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Clarice Lispector: 'The Daydreams of a Drunk Woman' - Summary and Analysis

Biography and Background
  • Clarice Lispector (1920-1977) was a major figure in Brazilian modernist literature.

  • She was born in December to Russian-Jewish parents who were victims of pogroms.

  • Her parents changed her name from Chava to Clarice upon arriving in Brazil.

  • The family settled in Recife, Pernambuco, before moving to Rio de Janeiro.

  • Lispector studied law and became a journalist at the newspaper A Noite.

  • She won the Graça Aranha Prize for her first novel, Close to the Savage Heart (1943).

  • Lispector received the Jabuti Prize for her short story collection, Family Ties (1960).

  • She published novels, short stories, chronicles, and children's tales.

  • Lispector is known for her intense, tightly structured short stories that portray the world through a character's innermost thoughts and feelings.

  • Her writing emphasizes sensuous perception to attain intuitive knowledge beyond words.

  • She is often compared to Virginia Woolf.

  • Lispector's contribution to literary modernism lies in her ability to connect bodily sensations, the limits of language, and the mysteries of existence.

  • Her fluid, lyrical style has been called "feminine writing" for exploring the relationship between immediate bodily experience and language.

  • She makes extended interior monologues to evoke the precariousness of subjective coherence.

"The Daydreams of a Drunk Woman" (1960)
  • This story is about an alcoholic woman and her internal experience.

  • The title disposes of the protagonist in a few words; she is an alcoholic who sees and half understands.

Initial Scene
  • The protagonist is combing her hair in front of a dressing table with three mirrors.

  • She feels that the trolley cars are about to cross through the room as her reflected image trembles.

  • She sings a song: "Who saw the little sparrow… it passed by the window… and flew beyond Minho!" but suddenly stops, irritated.

Internal Thoughts and Sensations
  • She lies down and fans herself with a newspaper, inhaling the odor of the bedsheet.

  • She remembers a moment in a restaurant when her husband's protector pressed his foot against hers under the table.

  • She recalls a fly landing on her bare bosom in Tiradentes Square.

  • She wonders what is wrong with her and if she has eaten too much.

  • She realizes it is unhappiness.

  • She thinks about cleaning her house with soap and water.

  • She remembers how her husband's friend looked at her when she was pretty and plump.

The Moon and Vulgarity
  • She sees the moon and leans over slightly, feeling resigned.

  • She has an outburst of affection, calling the moon a "slut."

Restaurant Scene
  • She reflects on the artificiality of polite manners and feels a need to be sick in order to plant sweetness into something awful.

  • She considers how what she says in her present state might serve as an apology for the future, to the well-to-do businessman who has invited her out to dinner.

  • She thinks of herself not as a lobster but as a scorpion, noting that she was born in November.

  • She is conscious of her feelings and artistic sensibility.

  • She feels protected by her position in life and considers pouring more wine into her glass as long as she does not lose her self-respect.

Observations and Judgments
  • She despises the barren people in the restaurant.

  • She detests a woman in a hat and jewelry, calling her a fraud and a fishwife.

  • She feels humiliated at having come to the bar dressed modestly.

Return to Reality
  • The difficulty of arriving home disappears as she finds herself in her room.

  • She is seated on the edge of the bed, with a slipper falling off.

  • She closes her blurred eyes, and everything takes on the appearance of flesh.

  • She feels herself becoming larger and unsteady.

  • She imagines someone could plunge into each of her eyes and swim around without knowing it was an eye.

Resignation and Scepticism
  • She is sitting up in bed, resigned and sceptical, aware that things are happening to her that will only hurt later.

  • When restored to her normal size, her anesthetized body will wake up, throbbing, and she will begin to pay for those big meals and drinks.

  • She opens her eyes and sees everything smaller and more familiar.

  • She is sitting quite upright in bed, her stomach so full, absorbed, and resigned.

  • She looks around her, patient and obedient.

  • She expresses boredom and wonders how to describe the thing inside her.

  • She reflects on how much she enjoyed herself and how nice it all was at the restaurant.

Final Thoughts
  • The world would exclaim about her being seated elegantly at the table.

  • She makes no reply, drawing herself erect with a bad-tempered click.

Further Details and Reflections
  • The woman is already dressed.

  • She examines her husband's suit.

  • Her anger was tenuous and ancient.

  • She looks at her husband and suffers on behalf of all women.

  • When she got drunk, it was as if she had acquired the docile nature of a mule.

  • Her eyes appeared brilliant and moist.

  • She felt swollen and rotund like a large cake.

  • The words that a woman uttered when drunk were an abomination.

  • The vanity of feeling drunk made her feel at ease.

Terms and References
  • Minho: A river in northwest Portugal.

  • Riachuelo Street: A street in Rio de Janeiro that intersects with Mem de Sá Street; also the name of a large department store.

  • Mem de Sá: A 16th-century Portuguese governor-general of Brazil and the founder of Rio de Janeiro.

  • Tiradentes Square: A square in Rio de Janeiro named after a Brazilian