendency to percieve things that look similar to one another as being part of the same group
Proximity- Tendency to percieve objects that are close to each other as part of the same group
Closure- Tendency to fill gaps and complete incomplete figures
Continuity- Tendency to percieve patterns
Common Region- Stephen Palmer1992, Objects in common area=Same Group
Contiguity- Two things happening togethr= Seen as being related or part of the same group
Types of Perceptual Constancies- Allow us to recognise familiar stimuli under varying conditions
Brightness- Occurs because the ratio of light intensity between the object and its surroundings is constant
Shape- Allows us to percieve objects and people from all angles
Size- Size of objects remains relatively constant even though images on our retina change in size with variations in distance.
Depth Perception- Defined as the ability to see in 3 dimensions
Depth Cues
Monocular- Require use of one eye, pictorial depth cues
Linear perspective - Objects that are farther away appear smaller
Texture gradient - Surfaces appear to have more detail when closer
Interposition (overlapping) - Objects that partially block other objects are perceived as closer
Aerial perspective - Distant objects appear hazier or bluer
Relative size - When we know two objects are similar in size, the smaller one appears farther away
Relative height - Objects higher in our visual field appear farther away
Motion parallax - Closer objects appear to move faster than distant objects when we move
Shadows and shading - Help determine the shape and position of objects
Binocular- Require use of both eyes to gather depth perception.
Stereopsis - Uses the slightly different images from each eye to judge distance
Convergence - Eyes move inward when looking at closer objects, providing a muscle cue for depth
Retinal disparity - Difference in image position on the retinas of the two eyes that helps calculate depth
Perceptual Illusions
Hermann Grid
The Hermann Grid illusion is a visual illusion where dark spots appear at the intersections of a white grid on a black background. These dark spots disappear when you look directly at an intersection. The illusion occurs due to lateral inhibition in the visual system.
Key characteristics of the Hermann Grid illusion:
First described by Ludimar Hermann in 1870
The effect is strongest in peripheral vision
Occurs due to lateral inhibition between light and dark receptive fields
The illusory dark spots are called "scintillating" spots
The effect diminishes when the grid lines are curved or distorted
Muller-Lyer
The Müller-Lyer illusion is a famous optical illusion where two lines of identical length appear to be different sizes due to the arrow-like fins attached to their ends.
Key characteristics of the Müller-Lyer illusion:
First described by German psychiatrist Franz Müller-Lyer in 1889
Lines with outward-pointing fins appear longer than identical lines with inward-pointing fins
The effect persists even when we know the lines are actually the same length
The illusion is thought to occur because our visual system interprets the fins as depth cues
The effect is stronger in people from "carpentered" environments with many right angles
Demonstrates how our perceptual systems can be misled by contextual cues
Moon Illusion
The Moon Illusion is a well-known perceptual phenomenon where the Moon appears larger when it's near the horizon than when it's high in the sky.
Key characteristics of the Moon Illusion:
First documented by ancient Greek astronomers, including Aristotle (384-322 BCE)
The Moon appears about 1.5 times larger on the horizon than when overhead
The illusion occurs despite no actual change in the Moon's angular size
Primarily explained by the "apparent distance theory" - we perceive the horizon as farther away than the zenith
Also influenced by the Ponzo illusion - foreground objects provide scale cues that make distant objects appear larger
Demonstrates how our perceptual systems integrate contextual information into size judgments
Illusions of Motion
Motion illusions are visual phenomena where static images appear to be moving or where actual motion is perceived incorrectly.
Key characteristics of motion illusions:
Autokinetic effect - When staring at a static point of light in a dark environment, it appears to move
Phi phenomenon - Series of static images shown in sequence create the perception of movement (basis of animation and film)
Waterfall illusion (motion aftereffect) - After staring at moving stimulus then looking at stationary object, the stationary object appears to move in opposite direction
Rotating snakes illusion - Circular patterns appear to rotate continuously though the image is static
Wagon wheel illusion - A spinning wheel appears to rotate backward or stand still due to frame rate of observation
Perceived causality - When one object moves toward another and then the second begins moving, we perceive the first as causing the second's movement
These illusions demonstrate how our visual system processes motion and highlight the constructive nature of perception.