apmt 2
Conjunct Motion: stepwise motion
Disjunct Motion: motion by leaps/boudns
Parallel keys: start on the same note
Relative keys: 3 half steps apart
Distantly Related Keys: more than 1 accidental apart (eg, c and f#)
Closely related keys: 1 accidental apart (eg, c and g)
Bb instruments - transpose down a M2 from the written pitch
Trumpet
Clarinet
Tenor Saxophone (down a M9)
Eb instruments - transpose down a M6 from the written pitch
Alto Saxophone
Baritone Saxophone (down a M13)
Clarinet in Eb sounds a m3 higher than written pitch
F instruments - transpose down a P5 from the written pitch
English Horn
French Horn (can also transpose to many different keys depending on the "crook")
A instruments - transpose down a m3 from the written pitch
Clarinet (sometimes)
trumpet (rare)
Octave Transposing Instruments - instruments that transpose up or down by one octave
Alberti bass - keyboard pattern to outline arpeggiated chords (usually low-high-mid-high pattern)
Walking bass - common in jazz, also shows pulse and rhythm
Imitation - repetition of musical ideas, common in polyphony
Call and response - a type of imitation in which musical lines are traded between parts or voices
Fugue - a musical form that uses imitations in its structure
Canon - layers of the same melody
Round - a specific type of canon that has the ability to repeat endlessly (go round and round...)
Countermelody - two melodies layered on top of each other, by definition occurs in polyphony
Ostinato - a repeated rhythmic pattern, can be layered on top of other lines, means "stubborn"
Doubling - two instruments playing the same thing
Solo - one single person performing a musical line
Soli - a group of people performing the same musical line
Tutti - refers to the ensemble at large
Open Spacing - large, spaced out intervals between parts
Closed Spacing - close, small intervals between parts
Anacrusis - synonymous with "Pickup note", one or more notes that occur before the first weighted beat of a phrase
Agogic Accent - a natural accent given to a note that is generally performed in common practice, rather than explicitly written down. Agogic accents can be implied for the following reasons:
Syncopation - placement of accents or notes on normally weak beats or beat divisions. Used often in jazz, ragtime, and latin music.
Cross rhythm - a combination of two or more rhythm patterns that do not equally align in their divisions. Also referred to as "polyrhythm".
Hemiola - a musical figure in which two groups of three beats are replaced by three groups of two beats (or vice versa), giving the effect of a shift between triple and duple meter