Scott H. Young, known for accelerated learning and "Ultralearning", explores skill acquisition in "Get Better at Anything."
The book explains why some learn faster and argues understanding learning can boost enthusiasm and speed up progress. As Young states, understanding the principles of learning can "dramatically boost both your enthusiasm for learning and the speed at which you progress."
It demystifies skill development and offers actionable advice.
This analysis focuses on improvisation as a learning model, linking it to jazz, Kim Jung-gi's art, freestyle rapping, and Leonardo da Vinci's methods.
Young's core framework is "See," "Do," and "Feedback."
These are essential for effective learning and improvement.
"See" involves learning from experts by observing their methods. Young explains that this involves "learning from examples of experts."
Example: The Tetris community improved rapidly when top players shared gameplay online. As Young notes, "once the best players started sharing their gameplay online, the skill of the entire Tetris community skyrocketed."
Visual exposure helped others grasp advanced strategies, accelerating skill acquisition.
The ease of learning from others' examples determines how quickly one improves.
"Do" emphasizes the necessity of practice for mastery. Young stresses that "practice is absolutely essential if you want to get good at anything."
Not all practice is equally effective.
The brain automates processes to conserve effort, hindering progress if practice is rote.
Deliberate practice is advocated: focused, intentional work on specific areas.
"Feedback" highlights constant adjustment based on reliable information about progress. Young describes feedback as "getting reliable information about what you’re doing and adjusting it based on this information."
Feedback can be formal evaluations or hands-on results.
Being open to feedback is crucial for course correction.
The quality of feedback determines how effectively skills are refined.
"Get Better at Anything" presents twelve maxims elaborating effective learning principles.
These maxims offer nuanced perspectives on skill acquisition.
Acquiring complex skills is like navigating a problem space, requiring strategic exploration. Young illustrates this by stating that "acquiring a complex skill is like navigating a problem space."
Imitation and studying expert examples are crucial starting points for developing originality. Young advises, "before you can run, you need to walk—and walking, in this case, means copying."
Early successes build self-efficacy, driving motivation and engagement. Young notes that "success is often the best teacher. Early wins build self-efficacy."
Tacit knowledge in experts can hinder their ability to effectively teach beginners. Young explains, "the knowledge of experts becomes invisible. They forget what it was like to be a beginner."
Learning is maximized when tasks are challenging but not overly frustrating. According to Young, there is a "sweet spot" where the difficulty is high enough to be engaging, but not so high as to be discouraging.
Effective learning requires targeted strategies and understanding of cognitive processes. Young emphasizes that "the mind isn’t a muscle… improving your cognitive skills requires getting the appropriate techniques for improving those specific skills."
Practicing in different ways and contexts enhances skill transfer and adaptability. Young advises to "use variability over repetition. Practicing in different ways and contexts enhances your skill."
A higher volume of work often leads to more breakthroughs and higher overall quality in creative fields. Young observes that "quality comes from quantity. A higher volume of work often leads to breakthroughs."
Prolonged engagement alone is not enough; quality practice and feedback are more critical. Young cautions that "experience doesn’t reliably ensure expertise. Intentional effort and feedback are vital, not just time spent."
Progress often involves plateaus and setbacks; understanding this helps maintain persistence. Young explains that "improvement is not a straight line. Progress includes plateaus and setbacks."
Effective skill development requires practicing in realistic, real-world conditions. Young highlights that "practice must meet reality. Effective skill development requires practicing in realistic, real-world conditions."
Gradually facing challenging aspects of learning can diminish fear and anxiety. Young states that "fears fade with exposure. Facing anxieties diminishes negative emotions."
Viewing skill acquisition as a search encourages a strategic mindset.
Understanding skill nature and identifying improvement avenues are key.
Copying challenges the notion of spontaneous originality.
Learning from experts is a foundation for innovation.
Early wins boost confidence, creating a positive reinforcement cycle.
Experts may find it hard to articulate automated knowledge.
The "sweet spot" of difficulty balances challenge and discouragement.
Improving cognitive skills requires the right techniques.
Varied practice enhances learning and adaptability.
High work volume often leads to breakthroughs.
Intentional effort and feedback are vital, not just time spent.
Progress includes plateaus and setbacks.
Practice should mirror real-world conditions.
Facing anxieties diminishes negative emotions.
Improvisation, in music, art, or verbal expression, relies on foundational knowledge and adaptability, mirroring effective learning.
Jazz improvisation exemplifies how deep knowledge enables spontaneous creativity. As Young puts it, jazz improvisation shows how "deep knowledge enables spontaneous creativity."
It's built on music theory, scales, chords, and song structure.
Learning involves immersion, listening to experts, practicing and receiving feedback.
Techniques include melodic embellishment, rhythmic variation, and strategic use of neighbor tones, appoggiaturas and passing tones.
Actively listening to masters and analyzing solos is crucial.
"Variable practice" is evident in jamming with different performers.
1940s New York jazz scene is a case study in rapid skill development.
Emphasis on flexible scales aligns with "Variability Over Repetition".
Kim Jung-gi's art exemplifies improvisation rooted in foundational knowledge. Young notes that Jung-gi’s process illustrates how internalized knowledge transforms into creativity.
His style features detailed compositions created without preliminary sketching.
Mastery stems from a mental library of images cultivated through observation and practice.
His process involves mental sketching, visualizing complex scenes clearly.
Creativity emerges from internalized knowledge, "copied" and transformed.
He improvises in real-time, with each stroke influencing the next.
He pre-visualizes a significant portion of the image before drawing.
His "mental sketchpad" is a developed form of mental modeling.
Freestyle rapping and direct drawing offer further parallels.
Freestyle rapping involves spontaneous creation within constraints like rhythm and rhyme.
Direct drawing requires a strong understanding of form and composition.
These share rapid idea generation, evaluation, and execution.
During improvisation, areas of the prefrontal cortex may become less active, allowing intuitive processing.
Long-term memory is crucial, combining existing knowledge in novel ways.
Scott Young's rapping in Korean demonstrates applying learning principles to improvisation.
The balance between structure and spontaneity underscores effective learning.
The provided table summarizes foundational knowledge, key techniques, and feedback mechanisms for different improvisational domains.
Foundational Knowledge Required: Music theory, scales, chords, song structure, knowledge of jazz repertoire
Key Improvisational Techniques: Melodic embellishment, rhythmic and phrasing variation, use of neighbor tones, appoggiaturas
Feedback Mechanisms: Performance, interaction with other musicians, analysis of recordings
Foundational Knowledge Required: Anatomy, perspective, form, composition, extensive visual memory
Key Improvisational Techniques: Mental sketching, real-time adaptation of lines and forms
Feedback Mechanisms: Observation of the drawing as it progresses, internal sense of composition and accuracy
Foundational Knowledge Required: Vocabulary, rhyme schemes, rhythm, cultural context of rap
Key Improvisational Techniques: Spontaneous generation of rhymes and rhythms, wordplay, storytelling
Feedback Mechanisms: Audience reaction, internal sense of flow and coherence
Foundational Knowledge Required: Understanding of form, line weight, perspective, composition
Key Improvisational Techniques: Drawing without preliminary sketches, intuitive placement of lines and shapes
Feedback Mechanisms: Observation of the drawing as it progresses, internal sense of form and balance
Drawing from the "See, Do, Feedback" framework
Actively seek out experts and observe their techniques.
Use videos, recordings, and live demonstrations.
Engage in conversations with knowledgeable individuals.
Study worked examples to understand problem-solving.
Emphasizes deliberate and variable practice.
Engage in focused practice sessions targeting areas needing improvement.
Incorporate variability by shuffling content