The article by Audrey Rose G. Mirasol discusses the scapegoat mechanism within detective fiction through a Girardian lens.
Focuses on how detective stories are often about the identification and expulsion of guilt as a means to restore communal peace.
Traditional views depict detective fiction as grounded in rational and scientific epistemologies.
Siegfried Kracauer posits detective novels emphasize reason over crime/legal aspects.
The ** detective** is portrayed as indifferent towards the law, more interested in solving the crime puzzle.
Other scholars, like Stephen Soitos and J.K. Van Dover, reiterate the notion of the detective as a figure of rationality.
Iconic detectives (e.g., Sherlock Holmes, Hercule Poirot) exemplify this rationalist ideology.
Popular media amplifies this view with forensic science improvements and sensationalized crime-solving.
Teleological Orientation
The genre focuses on identifying and expelling the guilty party, which some argue contradicts the rationalist framework.
W.H. Auden suggests the ultimate goal is revealing the guilty to achieve community absolution.
Sociopolitical Context
Modern narratives tend to explore themes of social injustice affecting the culpability of criminals.
Questions arise regarding sympathy for the guilty.
Reader Psychology
Inquiry into why a gentler demographic is drawn to violent fiction.
Reflections on curious disconnects in moral standings versus literary enjoyment.
Girard's concept of the scapegoat details how communities resolve tensions by placing blame on an individual.
This individual is seen as truly guilty and is crucial for societal harmony post-expulsion.
Contrast with modern interpretations, where the scapegoat may be innocent yet still bears the community's wrath.
Examples include Shirley Jackson's "The Lottery" and Cobra Kai on Netflix, where scapegoating offers community resolution.
The mechanism serves as a narrative device in detective stories, articulating the duality of guilt and innocence.
Detectives as modern high priests utilizing reason/science for scapegoat selection.
Focused analysis of F.H. Batacan's novel which illustrates a complex portrayal of the serial killer as a socioeconomically oppressed individual.
Highlights:
The serial killer is depicted not just as a monster but a product of systemic injustices.
Psychologically traumatic past serves as a framework for mitigating guilt.
The detective character ( Priest-like Jesuit) shows sympathy towards the killer, complicating the narrative structure.
The article concludes that even with an aversion towards traditional scapegoating, the urge to identify fault remains. Smaller and Smaller Circles exemplifies the struggle between depicting systemic issues while retaining a protagonist as created by circumstantial evils.
Emphasizes the role of detective fiction as a methodological release for readers' instinctual scapegoating desires in a controlled, vicarious manner.