FA 107
- Subject – what the painting is about, LANDSCAPE – PORTRAIT – STILL LIFE
- Realistic - still lifes are usually very realistic
- Distorted - still lifes are sometimes distorted, when one aspect is exaggerated to make it look not realistic
1. Expressionism (Style) - conveying an emotional experience rather than a realistic one
1. Avant-garde Cline with abstract art 2. Impressionism (Style) - artist focuses on natural light and color, going for a psychological perception of (mostly) nature. Most are landscapes
1. Monet!!! Waterlilies!!!
- Abstract - non-representational, does not try to portray anything realistic, not much that is identifiable
1. Action Painting
- Surrealism - distorted images
Style - characteristics of a work of art that allows you to place it in a particular era, group of artists, or nation
- Styles of Realism
- Classic - adheres to traditional standards, very ordered, very stable, does not have a particular response, lots of geometric shapes, very two dimensional
1. Halo overhead means that they are religious
- Romantic - movement that started in the 1700s, much more 3d, emphasis on imagination + emotion, a lot of flesh/skin showing, realistic, chiaroscuro = effect of putting light color next to a dark color to create 3d look.
- Medium - pigment and how it is bound,
- Oil - pigment bound in oil, dries very slow, brushstrokes can be hidden, more realistic, appears 3d,
- Acrylic - bound in plastic, dries very fast 5-10 min
- Fresco - bound in plaster, can be cleaned, artist can only work in small amt of space
- Ink - pigment bound in chemicals, dries very very quick
- Watercolor - bound in water
- Tempera - pigment bound in egg or glue, nice sheen to it, able to scratch through dry layers
- Function of art - to show emotions, entertainment,
- Line and shape
- Cartoon and outline, distorted
- Distorted, color bounded
- Distorted, color bounded
- Straight -
- Diagonal - create a sense of movement
- Horizontal - calm, tranquility, serenity, serene
- Vertical - very upright, rigid, stationary, stable, strength
- Curved
1. Quick, closed - very busy, a lot going on, 2. Slow, open - peaceful, sensual, relaxed,
- Perspective - a tool used to create spacial relationships between objects in a painting, creates an illusion of distance.
- Linear - uses lines that come together in the distance to show distance
- Foreshortening - where lines of an object are shortened to make it appear like it is projecting forward
- Aerial - uses light and atmosphere, meaning the further away something is, the less defined it is
- Color
- Hue - the color itself
- Intensity - pureness or saturation of a color
- Value - where it would fall on a scale from dark (low) to light (high)
- Composition
- Form
1. Open focused - eyes can roll off the canvas, look for more painting 2. Closed
- Focal points/center of interest
- Organic unity
- Balance and contrast
1. Asymmetrical - color, saturation, not balanced, very much contrast 2. Symmetrical - a mirror image
- Theme and variation
1. Themes are repeated patterns or colors 2. Variations are the differences
- Organix unity - do all elements of the picture seem like they fit
Sculpture Notes
~~~ intended to be around for a very long time
~~~ ephemeral sculpture - exists for a moment in time and then it is gone
Christo and jeanne-claude
~~~ public art is art in any media whose form function and meaning are created for the general public through a public process
- Types of sculpture
- Full round - you can walk all the way around it, intended to be seen from all sides/angles
- Relief - intended to only be seen from one side
1. High relief - protrudes from a background at least half the depth, maintains 2-d quality 2. Low relief - protrudes from a background less than half the depth, has a background and a 2-d quality
- Linear - emphasizes construction with thin elongated items
1. Wire, thin metal, lightweight 2. Alexander Calder - famous for mobiles
- Process of Creation
- Subtraction - things are carved out of raw material
- Addition (constructive) - things are added to a sculpture/raw material
- Substitution - mold will be made of wax, then clay surrounded, melt the wax out, bronze filled in, then clay cracked off
1. Any material that can be melted/changed into another thing
- Manipulation - modeling, shaping pliable materials such as clay, plastic or plaster by skilled use of hands
- Found
- Elements of composition
- Mass - how heavy is it
- Volume - how much space it takes up
- Line - diagonal, horizontal, vertical
- Form - active and non-active
- Color - saturation
- Texture - how does it look/feel
- Principles of the medium
- Proportion - can be messed with because of how it should be viewed
- Repetition
- Viewer response
- Subject
- Texture/touch - what does it feel like
- Aging - patina and what colors will form
- Dynamics
- Balance
- Size
- Lighting - usually purposeful
- Environment - does it fit where it is